Russian composer, teacher, musical figure Nikolai Andreevich Rimsky-Korsakov was born on March 18 (March 6, old style) 1844 in Tikhvin.

The composer's father came from an old noble family. His ancestors held prominent positions in the army and administration of Russia, starting with his great-great-grandfather, Rear Admiral of the Fleet under Empress Elizabeth Petrovna.

In 1862 he graduated from the St. Petersburg Maritime School.

In 1862-1865, Rimsky-Korsakov was on a circumnavigation of the world, during which, in 1864, he was promoted to officer. In 1873 he retired.

In 1873-1884 he was inspector of military bands of the fleet.

While studying at the school, Nikolai Rimsky-Korsakov continued to study music, first with cellist Ulikh, then with pianist Fyodor Canille.

His acquaintance in 1861 with the composer Miliy Balakirev and his circle “The Mighty Handful,” which included composers Caesar Cui, Modest Mussorgsky, and later Alexander Borodin, inclined him to more serious studies.

During his circumnavigation of the world, he completed Symphony No. 1 in E minor, op. 1, started in St. Petersburg. In 1865, Balakirev performed the first Russian symphony with great success at a concert of the Free Music School.

In 1871, on the initiative of the head of the St. Petersburg Conservatory, Mikhail Azanchevsky, Rimsky-Korsakov was invited to the position of teacher of instrumentation and practical composition classes.

In 1944, the House-Museum of N.A. was founded in the city of Tikhvin, Leningrad Region. Rimsky-Korsakov. In 1971, the Composer's Memorial Museum-Apartment was opened in Leningrad (St. Petersburg).

The former estates of Vechasha and Lyubensk, where the composer died, became part of the memorial museum-estate of N.A. Rimsky-Korsakov Pskov State United Historical, Architectural and Art Museum-Reserve.

The material was prepared based on information from open sources

1844 - June 21, 1908) - Russian composer, member of the "Mighty Handful". He was a true master of orchestration. Rimsky-Korsakov's best-known symphonic works - Capriccio Espagnol, an overture on themes of three Russian songs, and the symphonic suite Scheherazade - are examples of the classical musical repertoire, along with suites and excerpts from some of his 15 operas. In Scheherazade, the composer addresses the theme of fairy tales and folk beliefs. Rimsky-Korsakov often used these techniques in his work. He believed, like his predecessor Balakirev, in the development of a national style of classical music. Rimsky-Korsakov's music combined Russian folklore with elements of exotic harmonic, melodic and rhythmic patterns (known as Orientalism) while moving away from traditional Western compositional techniques. For most of his life, Nikolai Andreevich combined composing music and teaching with a career in the Russian army - first as an officer, then as a civilian inspector in the navy. Rimsky-Korsakov (whose biography is well covered in the Chronicle of My Musical Life) wrote that even as a child, reading books and listening to his older brother’s stories about exploits in the navy, he developed a love for the sea. It must have been she who pushed the composer to create two famous symphonic works. These are "Sadko" (Rimsky-Korsakov also wrote an opera of the same name, they should not be confused) and "Scheherazade". Thanks to his naval service, his knowledge of performing on brass and wooden instruments expanded - this opened up new opportunities for him in orchestration. He later passed this knowledge on to his students. Also after his death, a textbook on orchestration was published, which was completed by the composer's adopted son Maximilian Steinbreg.

Rimsky-Korsakov - biography of the composer

Nikolai Andreevich was born in the city of Tikhvin (200 km east of St. Petersburg) into an intelligent family. His brother Warrior, who was 22 years older than the composer, became a famous naval officer and rear admiral. Rimsky-Korsakov Nikolai Andreevich recalled that his mother played the piano a little, and his father could perform several pieces by ear. At the age of 6, the future composer began taking piano lessons. According to his teachers, he demonstrated a good ear for music, but lacked interest. As Nikolai Andreevich himself would later write, he played “carelessly, carelessly... poorly maintaining the rhythm.” Although Rimsky-Korsakov began composing his first works at the age of 10, he preferred literature to music. Later, the composer wrote that it was thanks to his brother’s books and stories that a great love for the sea arose in him, despite the fact that the composer “had never even seen it.” Nikolai Andreevich graduated from the Naval Corps of St. Petersburg at the age of 18. In parallel with his studies, Rimsky-Korsakov took piano lessons. The composer recalled that, being indifferent to his studies, he developed a love of music, which was facilitated by attending operas and symphony concerts. In the fall of 1859, Nikolai Andreevich began taking lessons from Fyodor Andreevich Kanille, who, according to him, inspired him to study music and encouraged him to devote his whole life to it. In addition to Canille, Mikhail Glinka, Robert Schumann and many others had a huge influence on the future composer. In November 1861, 18-year-old Rimsky-Korsakov was introduced to Balakirev. Balakirev, in turn, introduces him to Cesar Cui and Modest Mussorgsky - all three were already famous composers, despite their young age.

