In which group did Alexander Dobrynin sing? Vyacheslav Dobrynin: biography, personal life, creativity. At an elite school

23.06.2019

The artist Dobrynin Nikolai today is associated among millions of television viewers with a folklore character - the village man Mitya Bukhankin from the village of Kuchugury, who plays a special integrative function in the popular family series.

The humor oozing from it recreates the unity of the broken modern civilization the surrounding world. The audience doesn’t even have questions about how old Nikolai Dobrynin is, because the image he found, like Shchukar, Sholokhov’s creative find, is eternal.

Mityai’s naive ego and his desire to be in the spotlight do not coincide with his real social status. With the air of an expert, he generously gives out “advice at random” to others, shares his “memories” with his interlocutors no worse than Munchausen, and loudly tells others about his views on life. But for some reason, it is precisely such tales from his lips that are remembered, become significant, and gain weight. Needless to say, the Honored Artist of Russia organically entered into this image. In this article, we have set ourselves a difficult goal - to trace the milestones in the biography of Nikolai Dobrynin.

Childhood

Did he think as a child that he would become a film actor? Did the parents envision such a path for their second son? Hardly. Nikolai Dobrynin was born in Taganrog on August 17, 1963. His mother worked in trade, and his father was an investigator. Kolya's father was a gypsy by nationality. My paternal grandmother lived in a real gypsy camp. From childhood until school, Kolya lived with his grandmother, was free as the wind, played with the children. It was a real gypsy freemen.

Dad played the button accordion well and sent his son to study piano at a music school. The boy was proud of him, his “cool” and the right job. He was indeed strict, but fair. If, indeed, the offense of one or another son deserved a “belt,” then so it happened. Especially when brothers got into a fight and ended up in the police (at that time, “district to district” fights were popular among guys). My father was an investigator, famous in Taganrog.

Father's death. Childhood cut short

Dad died suddenly and paradoxically: he was simply crossing the road at a crossing, and also when the light was green. He was hit by an ambulance. Since childhood, Nikolai Dobrynin was forced to earn money. His work history began in the 6th grade: he sewed potato bags (his gypsy grandmother taught him this simple science), put together mailboxes, and worked part-time as a loader. Early departure father's impact on Nikolai. He did not graduate from music school: having reached the last grade, he had a conflict with the director.

When sixth-grader Kolya stepped on the scale, it showed a weight of 87 kilograms. It was He was terribly shy and complex. He was depressed by the nickname given by his classmates, "Package". And when he had to swim in the pioneer camp in the summer, he entered the water in a shirt, embarrassed by his chest, to put it mildly, of non-Hellenic proportions.

Brother's help

Nikolai Dobrynin is still grateful to his older brother Alexander, who took full responsibility for his father’s upbringing.

By the way, Alexander Nikolayevich Naumenko (he and Nikolai have different fathers) also received “from God” outstanding creative potential and amazing performance, thanks to which he became a soloist Bolshoi Theater. His godfather became Svyatoslav Richter.

Alexander brought Nikolai to school ballroom dancing and strictly monitored his sports activities. To make weight loss go faster, he built a “running” belt with lead inserts for Nikolai. The “belt” weighed twenty kilograms, but for Kolya it seemed even heavier when he had to run up and down Petrovskaya Street.

Dobrynin Nikolai Nikolaevich talks ironically about his ballroom dancing classes. The girls didn’t want to dance with “Package”, and his first partner was a guy, long and with youthful acne. "Don Quixote and Sancho Panza", as they were called, were a brand ball school. But later, when twenty kilograms had “gone away,” the girl “found herself.”

Moscow, admission to university

Alexander, a first-year student at the conservatory, took his brother to Moscow. He, as a maximalist, agreed, because young man left by a ballroom dancing partner (thanks to her from the whole country). If not for this decision - to go to Moscow - Kolya, like half of his classmates, most likely would have gone to a nautical school.

But it happened differently: he entered GITIS (workshop of L. Knyazeva, I. Sudakova), however, on the third attempt. In the same stream, Nikolai studied with and

The most disastrous was the first attempt at admission. As soon as a young man with a terrible accent and a characteristic letter “G” told the commission that he was from Taganrog, he heard in response: “Goodbye.”

