More than two hundred years have passed since the birth of the genius of Russian literature, the beloved Alexander Sergeevich Pushkin. But I want to return again and again to Pushkin’s wonderful novel in verse “Eugene Onegin,” which presents the youth of the twenties of the nineteenth century.

The image of Tatyana, which Pushkin created in Eugene Onegin, is no less important than the image of Eugene Onegin. The poet set himself the goal of showing the type of provincial young lady who is devoid of any romantic, or unusual, or out-of-the-ordinary features in the portrait, but at the same time surprisingly attractive and poetic.

We first meet her at her parents' estate. The author of the novel emphasizes several times that his heroine was very fond of nature, the Russian winter, and fun sledding. Beautiful nature, tales of an old nanny, ancient customs made Tatyana a “Russian soul.”

Tatyana grows up in a family, distant from everyone, a lonely and unaffectionate girl, mostly immersed in herself, in her feelings and experiences. She loved to read: “She liked novels early on: They replaced everything for her...” writes Pushkin about his heroine.

Apparently, Tatyana tried to understand the world around her and her own soul, but could not find answers to her questions from people close to her, so she looks for them in books and novels.

Tatyana’s character is unique, this is reflected in the fact that “in her sweet simplicity she does not know deception and believes in her chosen dream.” The author emphasizes that there was no coquetry or pretense in her - qualities that were inherent in most girls of her age and which Pushkin himself did not like in women. Love and honor for Tatyana are sacred.

Pushkin also draws our attention to the absence in Tatyana of the features that the authors of classical works endowed their heroines with: this is a bright poetic name or extraordinary beauty... The author, on the contrary, immediately tells the reader that Tatyana is by no means a beauty and even her name is unusual for girls of that time , common people, rustic - Tatyana.

And even when she becomes an important society lady, Tatyana, with sadness in her voice, recalls the “wild garden”, “poor home”, “shelf of books” and the “humble cemetery, where today there is a cross ... over the poor nanny”, which is superfluous. once again proves the closeness of the heroine with the people.

Tatyana Larina opened a gallery of beautiful images of Russian women who are morally impeccable, true to their principles and moral duty, seeking deep meaning in life. V.G. Belinsky said that “Tatyana is an exceptional being, a deep, loving, passionate nature...” And I completely agree with his opinion.

The heroine of the novel “Eugene Onegin” fell in love with many Russian classics, but no matter how hard they tried to create a second Tatyana like her, no one could. In the image of Tatyana Larina, Pushkin portrayed all the good that he saw in Russian women. As he himself admitted in the poem, this was his favorite heroine. “I love my dear Tatyana so much!” - the writer exclaimed. Everything in her inner world was harmonious, coordinated and successful. Even though she was not as beautiful as Olga, she was distinguished by her sensitive nature.

Judging by some lines from the work, when creating the image of Tatyana, Pushkin wanted to introduce novelty. Even her name is not hackneyed. In those days, few people called their daughters Tatyana, as it was too common and old-fashioned. The heroine's appearance was also new. She was not distinguished by her bright beauty, ruddy face or golden curls, but on the contrary, she was pale, sad, and simple-minded. Despite this, the charm of her generous soul did not hide from the experienced Onegin.

During the course of the novel, Pushkin emphasized Tatiana’s “Russianness” several times. What does this mean? First of all, in the mad love for Russian winters, in the belief in folk signs, in the love for Christmas fortune telling and sleigh rides. Most likely, the influence of the faithful nanny Filipyevna affected the girl. This elderly native Russian woman loved Tatyana with all her soul and wished her well. She taught her pupil to believe in dreams and ancient beliefs.

Thus, Tatiana develops in parallel with the culture of the nobility. It exists, as it were, outside of society; prefers to live in his fictional, cozy world, in the world of books and Russian nature. The people around her seem not as interesting as the world she has created for herself. The only person who attracted her attention was Onegin. She felt a kindred spirit in him. Having read sentimental novels, she saw in him a romantic hero.

The heroine could not even imagine how alien it was for him to love. As a straightforward person who does not tolerate lies and pretense, she decided to open up to Eugene and write about her feelings. Waiting for an answer becomes exciting for her, and the answer itself is quite unexpected. Onegin behaves nobly. He admits to the girl that he was sincerely touched by this confession, but he does not intend to change anything in his life. But this is not enough for Tatyana. After Onegin leaves, she goes to his estate and, with the permission of the housekeeper, explores the library.