Balakirev's mentorship. "The Mighty Bunch"

Upon arrival in St. Petersburg, in May 1865, Rimsky-Korsakov took on the duties of daily service for several hours a day. His first performance took place in December of the same year at the suggestion of Balakirev. The second appearance on stage took place in March 1866 under the direction of Konstantin Lyadov (father of composer Anatoly Lyadov). Rimsky-Korsakov recalled that it was easy for him to collaborate with Balakirev. On his advice, the composer rewrote and corrected some passages and brought them to perfection. Under his patronage, the composer completed an Overture on the themes of three Russian songs, which were based on Balakirev’s folk overtures. Nikolai Andreevich also created the initial versions of the symphonic works “Sadko” and “Antar”, which brought the composer fame as a master of symphonic creativity. Rimsky-Korsakov also held discussions with other members of the "Mighty Handful", they criticized each other's works and collaborated during the creation of new works. Nikolai Andreevich became friends with Alexander Borodin, whose music “amazed” him, and spent a lot of time with Mussorgsky. Balakirev and Mussorgsky played four-hand piano, sang, discussed the works of other composers, sharing an interest in the works of Glinka, Schumann and the late compositions of Beethoven.

Professorial activity

In 1871, at the age of 27, Rimsky-Korsakov became a professor at the St. Petersburg Conservatory, where he taught practical composition, instrumentation, and orchestral classes. Nikolai Andreevich will write in his memoirs that teaching at the conservatory made him “perhaps her best student, judging by the quality and quantity of information that she gave me.” To improve his knowledge and always stay one step ahead of his students, he took a three-year break from composing music and studied diligently at home while lecturing at the conservatory. The professorship provided the composer with financial stability and encouraged him to start a family.

Marriage

In December 1871, Rimsky-Korsakov proposed to Nadezhda Nikolaevna Purgold, whom he met during the weekly meetings of the “Mighty Handful” at the bride’s house. In July 1872, a wedding took place, at which Mussorgsky was present as best man. One of Nikolai Andreevich’s sons, Andrei, became a musicologist, married composer Yulia Lazarevna Weisberg and wrote a multi-volume work about the life and work of his father.

Revolution of 1905

In 1905, demonstrations took place at the St. Petersburg Conservatory - revolutionary-minded students demanded political changes and the creation of a constitutional system in Russia. Rimsky-Korsakov felt the need to protect the students' right to demonstrate, especially when the authorities began to show cruelty to its participants. In an open letter, the composer takes the side of students demanding the resignation of the director of the conservatory. Partly because of this letter, 100 students were expelled from the institution, and Rimsky-Korsakov lost his professorship. However, Nikolai Andreevich continued to give lessons at home.

Trip to Paris

In April 1907, the composer gave several concerts in Paris, organized by impresario Sergei Diaghilev. Nikolai Andreevich presented the music of the Russian national school. These performances were a great success. The following year there was a show of operas composed by Rimsky-Korsakov: “The Snow Maiden” and “Sadko”. The trip gave the composer the opportunity to get acquainted with modern European music.

Works of Rimsky-Korsakov

Rimsky-Korsakov developed the ideals and traditions of the “Mighty Handful”. In his work, he used Orthodox liturgical themes, folk songs (for example, in the "Spanish Capriccio") and orientalism (in "Scheherazade"). Nikolai Andreevich proved himself to be a very productive and self-critical composer. He revised and edited almost every one of his works, and Rimsky-Korsakov corrected some of them, such as the Third Symphony, Antar and Sadko, several times. The composer remained dissatisfied with many of his compositions.