First marriage

Between jobs, he didn’t sit idly by; he worked as a mechanic, plumber, and metro builder. But when Dobrynin, already a “shot sparrow” among applicants, passed acting exams wherever he could, he was invited to study simultaneously at the Shchukin School, the Moscow Art Theater Theater Studio, the Shchepkin School and GITIS. It was a kind of psychological revenge for all the previous fiascoes.

The real “energizer” was Nikolai Dobrynin. His biography is filled with paradoxes: he once argued with his classmate Ksenia Larina (daughter of Andrei Barshev, a diplomat, later the creator of Radio Nostalgie), and they got married purely on a bet. What a precedent: the daughter of a diplomat marries a gypsy! To support his family, the student worked in the metro as a drainage worker. Talented man talented in everything, drainage worker Nikolai was awarded the 6th category by Metrostroy, he was a virtuoso worker. However, the student marriage lasted five years.

Theater "Satyricon"

GITIS was completed in 1985. As actor Nikolai Dobrynin recalls, the situation was again paradoxical: he was invited to seven theaters at once, he chose the Satyricon Theater, he wanted to work with Konstantin Raikin, who was gaining momentum. The very spirit of this theater corresponded to the inner energy of the actor, and although Nikolai spent four whole years there as an extra, he invariably remembers these years positively. In addition, there he had the opportunity to go on stage with the legend Arkady Raikin (the play “Peace to Thy Home”).

Like any actor, Nikolai Dobrynin craved not only “his viewer,” but also an audience of millions. His filmography began in the New Year's (1986) melodrama " Necessary people"(directed by Vladimir Alenikov), where he played the builder Kolya. The following year, he played the role of the thief Vitka, street nickname Gavrosh, in a film directed by Pankratov. In 1989, she played the role of Leva - Katsap (directed by Vladimir Alenikov).

Second marriage

In 1988, actor Nikolai Dobrynin married for the second time. His chosen one was the daughter of Milady, Margarita Terekhova.

The marriage was (unfortunately, was) truly for love. The fact that Anna is seven years younger was simply not noticed, because Nikolai, as we have already said, is an energizer. He loved his wife dearly. Son Mikhail was born. As Anna herself admits (which she regrets), the breakup occurred because of her (demand in the “Theater of the Moon”). Dobrynin, until he was 16 years old, looked after and raised his son Misha, without meeting with ex-wife(loved, my soul ached). Nikolai Dobrynin's son Misha did not follow in his parents' footsteps; he chose the profession of psychologist.

The actor is very respectful of his “star mother-in-law.” He thinks she's great. A kind of litmus test for Margarita Terekhova’s acting level for Dobrynin was a phrase dropped by Jane Fonda (who starred with her in the film “ Blue bird"): "Rita, I will never play like that!"

Army. Working with Roman Viktyuk

However, let's return to the main chronology of the biography. The army was then a “wow” - a state within a state; it attracted talented athletes and young artists into its fold. After five years of acting, Nikolai Dobrynin joined the Moscow air defense ensemble. As a creative person, he was given leave to play in Satyricon. When he participated in one of the skits, he was “found” by Roman Grigorievich Viktyuk. However, Nikolai’s army service also did not go swimmingly. The culprit turned out to be the ill-fated German Rust, who landed on Red Square. All the dogs were sent down to the air defense, the air defense ensemble was then disbanded, and Nikolai was sent to “finish his service” in a regular combat unit for a year.

Viktyuk Theater

After demobilization in 1989, Dobrynin was lucky enough to touch the great. Viktyuk's "Satyricon" performance of "The Maids", where he played Claire, had the honor of opening new era in the history of the World Theater. Critics have called "Handmaids" a renewed manifesto of theatricality.

Working with Roman Grigorievich captivated Nikolai for 16 years. Creativity with the living legend - Viktyuk - is something special (“The Master and Margarita”, “Solomeya” pulled out all the juice from the actor and required complete dedication). Nikolai Dobrynin can talk about this for hours. The actor’s filmography in the 90s was promoted according to the principle “rarely, but accurately.” Interesting and intense work in the theater simply did not give the right to “occasional roles” in films.