It is the books and marks in the margins left by Eugene that open her eyes to his essence. Who is he: an angel or a demon, “isn’t he a parody”? These questions remain a mystery to her. Years later, she meets Eugene at a social reception. Then she will already be a married lady and an accomplished person. Despite the revived feelings in her soul, she will refuse him reciprocity, out of a sense of duty and responsibility to her husband - the man who valued and loved her.

Forced to live by the hypocritical laws of secular society, she remains true to herself. Honestly and openly, she admits to him that she still loves him, but will remain faithful to her husband. Here are the words that best demonstrate the essence of this heroine, her nobility, honesty and moral purity:

“I love you (why lie?),

But I was given to another;

I will be faithful to him forever.”

There are images in literature that become household names, understandable and close to every reader. It is to this type that A.S. Pushkin’s favorite heroine, Tatyana Larina, belongs. Russian in soul, she evokes the sincere sympathy of readers, and the author himself exclaims passionately: “...I love my dear Tatyana so much!”

What is the truly magical appeal of the image of this heroine?

The literary era in which the novel “Eugene Onegin” was created was oversaturated with images of cutesy young ladies who spoke exclusively in French and dreamed of a noble stranger. The appearance of these heroines was described according to a certain pattern: expressive blue eyes, blond curls, slender figure. Provincial Tatyana looks all the more unusual against their background, whose very name is so unconventional on the pages of the novel that Pushkin even had to justify himself: “For the first time with such a name We willfully consecrate the tender pages of a novel. So what? It’s pleasant, sonorous...” In addition, he immediately admits: “Neither the beauty of his sister, nor her rosy-cheeked charm would have attracted the eyes of her” - and this is also uncharacteristic of the main character.

Tatyana was raised in a traditional family, on a provincial estate, her parents and sister are completely ordinary people, happy with their lives and not claiming to be the owners of an extraordinary soul. Therefore, it is quite understandable that she, who knows how to feel and think subtly, “seemed like a stranger in her own family” and from childhood looked for an outlet in books. This is how the romantic side of her character was formed: having no life experience, young Tatyana measured Eugene with standards drawn from French sentimental novels. On the other hand, the serf nanny, whose image was so lovingly depicted by the poet, had a huge influence on the formation of her soul. It is to her that Tatyana owes her deep knowledge of folk signs, legends, even superstitions. It is to her that she first opens her soul, declaring her love for Onegin. It is to her that the young lady, brought up on sentimental literature, owes that aching and deep feeling that appears in her soul at the sounds of folk songs, at the sight of the first snow and the original Russian landscape.

The originality of Tatyana's character, his openness and straightforwardness are also manifested in the fact that she decides to be the first to open up in her feelings to Onegin, writes a letter in which feigned bookish influence and living, sincere feeling are miraculously intertwined. We can judge Tatyana’s strength of spirit by her behavior during Evgeniy’s cold rebuke: she accepted it with dignity, unheard of for a 17-year-old girl.

Later, Onegin, who met the already married Tatiana in high society, is struck by the striking change that has happened to her. But has she really changed? Hardly. A high position in the world, wealth do not please her, her soul is still there, in the village dear to her heart, among books and nature, she still loves Onegin. But she will not break her duty to her husband, to her honor. And in the scene of the last explanation with Evgeniy, her spiritual superiority, the depth and integrity of the nature of a real Russian woman are clearly noticeable.

Pushkin repeatedly admitted that the image of Tatyana Larina is a collective one, including that it combines the features of the poet’s beautiful acquaintances - the wives of the Decembrists. He created the ideal image of a real Russian woman as he saw it. This explains the vitality and unfading charm of the main character of the novel "Eugene Onegin".

Sample essay text

A. S. Pushkin created a captivating image of a Russian girl in the novel “Eugene Onegin,” which he called his “true ideal.” He does not hide his love for the heroine, his admiration for her. The author worries and is sad together with Tatyana, accompanies her to Moscow and St. Petersburg.

Drawing in the novel the images of Onegin and Lensky as the best people of the era, he, however, gives all his sympathy and love to this provincial young lady with a discreet appearance and the common name Tatyana.

Perhaps this is the special attractiveness and poetry of her image, associated with the common culture hidden in the depths of the Russian nation. It develops in the novel in parallel with noble culture, focused on Western European literature, philosophy, and science. Therefore, both the external and internal appearance of Onegin and Lensky does not make it possible to see Russian people in them. Vladimir Lensky can most likely be mistaken for a German “with a soul straight from Göttingen,” who “brought the fruits of learning from foggy Germany.” Onegin's clothes, speech and behavior make him look like either an Englishman or a Frenchman. The poet calls Tatyana “Russian soul.” Her childhood and youth were spent not among the cold stone masses of St. Petersburg or Moscow cathedrals, but in the bosom of free meadows and fields, shady oak forests. She early absorbed a love for nature, the image of which seemed to complete her inner portrait, imparting special spirituality and poetry.