Rimsky-Korsakov - operas

Despite the fact that Nikolai Andreevich is better known as a master of symphonic creativity, his operas are even more complex and rich in special orchestral techniques than instrumental and vocal works. Excerpts from them are sometimes as popular as the whole work. For example, “Flight of the Bumblebee” from “The Tale of Tsar Saltan” - author Rimsky-Korsakov. The composer's operas can be divided into 3 categories:

1. Historical drama. These include: “The Pskov Woman”, “Mozart and Salieri”, “Pan Voivode”, “The Tsar’s Bride”.
2. Folk operas: "May Night", "The Night Before Christmas".
3. Fairy tales and legends. These include works written by Rimsky-Korsakov: “The Snow Maiden”, “Mlada”, “Sadko”, “Koschei the Immortal”, “The Tale of Tsar Saltan”, “The Tale of the Invisible City of Kitezh and the Maiden Fevronia”, “The Golden Cockerel” ".

Symphonic creativity

Rimsky-Korsakov's symphonic work can be divided into 2 types. The most famous in the West, and perhaps its best, is software. This type of symphonic creativity by Nikolai Andreevich presupposes the presence of a plot, characters, and actions borrowed from other, non-musical sources. The second category is academic works, such as the First and Third Symphonies (by Rimsky-Korsakov). Ballets based on his music can be seen not only in our country, but also abroad, as well as many operas and other musical works by the composer.

Nikolai Rimsky-Korsakov born in the city of Tikhvin, Novgorod province. The Rimsky-Korsakov family house was located on the banks of the Tikhvinka River, opposite the Mother of God Assumption Monastery. The composer's father, Andrei Petrovich Rimsky-Korsakov(1784-1862), served for some time as the Novgorod vice-governor, and then as the Volyn civil governor; mother, Sofya Vasilievna, was the daughter of a serf peasant woman and a wealthy landowner Skaryatin. His elder brother, Voin Andreevich, a naval officer and future rear admiral, had a strong influence on the future composer.

At the age of 6, he began home schooling, including playing the piano, but in comparison with books, music made less of an impression on the child: of the latter, he liked church music more, as well as Russian folk songs. At the age of 11 he began composing his first musical works.

In 1856, his father sent Nikolai, who dreamed of traveling, to the Naval Cadet Corps. In 1858, the future composer developed a real passion for music: he became acquainted with the operas of Rossini, Donizetti and von Weber, but he was especially struck by “Robert the Devil” by Giacomo Meyerbeer and the works of Mikhail Glinka - “A Life for the Tsar”, “Ruslan and Lyudmila”, "Capriccio on the theme of Aragonese jota." Then he became interested in the music of Beethoven (he admired the composer’s “Pastoral Symphony”), Mozart and Mendelssohn. “I was a 16-year-old child who passionately loved music and played it,” he later recalled. Feeling the need to receive a more serious musical education, in the fall of 1859 Nikolai began taking lessons from pianist Fyodor Andreevich Kanille.

In 1862, his father died, and the Rimsky-Korsakov family moved to St. Petersburg. In the same year, thanks to Fyodor Canilla, Nikolai met the composer Mily Balakirev and became a member of his circle, which had a decisive influence on the formation of his personality and aesthetic views. At that time, the Balakirev circle, which later became known as the “Mighty Handful,” in addition to its head Balakirev and Rimsky-Korsakov himself, included Caesar Cui and Modest Mussorgsky. Balakirev supervised the work of his younger colleagues and not only suggested the right compositional solutions for the works they created, but also helped with instrumentation.

Under the influence and leadership of Miliy Alekseevich, Rimsky-Korsakov's first major work, the First Symphony, was begun. According to the composer himself, sketches of the beginning of the symphony existed even during the years of his studies with Canille, but serious work on the composition began only in 1861-1862 - and “by May 1862, the first part, the scherzo and the finale of the symphony were composed by me and somehow orchestrated."