Cinematic roles in the 90s

In 1993, he played the role of Misha Raevsky in the film by S. Ursulyak “Russian Ragtime” (plot plot: fooling youth tears down the red flag). This is a truly dramatic role that led his hero to a choice: to betray and expose him to the “punishing sword of Soviet Law” or to remain decent, but suffer himself. The actor’s performance was recognized at the Constellation-94 film festival as the best male role. The role of Kolya Dolgushin in the detective story “Kings of Russian Detective”, Gordanov in the drama “On Knives”, and Zhenya in “White Dance” did not go unnoticed by the audience.

Film actor roles in the 21st century

In 2004, the actor interrupted his collaboration with the Roman Viktyuk Theater. The latter was a forced step. It is not possible for a person to simultaneously burn to the ground on stage in “The Master and Margarita”, “Solomeya” and fully meet the demand in cinema. He was drawn into work in the TV series “Life is a Hunting Field”, “Chess Player”, “Amapola”. There was a conversation with the master director, where they decided to take a break for three years.

Objectively speaking, not everyone can play as many film roles as Dobrynin had. It’s not for nothing that Roman Viktyuk called Nikolai “not two-core, but seven-core.” Indeed, Nikolai Dobrynin deeply and organically accepted the Satyriconian credo formulated by Konstantin Raikin, “Work until the aorta ruptures.” The growth of his creative potential is obvious. The actor was ready for a stream of directorial offers in connection with the renaissance of Russian cinema. For almost a decade he plays 4-5 roles annually! Lives between St. Petersburg and Moscow. But in 2013, he played in 7 films: “Prisoner of the Caucasus-2”, “Reconnaissance Girls”, “Stanitsa”, “Molodezhka”, “Petr Leshchenko: All That Happened”, “New Year’s Trouble”.

However, his love for theater does not leave him. Since 2007, he is again listed as a theater actor. But he plays for the soul: several roles in the Theater Center on Kolomenskaya (the performances “Maupassant in Love” and “Pajamas for Six”).

Third marriage

In 2002, 45-year-old Nikolai Dobrynin married for the third time. brought him together with Ekaterina Komisarova. A fan of the actor then worked as a flight attendant and attended all his performances. One day Katya plucked up courage and went backstage to give flowers to her idol. Nikolai was in a bad mood at the time and rejected the flowers, but then caught up with the offended girl.

In 2008, their daughter Nina was born. For 10 years God did not give the Dobrynins a child. As Nikolai himself says, they begged their daughter together. There was a period in his work when he broadcast about Orthodoxy and churches. While filming the program, he had a chance to visit the Damascus monastery of St. Thekla. In this temple, believers ask for the birth of children. After praying, mother handed Dobrynin a special monastic belt. Such belts are worn by women who want to have a child, and are removed after pregnancy occurs. Katya only had to wear the belt for two months.

Now Ekaterina works as an assistant director for Roman Viktyuk. The couple married family nest in St. Petersburg. Nikolai Dobrynin considers it related to his native Taganrog: both cities are the brainchild of Peter I. Both are sea cities. He likes the rhythm of life in the City of Peter, and Nikolai knows Peterhof, Pavlovsk, and Pushkin as if he were a native Leningrader.

However, for convenience, the Dobrynins also have an apartment in Moscow, where they work. This is their rhythm of life and work: they travel together along the Moscow-St. Petersburg route.

Conclusion

Finishing the article, I would like to return again to the hero Dobrynin, who was especially loved by the audience. The actor's impressive track record eventually led him to an undeniable creative find. Millions of Russians enjoy the way Nikolai Dobrynin uniquely presents the image of Mitya Bukhankin, a “grown-up child” who is dear mainly for what he is in himself.

Conceived by the director as secondary image Thanks to the actor’s personal charm, Mitya came to the fore in the TV series “Matchmakers.” Nikolai Dobrynin, contrary to the logic of the script, “outplayed” the main actors, just as Bronevoy once outplayed Tikhonov. In fact, with this role he created a brand and prepared the potential for future film works.

Formally, Russia (2002) became virtually national.

Nikolai Dobrynin was born on August 17, 1963 in Taganrog. Father Nikolai was an honored investigator of the city police, and his mother worked in trade. The family had two children. Nikolai grew up with his half-brother Alexander Naumenko from his mother’s first marriage and her relatives in a sedentary gypsy camp in the village of Krylovskaya.