Tatiana (Russian soul,

Without knowing why)

With her cold beauty

I loved Russian winter.

For the “tender dreamer,” nature is full of secrets and mysteries. Even before the “deceptions of Richardson and Rousseau” begin to occupy her mind, Tatiana easily and naturally enters the magical world of Russian folklore. She shunned noisy children's amusements, since “terrible stories in the winter in the dark of night captivated her heart more.” Tatyana is inseparable from the national element of the common people with its beliefs, rituals, fortune-telling, divination, and prophetic dreams.

Tatyana believed the legends

Of common folk antiquity,

And dreams, and card fortune-telling,

And the predictions of the moon.

Even Tatiana’s dream is entirely woven from images of ancient Russian fairy tales. Thus, Tatiana’s personality was shaped by the environment in which she grew up and was brought up not under the guidance of a French governess, but under the supervision of a serf nanny. The development of Tatyana's soul and her morality occurs under the influence of folk culture, way of life, morals and customs. But books have a significant influence on the formation of her mental interests - first sentimental love novels, then romantic poems found in the Onegin library. This leaves an imprint on Tatyana’s spiritual appearance. It is the fascination with the fictional life of the works of English and French authors that develops in the heroine a bookish idea of ​​reality. This does Tatiana a disservice. Seeing Onegin for the first time, she falls in love with him, mistaking Eugene for the enthusiastic hero of her favorite books, and declares her love to him. And after her illusions and dreams disappear, she again tries to understand Onegin’s character with the help of the books he read. But Byron’s romantic poems with his gloomy, embittered and disappointed heroes again lead her to the wrong conclusion, forcing her to see in her lover a “Muscovite in Harold’s cloak,” that is, a pathetic imitator of literary models. In the future, Tatyana has to gradually get rid of these airy romantic dreams in herself and overcome her idealistic bookish attitude towards life. And she is helped in this by a healthy basis of life, which she absorbed along with the way of life, customs and culture of the Russian people, with her native nature. At one of the most difficult moments in her life, tormented by her love for Onegin, Tatyana turns for help and advice not to her mother or sister, but to an illiterate peasant woman who was the closest and dearest person to her. While waiting to meet Onegin, she hears the artless folk “Song of Girls,” which seems to express her experiences.

The pictures of her native nature, dear to Tatiana’s heart, remain with her in the high-society, cold Petersburg. Forced to hide her feelings, Tatyana sees with her inner gaze a familiar village landscape, devoid of exoticism, but covered in unique charm.

Tatyana looks and doesn’t see,

He hates the excitement of the world;

She's stuffy here... she's a dream

Strives for life in the field,

To the village, to the poor villagers

To a secluded corner.

This means that the mask of an “indifferent princess” hides the face of a “simple maiden” with the same aspirations. The world of moral values ​​has not changed. She calls the splendor of a luxurious living room and success in society “the rags of a masquerade,” because “this shine, and noise, and fumes” cannot hide the emptiness and inner squalor of metropolitan life.

All of Tatyana’s actions, all of her thoughts and feelings are colored by folk morality, which she has absorbed since childhood. In accordance with folk traditions, Pushkin endows his beloved heroine with exceptional spiritual integrity. Therefore, having fallen in love with Onegin, she is the first to declare her love to him, breaking the conventions of noble morality. Under the influence of folk traditions, which instill in children respect and reverence for their parents, Tatyana gets married, obeying the will of her mother, who wants to arrange her life.

Forced to live by the hypocritical laws of secular society, Tatyana is honest and frank with Onegin because she loves him and trusts him. The moral purity of the heroine is especially clearly manifested in her response to Eugene, which is also in the spirit of folk morality:

I love you (why lie?),

But I was given to another;

I will be faithful to him forever.

These words reflected all the best features of the heroine: nobility, honesty, a highly developed sense of duty. Tatyana's ability to abandon the only person she loves and will love speaks of her strong will and moral purity. Tatyana is simply not capable of lying to a person who is devoted to her, or dooming him to shame in order to unite with her loved one. If Tatyana responded to Onegin’s love, the integrity of her image would be disrupted. She would cease to be Tatyana Larina, turning into Anna Karenina.

Thus, Tatyana appears in the novel “Eugene Onegin” as the embodiment of the national Russian spirit and Pushkin’s ideal. Her image harmoniously combined the best aspects of noble and common culture.

References

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