That same spring, Nikolai graduated from the Naval Corps with honors and was accepted into naval service. From 1862 to 1865, he served on the Almaz clipper, which took part in an expedition to the shores of North America, thanks to which he visited a number of countries - England, Norway, Poland, France, Italy, Spain, the USA, Brazil. Service on a clipper ship did not leave time for music, so the only work that appeared from the composer’s pen during this period was the second part of the First Symphony, Andante, written at the end of 1862, after which Rimsky-Korsakov I put aside my writing for a while. Impressions of marine life were later embodied in “seascapes”, which the composer managed to capture in his works through orchestral colors.

Returning from a trip, Rimsky-Korsakov again falls into the company of members of the Balakirev circle, he meets its new member - the chemist and aspiring composer Alexander Borodin, the idol of the circle Alexander Dargomyzhsky, Glinka's sister Lyudmila Shestakova and Pyotr Tchaikovsky.

At Balakirev's insistence Rimsky-Korsakov again takes up his symphony: he composes the missing trios for the scherzo and completely re-orchestrates the work. This score (known as the first edition of the symphony) was first performed in 1865 under the baton of Balakirev, the constant performer of all of Rimsky-Korsakov's early symphonic scores. Turning under the influence of Balakirev to Slavic folk melodies, Rimsky-Korsakov adhered to the national color in his music, which will continue to characterize most of his work. The musical language found here was then successfully developed in such works as “Overture on Three Russian Themes” (first edition - 1866) and “Serbian Fantasy” (1867).

The composer’s landmark work was the musical film “Sadko” (1867; later its music would be partially used in the opera of the same name), the earliest of Rimsky-Korsakov’s programmatic works. Here he acted as a continuer of the traditions of European program symphonism - primarily Hector Berlioz and Franz Liszt, whose work greatly influenced the composer; in the future, most of Rimsky Korsakov’s works will also be associated with a specific literary program.

In "Sadko" Rimsky-Korsakov, who would later be called the “storyteller,” came into contact with the world of fairy tales for the first time; here he first uses the symmetrical scale he invented, the so-called “Rimsky-Korsakov scale,” which he later used to characterize the fantasy world in his musical works. Also for the first time, the composer tried here to depict the sea element with the help of orchestral colors (later he did this repeatedly in such works as the suite “Scheherazade”, the prelude-cantata “From Homer”, the operas “Sadko” and “The Tale of Tsar Saltan”).

The programmatic and fairy-tale beginning was further developed in the symphonic suite “Antar”, which the composer began working on in 1868 as the Second Symphony, inspired by the plot of an oriental fairy tale by Osip Senkovsky. The composition premiered in 1869 at a concert of the Russian Musical Society.

Late 1860s Rimsky-Korsakov works on the instrumentation of other people's works: helps Cesar Cui with the orchestration of the opera "William Radcliffe" and completes, according to the will of the deceased Dargomyzhsky, the score of his opera "The Stone Guest". Turning to the opera genre, which later became the leading genre in his work, in 1872 he completed the opera based on Lev May’s drama “The Pskov Woman”. In the summer of the same year he married pianist Nadezhda Purgold.

In the 1870s, the boundaries of Rimsky-Korsakov's musical activity expanded: starting in 1871, he became a professor at the St. Petersburg Conservatory, where he taught practical composition, instrumentation, and orchestral classes; from 1873 to 1884 he was inspector of brass bands of the Naval Department, from 1874 to 1881 - director of the Free Music School. Beginning in 1874, the composer began conducting - first symphony concerts, and then opera performances.

In the mid 1870s Rimsky-Korsakov worked to improve his compositional technique. It was during this period that he discovered serious shortcomings in his musical education and began to study the disciplines taught at the conservatory. The result of improving the composer's technique was the Third Symphony (C major, op. 32).

Funeral of Rimsky-Korsakov. Funeral procession on Voznesensky Prospekt
In the 1880s, the composer created such symphonic works as the orchestral suite “Scheherazade”, “Spanish Capriccio”, and the “Bright Holiday” overture.

Since 1882 Rimsky-Korsakov headed the Belyaevsky circle; in 1883-1894 he was also assistant manager of the Court Singing Chapel.