Dobrynin's father was fond of music, in particular, he played the button accordion excellently, so young Nikolai was sent to study at the local music school. The boy studied piano, but did not finish his studies. The whole family was involved in raising the child. His maternal grandmother taught the boy to sew; from childhood, Dobrynin could earn pocket money by selling self-sewn potato bags. In classes high school the future artist earned money by knocking together mailboxes and unloading wagons. Dobrynin grew up active child, ballroom dancing classes and church choir he combined it with the usual street fights for the town.

Grandmother Anastasia Kondratievna worked in drama theater and gave my beloved grandson his first theatrical costume. The love for reincarnation manifested itself in early childhood: He loved to put on his father’s uniform and portray various characters, performing entire performances in front of the mirror. But to really decide on your future profession the young artist was helped by his older brother Alexander. It is he, the future famous Opera singer and teacher, insisted on entering the capital’s theater university.


In 1980, Nikolai moved to Moscow and entered GITIS for an acting course. In parallel with his studies, the young artist worked at night in the metro and eventually received the specialty of a sixth-class drainage specialist. He also worked part-time as a teacher and dance teacher. During his studies, Dobrynin, together with his brother Alexander, who studied at the conservatory, sang in the choir of the Novodevichy Convent, for which they almost lost the opportunity to continue their studies at the university. Then the famous Soviet pianist Svyatoslav Richter stood up for the students.

In 1989, Nikolai Dobrynin was drafted into the army and served in the air defense forces. However, after the incident with the landing of the Rust plane on Red Square, their part was disbanded, and Dobrynin ended up in another, where he staged several performances.

Theater

After graduating from university in 1985, Dobrynin began looking for work in his specialty. The future artist went to audition for the Satyricon theater, which he was managing at that time, and after forty minutes he was enrolled in the theater troupe. For four years, the actor played “extras” characters on the stage of the Moscow theater, but was drafted into the army.


Lyudmila Artemyeva and Nikolai Dobrynin in the play "Close People"

After demobilization, Nikolai returned to his native theater "Satyricon", where he immediately received a role in the provocative play "Maids". The artist had to play on the same stage with Alexandra Zueva and Sergei Zarubin in a rather controversial production, which could become either a complete failure or a breakthrough in theater arts. The premiere of the play “The Maids” completely turned the artist’s life upside down: people began to recognize him on the streets, ask for his autograph, fans appeared who literally fought for his attention after performances and came to all the artist’s performances.


Nikolai Dobrynin in the play "The Tsar's Gift"

Even in his youth, Nikolai Dobrynin became famous actor theater, he was invited to the “Independent Troupe of Alla Sigalova”, and later to the Roman Viktyuk Theater. In Viktyuk’s productions, Nikolai played rather complex psychological roles: Herod from the production of “Salome”, Pontius Pilate from the play “The Master and Margarita”. The constant combination of theatrical tours and filming forced Dobrynin to leave the Roman Viktyuk Theater after 16 years of cooperation.

In 2005, Nikolai Dobrynin was invited to play the main role in the production of “Maupassant in Love,” which was staged by “ Theater Center on Kolomenskaya" in St. Petersburg. Nikolai liked the new troupe, and he continued to collaborate with them, playing in the production of “Pajamas for Six.”

Movies

Nikolai Dobrynin first appeared on screens big cinema in 1986 in the musical melodrama “Necessary People”, where he played a simple builder Kolya. A year later, he received his first leading role in the film drama “Farewell, Zamoskvoretsk punks...”, where he played Vitka, nicknamed “Gavroche”. This role brought him considerable fame and opened the door to participation in other film projects. Dobrynin has firmly established the role of a strong, self-confident hero.


In 2009, the third season of the popular comedy series “Matchmakers” was released on television, where Nikolai played the role of Mitya Bukhankin. In his new comedy role, Dobrynin achieved unprecedented success and won the love of the TV viewer, from minor character his Mityai became almost the main character of the series. The popularity of the artist and the character was so high that in 2011 a separate 20-episode series “Mitya's Tales” with Nikolai Dobrynin in leading role.


Nikolai Dobrynin in the series "Molodezhka"

In 2013, Nikolai Dobrynin took part in a project unusual for himself - a youth series about hockey called “Molodezhka”. According to Dobrynin himself, he happily starred with director Sergei Arlanov, with whom he had worked before and of whom he has an extremely high opinion. In addition, the series is about the glory of Russian hockey, and the actor himself is for a healthy mind in a healthy body.


and Nikolai Dobrynin on the set of the series "Molodezhka"

Despite the sports component of the series and its focus on a young audience, Dobrynin played in it his usual role as the father of the main character - an ordinary Russian man, a hard worker from a factory who decided that his son should become a champion. It is curious that due to the constant comparisons of Dobrynin’s characters with the people’s favorite Mityai, the director told the actor before filming: “Play whoever you want, just not Mityai.”

As the actor himself said, initially the character of Mitya was conceived as a passing character. But then he received more screen time and became so popular that the actor was literally inundated with thanks for this role. Moreover, not only adults, but also children did not give way to the actor. The reason for such universal popularity of this character seems to Dobrynin himself to be that “there is such a Mityai in every yard.”


Every year several TV series featuring the actor are released. Of the latter, we can note the multi-part television film "and Alexandrov", in which Dobrynin played the role of "", where the artist appeared in the image of the father of the legend of Soviet cinema, as well as the biographical television series "". In the latter, Dobrynin also appeared in one of the main roles - a family friend of the legendary tiger tamer.

Over the thirty years of his acting career, the artist took part in the filming of more than a hundred different films, from comedies to crime melodramas.

Personal life

While still a student at GITIS, Nikolai Dobrynin proposed to his classmate Oksana Barsheva, better known as Ksenia Larina. Ksenia was the daughter of the Soviet diplomat Andrei Nikolaevich Barshev, but, despite his wife’s successful parents, Nikolai independently fed and provided for his young family. In five years life together Dobrynin and Larina filed for divorce.


In the mid-1980s, Nikolai met his future second wife, daughter of the famous Soviet actress, the famous Milady. They met in the dressing room after one of the performances. In 1988, Terekhova had a son, Mikhail, from the Borovinskys. Two years after the birth of her son, Terekhova married Dobrynin, and Nikolai adopted the boy.


This marriage was not successful for Russian artist, a few years later the couple filed for divorce. The divorce was initiated by the wife. Dobrynin continued communicating with adopted son and often invites him to her filming. Mikhail Dobrynin, knowing who his real father was, retained warm feelings for the man who raised him.


In 1998, Ekaterina Komissarova appeared in the life of Nikolai Dobrynin, who later became his third wife. Ekaterina was a fan of Dobrynin’s work and really wanted to please her favorite actor. They got married in 2002 and have lived in peace and harmony ever since. For a long time, the couple could not have a child, but after Nicholas’s trip to the monastery of St. Thecla in Damascus, a miracle happened: Ekaterina Komissarova became pregnant, and in 2008 the couple had a daughter, Nina.

Nikolay Dobrynin now

Nikolai Dobrynin continues his acting career, saying in one of his interviews that he does not know how to rest at all. In 2016 and 2017, Dobrynin and his partner toured Russia and neighboring countries with the production of “The Tsar’s Gift.” This comedy performance tells about a man and a woman who were once in love with each other, but their happiness was not destined to happen.

In 2016, Nikolai Dobrynin starred in the “Smak” program, where he showed the presenter how to cook vegetable sauté and fish casserole, and also talked about how he had to act with tigers in the film “Margarita Nazarova.”

Another thing happened that same year significant event. After touring in Crimea, Nikolai Dobrynin and his colleague in the acting workshop and the series “Matchmakers” were literally taken off the train, and later deported from Ukraine and banned from entering this country for three years. The actor was outraged by the fact that they were detained and offered to be taken to Moscow in a bus with bars, and during interrogation they constantly quoted lines from their favorite TV series. As a result, the actors were expelled from Ukraine to Belgorod, and there at first they were mistaken for “Ukrainians” and did not want to be allowed into their homeland. It all ended in a general reconciliation, since the series “Matchmakers” is watched by everyone and considered theirs in both Russia and Ukraine.


However, Dobrynin lifted the veil of secrecy regarding the continuation of his favorite series and complained that there were difficulties with filming the very interesting seventh part. Not only Dobrynin and Artemyeva are prohibited from entering the territory of Ukraine, but also, who became famous in the role of Ivan Budko. Can't come to Russia and some film crew from Ukraine, because then in their homeland they will be considered traitors. Therefore, the creators of the series are seriously thinking about filming in the Republic of Belarus.