In the early 1890s, there was some decline in the composer's creative activity: during this period he studied philosophy, wrote articles, and also revised and edited some of his previous works. Then his work acquired exceptional intensity: one after another, the operas “The Night Before Christmas” (1895), “Sadko” (1896), “Mozart and Salieri” (1897), the prologue to the opera “The Pskov Woman” and “ The Tsar's Bride" (according to May, 1898).

During the revolutionary events of 1905-1907 Rimsky-Korsakov came out with active support for the demands of the striking students and openly condemned the actions of the administration of the St. Petersburg Conservatory: he resigned and returned to the conservatory only after it was granted partial autonomous rights and a change in leadership.

He died on June 8, 1908 in Lyubensk, in his country estate, where the composer’s memorial museum complex is now located, combining two reconstructed estates - the house in Lyubensk and the neighboring Vechasha estate, where the composer lived until 1907.

Pedagogical activity

Rimsky-Korsakov was the founder of a school of composition, among his students there were about two hundred composers, conductors, musicologists, including Fyodor Akimenko, Nikolai Amani, Anton Arensky, Nikolai Artsybushev, Meliton Balanchivadze, Semyon Barmotin, Felix Blumenfeld, Yulia Weisberg, Yazeps Vitol, Alexander Glazunov, Mikhail Gnessin, Alexander Grechaninov, Vasily Zolotarev, Mikhail Ippolitov-Ivanov, Andrey Kazbiryuk, Nikolay Lysenko, Anatoly Lyadov, Vitold Malishevsky, Nikolay Malko, Emil Mlynarsky, Nikolay Myaskovsky, Alexander Ossovsky, Sergey Prokofiev, Ottorino Respighi, Nikolay Sokolov, Alexander Spendiarov, Igor Stravinsky, Alexander Taneyev, Nikolai Cherepnin, Maximilian Steinberg.

Family

• Wife (from June 30, 1872, St. Petersburg) - Nadezhda Nikolaevna Purgold (1848-1919) - pianist, composer, musicologist.
• Children and grandchildren:
• Mikhail Nikolaevich (1873-1951) - zoologist-entomologist, forester. Married twice:
• 1st wife: Elena Georgievna Rocca-Fuchs (1871-1953).
• Natalya Mikhailovna (1900-1901).
• Georgy Mikhailovich (1901-1965) - musicologist, composer, acoustician.
• Vera Mikhailovna (1903-1973) - bibliographer.
• Elena Mikhailovna (1905-1992) - teacher of foreign languages.
• 2nd wife: Evgenia Petrovna Bartmer (1884-1929).
• Igor Mikhailovich (1911-1927).
• Olga Mikhailovna (1914-1987) - Candidate of Geological and Mineralogical Sciences.
• Sofya Nikolaevna (1875-1943) - singer. Married to Vladimir Petrovich Troitsky (1876-circa 1926).
• Irina Vladimirovna, married to Golovkin, (1904-1989) - author of the book “Swan Song. Defeated."
• Lyudmila Vladimirovna (? -1942).
• Andrey Nikolaevich (1878-1940) - musicologist, editor, Ph.D. He was married to his father’s student, composer, critic and publicist Yulia Lazarevna Weisberg (1879-1942), who died along with her son Vsevolod during the siege.
• Vsevolod Andreevich (1915-1942) - philologist, translator.
• Vladimir Nikolaevich (1882-1970) - titular adviser, violist of the Mariinsky Theater. Married to Olga Artemyevna Gilyanova (1887-1956).
• Andrey Vladimirovich (1910-2002) - acoustic physicist, Doctor of Physical and Mathematical Sciences.
• Tatyana Vladimirovna (1915-2006) - architect, urban planner, author of two books about her grandfather - N. A. Rimsky-Korsakov.
• Nadezhda Nikolaevna (1884-1971). Married to composer, conductor and teacher Maximilian Oseyevich Steinberg (1883-1946).
• Nadezhda Maximilianovna Steinberg (1914-1987) - philologist, author of a French grammar.
• Maria Nikolaevna (1888-1893).
• Svyatoslav Nikolaevich (1889-1890).