Due to Dobrynin's popularity and resemblance to the famous composer and singer, today they are often considered brothers. But, despite the truly striking external resemblance, there are no family ties Nikolai and Vyacheslav Dobrynin do not.

Filmography

  • Necessary people
  • Goodbye, Zamoskvoretsk punks...
  • Russian ragtime
  • Everything we've dreamed of for so long
  • Family secrets
  • Mine
  • Father
  • Matchmakers
  • Garages
  • Mityai's tales
  • Youth
  • Motherland

Nikolay Dobrynin is talented actor and just a people's favorite, whose biography interests many. Therefore, in the article we presented interesting facts not only from the professional, but also from the personal life of the artist, which were previously unknown to anyone.

Nikolai Dobrynin was born into the family of a policeman and a salesman on August 17, 1963 in Taganrog. The future actor’s childhood was quite interesting, since almost the entire family was involved in his upbringing. Nikolai’s father, deciding to instill in him a love of music, enrolled the boy in piano lessons at a very young age, and his grandmother taught him to sew.

Young Dobrynin did not like playing music, but his grandmother’s lessons were not in vain, since the artist already earned pocket money as a child by making potato sacks.

Being in high school, Nikolai did not ask his parents for money for small expenses, since he was already working at that time. He unloaded wagons and made boxes.

Such a busy schedule did not prevent the young man from developing in other directions. Nikolai was a soloist in the church choir and attended a choreography club. Couldn't do without street fights with the boys, in which young Dobrynin regularly took part.

In 1980, Nikolai graduated from school and, having passed the entrance exams, entered the Moscow GITIS in the acting department. While studying at the university, Dobrynin continued to work in night shift. His track record includes the position of ballroom dancing teacher and drainage specialist. Nikolai did not forget about church singing and became a soloist in the Novodevichy Convent choir.

Interesting! Important place in the biography of Nikolai Dobrynin he occupies step-brother, who was always next to the actor and supported him in all his endeavors.

The artist remembered 1989 for the fact that he was drafted into the ranks Soviet army. At first, Dobrynin ended up in the air defense forces, and then, due to the disbandment of the regiment, he was transferred to another unit, where Nikolai was already able to realize his creative potential by staging his first performances.

Career

After graduating from university in 1985, Nikolai Dobrynin gave up temporary work and looked for permanent job by profession. His first attempt was an audition for the Satyricon theater, which the actor successfully passed. And although he was part of the troupe, he still played mainly extra roles.

After the army, the young man returns to Satyricon, where he continues to play as an extra. The situation changed theatrical performance“The Maid”, in which Nikolai received minor role. The provocative performance made a real breakthrough in theatrical art, and Dobrynin, thanks to his bright and charismatic performance, turned into a famous artist.

Job offers literally rained down on the actor. Nikolai quits “Satyricon” and goes to the Viktyuk Theater, where he plays complex psychological roles. At the same time, the artist began acting in films. As a result, due to his busy work schedule, Dobrynin leaves the stage and continues to work in cinema.

Interesting! Nikolai returned to the theater only in 2005, playing in the play “Monpasan in Love”.

Dobrynin acts in films, playing mainly leading roles. But the real breakthrough for the actor was his work in the serial “Matchmakers,” in which he played the role of Mitya. The image of the provincial scoundrel was so beloved by the audience that the producers dedicated a separate series, “Tales of Mitya,” to the character of Nikolai.

In the role of Mitya from the series “Matchmakers”

Since 2011, the actor began working in the “Molodezhka” project, in which he played a simple hard worker.

After the release of these films, Nikolai became a sought-after artist and annually appears in at least one or two films.

Personal life

As for the item in Nikolai Dobrynin’s biography concerning his personal life and the fact of having a wife and children, it is known that the actor tied the knot three times.

The artist first got married at a very young age. His chosen one was Ksenia Larina, the daughter of a famous diplomat. But even this situation did not hinder the aspiring actor, since during his student years he already earned good money and could feed his family. The couple lived together for only five years.

Nikolai's second wife was Anna Terekhova. The young people met in the 80s in a theater dressing room. Their relationship developed rapidly and in 1988 Dobrynin became a happy father, as Anna gave birth to his son. Two years later, the couple not only officially legalized their relationship, but also took in another boy. Unfortunately, this marriage did not last long. The couple divorced, but remained good friends.

The actor’s third lover was a fan of his work, Ekaterina Komissarova. The couple got married in 2002 and have been happy ever since. In addition, Nikolai’s long-awaited daughter was born in the marriage.

Despite the fact that Nikolai Dobrynin does not like to talk about himself and his family too much, we still managed to find several interesting facts from the life of this actor.

  • Dobrynin, with a height of 180 centimeters, weighs 93 kilograms.
  • As a child, Nikolai’s hands were badly bitten by bees, as he regularly helped his grandfather in the apiary.
  • Half-brother Alexander insisted that young Dobrynin study acting. And his grandmother, to top it all off, gave him his first stage costume.

  • Nikolai and Ekaterina dreamed of a child for a long time, but the woman could not get pregnant. After the actor visited the monastery of St. Thekla, a real miracle happened in his family: a daughter was born.
  • Nikolai got so used to his role from the television series “Matchmakers” that on the set of “Molodezhka” he was asked to play anyone, but not Mitya.
  • He starred in more than a hundred films.

Nikolay Dobrynin now

Nikolai Dobrynin continues to work in cinema. In 2018, a film with his participation, “Indestructible,” was released, and in 2019, filming of “Matchmakers” resumed, which is taking place in Belarus. The actor is also regularly invited to take part in various television shows.

As for family life, the artist is incredibly happily married to his third wife and is raising his daughter. He also communicates with children from his previous marriage and maintains warm family relationships.

The biography, and especially the personal life of Nikolai Dobrynin, is full of various events, including several marriages and the birth of children. However, this did not stop him from becoming one of the most popular domestic actors, whose photos regularly appear in the press.




Alexander Dobrynin - Russian singer, sang in such famous groups, like “Zodchie”, “Mirage”, “Hello, Song”, “Cinematograph”, “Jolly Fellows”, performed hits: " Pink roses""Atlantis", "Red Clown", "Stargazer", "Cover Girl" and many other songs that have received a new sound.

Alexander was born in 1957 into a family of teachers. Alexander began studying music as a child and was always interested in the style of foreign performers.
In 1982 he was invited to the professional stage. This year can be considered the beginning of his career. He sang in such famous groups as “Zodchie”, “Mirage”, “Hello, Song”, “Cinematograph”, “Jolly Fellows”, performed hits: “Atlantis” (comp. I. Matvienko), “Red Clown”, “ Desert" (comp. V. Dobrynin), "On the Canary Islands" (comp. T. Efimov), "Stargazer", "Cover Girl" (comp. P. Slobodkin) and many other songs that received a new sound.

At the turn of the 90s, Alexander Dobrynin was engaged in a solo career.

In 1992, the singer released the hit vinyl disc "Night Flowers". Worked with these famous composers, like Igor Mateta ("You Want", "Never", "Stay"), Arkady Ukupnik ("Night Flowers", "Rita-Margarita") and many others.

In 1995, Alexander Dobrynin released the disc “Pink Roses,” which included both songs performed during the singer’s work in “Jolly Fellows” and songs from his solo career.
Possessing unique vocals and energy, Alexander Dobrynin received recognition and love from the public as solo artist.

To date it has been successfully solo concerts in Russia, regions and CIS countries. Takes part in joint concerts with Russian and Russian stars foreign stage, participates in television shows, 80s disco, performs at holidays and events at various venues.
On the official website of the vipartist you can find the biography, photos and videos of Alexander Dobrynin, and call the indicated contact numbers to invite him concert program to the event. To find out the conditions of invitation to the holiday, call the numbers posted on the website. Information about the fee and concert schedule will be given to you so that you can invite Alexander Dobrynin to an event or order a performance by Alexander Dobrynin for an anniversary or party. Please check and book available performance dates in advance!

, poet, musician

Alexander Yurievich Dobrynin(born March 27, 1957) - Russian singer, poet, musician. Member of the groups Zodchie, Mirage, Hello, Song, Merry Guys, Cinematography.

Biography

Alexander began studying music as a child and was interested in foreign performers. After graduating from school and serving in the army, he entered the GMPI named after. MM. Ippolitov-Ivanov, but did not enter.

Career

In the 1990s, Alexander Dobrynin received public recognition as a solo performer. Currently, he successfully gives solo concerts in Russia, regions and CIS countries. Takes part in joint concerts with Russian and foreign pop stars, participates in television shows, and performs at holidays and events at various venues.