List of essays

Operas

• Pskov woman
• May night
• Snow Maiden
• Mlada
• Christmas Eve
• Sadko
• Mozart and Salieri
• Boyar Vera Sheloga (prologue to the opera “The Pskov Woman”)
• The Tsar's Bride
• The Tale of Tsar Saltan
• Servilia
• Koschei the Immortal
• Pan voivode
• The Legend of the Invisible City of Kitezh and the Maiden Fevronia
• The Golden Cockerel

Symphonic works

• Symphony No. 1
• Fairy Tale (symphonic piece)
• Symphony No. 2
• Sinfonietta
• Overture on the themes of three Russian songs
• Antar
• Symphony No. 3
• Scheherazade
• Spanish Capriccio Espagnol
• Bright holiday (overture)
• Sadko
• Snow Maiden (suite)
• The Night Before Christmas (suite)
• Concerto for piano and orchestra

Romances

:
1. The singing is louder than a lark (Words by A.K. Tolstoy)
2. Not the wind, blowing from above (Words by A.K. Tolstoy)
3. Your luxurious wreath is fresh and fragrant (Words by A. Fet)
4. That was in early spring (Words by A.K. Tolstoy)

Vocal compositions

• about 80 romances
• collections of Russian folk songs for voice and piano (40 and 100 songs)

Books

• Chronicle of my musical life
• Practical textbook of harmony
• Orchestration Basics

About the composer's work

Musicologist Abram Gozenpud in 2002, in an interview with the St. Petersburg Theater Magazine, quoted a letter from Rimsky-Korsakov, explaining his attitude towards his own work:

As long as a person lives, his culture will live, and not the monuments that are erected to him. I will quote from the memory of the great Rimsky-Korsakov, who once turned to the editor of the Russian Musical Newspaper with a request: “Don’t call me great. I am writing to you, not for publication, I hope that my letter will never be published. There was only one Glinka. If you call me a Glinkan, I will thank you - this is the highest title. Monuments should be erected to people whose memory disappears with their death - politicians, kings, generals. And what monument could be higher than the one erected by Glinka? It is not man-made, so I ask you, do not call me great, if that’s what you need - not without talent, it’s better just - Rimsky-Korsakov. Those who don’t know me won’t believe that I’m great, but those who do will probably like it. But I don’t like my latest operas. They will probably forget me, or maybe they have already forgotten me. It will be a shame because I wrote a lot.”

Addresses in St. Petersburg

• Summer 1856 - P. N. Golovin’s apartment in the house of O. P. Zubova - Millionnaya Street, 6;
• 1867 - 09.1871 - Arens apartment building - 7th line of Vasilievsky Island, 4;
• 09.1871 - 1872 - Zaremba apartment building - Panteleimonovskaya street (now Pestel street), 11, apt. 9;
• 1872 - autumn 1873 - Morozov house - Shpalernaya street, 4;
• autumn 1873-1883 - Kononov apartment building - Furshtatskaya street, 33, apt. 9;
• 1883-1889 - Vladimirsky prospect, 18, apt. 5;
• 1889 - 09/19/1893 - Capella House - Moika River embankment, 20;
• 09/19/1893 - 06/21/1908 - courtyard wing of the apartment building of M. A. Lavrova - Zagorodny Avenue, 28, apt. 39.

Memory

Monument to N.A. Rimsky-Korsakov on Theater Square in St. Petersburg. Sculptors V. Ya. Bogolyubov and V. I. Ingal

Monuments. Museums. Institutions

• Memorial Museum-Reserve N.A. Rimsky-Korsakov in the Pskov region.
• In 1952 (November 30) Rimsky-Korsakov a monument was erected at the Leningrad Conservatory on Theater Square (sculptors V.I. Ingal, V.Ya. Bogolyubov, architect M.A. Shepilevsky) Ministry of Culture of the Russian Federation. No. 7810110000 // Website “Objects of cultural heritage (historical and cultural monuments) of the peoples of the Russian Federation.” Verified
• In Leningrad in 1971, the Museum-Apartment of N. A. Rimsky-Korsakov was opened by the Ministry of Culture of the Russian Federation. No. 7810522000 // Website “Objects of cultural heritage (historical and cultural monuments) of the peoples of the Russian Federation.” Verified
• Museum in Tikhvin, in the house where the composer was born. Ministry of Culture of the Russian Federation. No. 4710152000 // Website “Objects of cultural heritage (historical and cultural monuments) of the peoples of the Russian Federation.” Verified
• In Nikolaev, near the Children's Music School No. 1, named after Rimsky-Korsakov, his bust was installed in 1978.
• In 1966, the Krasnodar Music College was named after N. A. Rimsky-Korsakov.
• In 1992, the name of the composer was assigned to Children's Art School No. 1 in Moscow in the Eastern Administrative District.
• Children's Music School No. 1 named after N. A. Rimsky-Korsakov in Pskov.
• Children's Music School named after N. A. Rimsky-Korsakov in St. Petersburg (formerly Music School for adults named after N. A. Rimsky-Korsakov).
• Children's Music School named after N. A. Rimsky-Korsakov in Luga
• Children's art school named after N. A. Rimsky-Korsakov in Tikhvin.
• Music College named after N. A. Rimsky-Korsakov in St. Petersburg.
• Children's music school No. 1 named after N. A. Rimsky-Korsakov in Nizhny Tagil

Toponyms

Russia

• Rimsky-Korsakov Avenue in St. Petersburg.
• Rimsky-Korsakov Street in Moscow.
• Rimsky-Korsakov in the village of Frunzevets (Aprelevka, Naro-Fominsk district, Moscow region).
• Rimsky-Korsakov Street in Lipetsk.
• Rimsky-Korsakov Street in Nizhny Novgorod.
• Rimsky-Korsakov Street in Novosibirsk.
• Rimsky-Korsakov Street in Tikhvin.

Ukraine

• Rimsky-Korsakov Street is a street in Donetsk.
• Rimsky-Korsakov Street is a street in Sumy.

Kazakhstan

• Rimsky-Korsakov Street is a street in Almaty.

Other

In 1956, the ship built for the Soviet Union in Czechoslovakia was given the name - Rimsky-Korsakov.

Aeroflot's Airbus A320 with the number VP-BWE is named after Rimsky-Korsakov.

The works of Rimsky-Korsakov are characterized by figurativeness and are characterized by a special purity of lyricism. All of them are connected with the fairy-tale world, with the way of life of the people, with the nature of Russia. The presentation of oriental images in them is also important.

N. A. Rimsky-Korsakov. Biography: childhood

The future composer was born in Tikhvin in March 1844. His father came from a noble noble family. Starting with his great-great-grandfather, who was a rear admiral of the fleet, all his ancestors held important positions in the administration or in the army. Nika (as the boy’s family called him) began studying music at the age of six. But boring teachers could not instill in the child a love for the subject.

N. A. Rimsky-Korsakov. Biography: departure to St. Petersburg

At the age of twelve, his father brought Nikolai to the northern capital and assigned him to the naval corps as a cadet. His childhood dream came true. The boy worked diligently, but over time it turned out that the local customs and drill were all alien to him. In the same year, cellist Uhlich began teaching him to play the piano. At the age of 16, Nikolai began taking lessons from F. A. Kanille, a famous pianist. Music overshadowed maritime affairs, which was very dissatisfied with Nikolai’s older brother. In addition, the young man joined the Balakirev circle in 1861. Rimsky-Korsakov was very glad that people passionate about music accepted him as an equal. During the same period, Nikolai experienced a bereavement - the death of his father. A year later, Rimsky-Korsakov set off on a voyage around the world. During the trip he wrote only one Andante for the symphony.

Rimsky-Korsakov. Biography: 1865-1882

After returning to his homeland, he greedily makes up for everything he missed during the voyage: reads, plays, communicates, works on the First Symphony and performs it in concert. In 1867 he composed "Sadko" for orchestra. This “musical picture” brought him real recognition. During the same period, love came to Nikolai. He is passionate about Nadezhda Purgold, who, together with her sister Alexandra, performed works written by members of the circle. For the next four years, the composer worked on the opera “The Pskov Woman.” At this time, many exciting events happened: his older brother died, in 1871 Nikolai began teaching at the conservatory, and in the same year Nadezhda Purgold became his bride. Returning from their honeymoon, the couple began learning a new opera. Its premiere took place in 1873. The public approved the work. From 1873 to 1878, Rimsky-Korsakov was busy improving his own technique, as he felt significant gaps in his musical education. The members of the circle did not understand this zeal.