Discography

  • “Cover girl. Songs based on the poems of Natalia Prostorova" - Melodiya company (C60 30329-30 007) (giant),
  • "Night Flowers" (giant),
  • "Take and buy" "Gala-Records" CD,

Songs

  • "Atlantis" (Jolly guys)
  • "Red Clown" (Jolly Guys)
  • "Desert" (Jolly guys)
  • “On the Canary Islands” (Jolly guys)
  • "Stargazer" (Jolly guys)
  • "Cover Girl" (Merry Guys)
  • "Night Flowers"
  • "Rita-Margarita"
  • "Pink roses"

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Excerpt characterizing Dobrynin, Alexander Yurievich

- Ah! nonsense, nonsense! – Anatole spoke again, wincing. - After all, I explained it to you. A? - And Anatole, with that special passion (which stupid people have) for the conclusion that they reach with their minds, repeated the reasoning that he repeated to Dolokhov a hundred times. “After all, I explained it to you, I decided: if this marriage is invalid,” he said, bending his finger, “then I don’t answer; Well, if it’s real, it doesn’t matter: no one abroad will know this, right? And don't talk, don't talk, don't talk!
- Really, come on! You will only tie yourself...
“Get to hell,” said Anatole and, holding his hair, he went into another room and immediately returned and sat down with his feet on a chair close in front of Dolokhov. - The devil knows what it is! A? Look how it beats! “He took Dolokhov’s hand and put it to his heart. - Ah! quel pied, mon cher, quel regard! Undeesse!! [ABOUT! What a leg, my friend, what a look! Goddess!!] Huh?
Dolokhov, smiling coldly and shining with his beautiful, insolent eyes, looked at him, apparently wanting to have more fun with him.
- Well, the money will come out, then what?
- What then? A? – Anatole repeated with sincere bewilderment at the thought of the future. - What then? I don’t know what’s there... Well, what nonsense to talk about! – He looked at his watch. - It's time!
Anatole went into the back room.
- Well, will you be there soon? Digging around here! - he shouted at the servants.
Dolokhov removed the money and, shouting to the man to order food and drink for the road, he entered the room where Khvostikov and Makarin were sitting.
Anatole was lying in the office, leaning on his arm, on the sofa, smiling thoughtfully and gently whispering something to himself with his beautiful mouth.
- Go, eat something. Well, have a drink! – Dolokhov shouted to him from another room.
- Don't want! – Anatole answered, still continuing to smile.
- Go, Balaga has arrived.
Anatole stood up and entered the dining room. Balaga was a well-known troika driver, who had known Dolokhov and Anatoly for six years and served them with his troikas. More than once, when Anatole’s regiment was stationed in Tver, he took him out of Tver in the evening, delivered him to Moscow by dawn, and took him away the next day at night. More than once he took Dolokhov away from pursuit, more than once he took them around the city with gypsies and ladies, as Balaga called them. More than once he crushed people and cab drivers around Moscow with their work, and his gentlemen, as he called them, always rescued him. He drove more than one horse under them. More than once he was beaten by them, more than once they plied him with champagne and Madeira, which he loved, and he knew more than one thing behind each of them, which to an ordinary person Siberia would have deserved it long ago. In their revelry, they often invited Balaga, forced him to drink and dance with the gypsies, and more than one thousand of their money passed through his hands. Serving them, he risked both his life and his skin twenty times a year, and at their work he killed more horses than they overpaid him in money. But he loved them, loved this crazy ride, eighteen miles an hour, loved to overturn a cab driver and crush a pedestrian in Moscow, and fly at full gallop through the Moscow streets. He loved to hear behind him this wild cry of drunken voices: “Go! let's go! whereas it was already impossible to drive faster; He loved to pull the man's neck painfully, who was already neither alive nor dead, avoiding him. "Real gentlemen!" he thought.
Anatole and Dolokhov also loved Balaga for his riding skill and because he loved the same things as they did. Balaga dressed up with others, charged twenty-five rubles for a two-hour ride, and only occasionally went with others himself, but more often he sent his fellows. But with his masters, as he called them, he always traveled himself and never demanded anything for his work. Only having learned through the valets the time when there was money, he came every few months in the morning, sober and, bowing low, asked to help him out. The gentlemen always imprisoned him.