They warned that technically perfect works would be an order of magnitude lower than those written with the soul. And so it happened. The third symphony, performed in 1876, was received rather restrainedly by the public and press. And finally, the long-awaited inspiration came to the composer: very quickly he wrote the opera “May Night”. Immediately after it, Rimsky-Korsakov asked Ostrovsky for permission to use his play “The Snow Maiden” to compose music. The playwright agreed and was shocked by the result.

Rimsky-Korsakov. Biography: 1894-1902

During this period, the composer began working on a second opera based on the plot of Gogol’s works - “The Night Before Christmas”. The next work, “The Tsar’s Bride,” was received ambiguously. But there was no end to the applause when “The Tale of Tsar Saltan” came to life on stage. It was written on the occasion of the celebration of the centenary of the birth of A.S. Pushkin.

Brief biography of Rimsky-Korsakov: recent years

The combination of composing and teaching activities could not but affect Nikolai Andreevich’s health. However, this did not stop him from writing his most innovative work - the opera “Kashchei the Immortal”. Next came the shock of “Bloody Sunday” in 1905. Students at the meeting demanded that classes be stopped until the fall. Nikolai Andreevich supported them, for which he was fired. Following him, expressing protest in this way, many more professors left the conservatory. Since then, the thought of writing an opera in which tsarism could be exposed has not left Rimsky-Korsakov. In 1906 he began work on The Golden Cockerel. A year later the opera was written. opposed its production, as he was alarmed by the sharpness of the satire on the king. The opera was still performed in 1909, but the composer did not see it. In June 1908 he died.

Photo 1897

Nikolai Andreevich Rimsky-Korsakov known as a composer, teacher and public figure of Russian origin. He was born on March 18, 1844 in Tikhvin. The settlement received this name because it lay on the Tikhvinki River. The family had their own estate located right on the river bank. Dad - Andrei Petrovich, former vice-governor. Mom is Sofya Vasilievna, the daughter of an ordinary peasant woman and a wealthy landowner. According to many sources, his brother Voin Andreevich, a sailor with an officer rank, had a great influence on Nikolai’s life.
When Nikolai was six years old, his parents began teaching him various skills. The boy liked reading more than playing musical instruments, however, he released his first musical work when he was only eleven years old. After the death of the pope in 1862, the entire Rimsky-Korsakov family moved to St. Petersburg. At the same time, the guy met the then famous writer M. Balakirev, accepting membership in his literary circle. A little later, this mug received the name “Mighty Handful”.
Thanks to the help and mentoring of Balakirev, Nikolai began to work on writing the First Symphony. As Rimsky-Korsakov himself said, the beginning was made when he was studying at Canilla, but he began to work more diligently only in 1861. After graduating from the Naval Corps, he successfully entered service on the Almaz clipper. There he stayed for three years. At this time, he managed to go to North America and visit many European countries.
Due to the heavy workload, there was no time to work on music, which is why only the 2nd part of the First Symphony was released during this period. After such a long journey, the man again visits his circle, where he makes acquaintance with its new member Borodin and Tchaikovsky.
Balakirev again exerts his influence on the guy and recommends that he continue working on the symphony. The very first of the program works is the music painting "Sadko". Here for the first time he combined the real world and a fairy tale.
Thanks to the works of O. Senkovsky, Nikolai wrote the symphonic suite "Antar", which all people could hear in 1869.
In 1871, Nikolai became a professor at the St. Petersburg Conservatory.
The summer of 1872 was marked by the first marriage; Nadezhda Purgold became the chosen one.
In 1875, Rimsky-Korsakov sought to improve his technique, during this period he came across his problems in education and began to teach himself. After this, the Third Symphony was published.
In 1880, such a suite as “Scheherazade” and the overture “Bright Holiday” appeared. Two years later he became the leader of the Belyaevsky circle.
During the revolution, Rimsky-Korsakov energetically supported the rebel students and condemned the leadership of the conservatory, after which he announced his resignation, and returned only after a change in administration.
Death overtook the Russian composer on June 21, 1908, in the small town of Lyubensk, Petrograd province. After his death, he was buried at the Novodevichy cemetery in St. Petersburg, but many years later his burial was moved.