Presentation on literature “the image of Sobakevich in the poem “Dead Souls”. Presentation for the literature lesson “The system of images of landowners in N.V. Gogol’s poem “Dead Souls”” (9th grade) The character of Sobakevich is superbly captured by the writer and is revealed not only in appearance

18.03.2021

THE IMAGE OF THE LANDSCAPE Sobakevich IN N.V. GOGOL’S POEM “DEAD SOULS”

Sobakevich Mikhailo Semenych is a landowner, the fourth “seller” of dead souls. The very name and appearance of this hero (reminiscent of a “medium-sized bear”, his tailcoat is of a “completely bearish” color, he steps at random, his complexion is “red-hot, hot”) indicate the power of his nature. . PORTRAIT

The character of Sobakevich is superbly captured by the writer and is revealed not only in his appearance, but also in his manner of speaking, moving, and in his entire way of life.

Every thing in Sobakevich’s house, starting from the “pot-bellied walnut bureau on the most absurd four legs” and ending with the last chair, surprisingly closely grew together with its owner and seemed to say: “I, too, are Sobakevich. And I, too, are very similar to Sobakevich.”

In S.'s house there are paintings on the walls depicting exclusively Greek heroes who look like the owner of the house. The dark-colored blackbird with speckles and the pot-bellied walnut bureau (“perfect bear”) are also similar to S. In turn, the hero himself also looks like an object - his legs are like cast iron pedestals. S. is a type of Russian kulak, a strong, prudent master. Its peasants live well and reliably. The fact that S.’s natural strength and efficiency turned into dull inertia is rather not the hero’s fault, but rather the hero’s misfortune. .

Sobakevich is characterized by a highly hostile attitude towards everything connected with the spiritual principle in human life. In his eyes, enlightenment and culture are all just fictions, useless and harmful to anyone.

According to Sobakevich, the only important thing in life can be caring for one’s own existence and well-being. Keeping his stomach full under any circumstances (at home or away - it doesn’t matter) is always in the foreground.

Sobakevich's posture throughout the entire conversation with Chichikov betrayed his bestial grip of a predator and a swift rush from an ambush towards his prey when it was within reach.

SOBAKEVICH lives exclusively in modern times, in the 1820s. From the height of his power, HE sees how the life around him has been crushed. During the bargaining, he remarks: “... what kind of people are these? flies, not people,” are much worse than dead people. SOBAKEVICH occupies one of the highest places in the spiritual “hierarchy” of heroes, because, according to the author, he has many chances for rebirth. By nature he is endowed with many good qualities.

The presentation was compiled by Vladimir Gorbunov, a student of grade 9 “B” of the MBOU “Ulyanovsk Secondary School” of the Lukoyanovsky district of the Nizhny Novgorod region. Teacher: 1st category teacher of Russian language and literature Nesterova O.A. 02/10/2012

“The Image of Manilov” - Manilov. An original portrait of Manilov, the hero of the poem by N.V. Gogol. A cloying courtesy and a sensitive phrase. Manilov is far from the most negative character in the poem. Reveal the image of the hero from different sides. Talking portrait. Speech characteristics. Psychological characteristics. For Manilov, speech is pure poetry.

“Gogol’s poem Dead Souls” - N.V. Gogol. A. Ivanov. Work on the poem began in 1835. N.V.Gogol. Creative work. Poem "Dead Souls". What do we see when traveling with Chichikov? F. Moller. Work in groups: 1) Trace the route of P.I.’s walk. Chichikov around the city. Gogol's drawing for the poem. Walking around Rome. Chichikov's arrival in the city n.

“Analysis of “Dead Souls”” - Gogol once again turns to the name of Dante. “...in parody lies the strengthening of the content” O. Freidenberg. Belinsky will point out the real-historical nature. A.N. Veselovsky in connection with Gogol. About the influence of the “Divine Comedy” on “Dead Souls”. Since ancient times, mixed images. S. Shambinago. Kupreyanova. Genre-style and plot-compositional features.

“The Image of Chichikov” - The Image of Chichikov P.I. Memory. Dead Souls. Chichikov Pavel Ivanovich. School life. A dilapidated house. Chichikov is quiet and inconspicuous. Money. Evil. Hope.

“Dead Souls in Illustrations” - Nikolai Vasilyevich Gogol is an absolute genius. Significant experience in illustrating Dead Souls. A wealth of individual traits. Gogol's "types". The narrative draws the viewer in. Sobakevich. Sokolov directly introduces the image of the people into his illustrations. Illustrations by artists who were Gogol’s contemporaries (19th century).

“Plyushkin in “Dead Souls”” - On the one hand, Gogol considers Plyushkin as a unique phenomenon, exceptional in Russian life. Among the “dead inhabitants, terrible with the motionless coldness of their souls and the emptiness of their hearts.” Plyushkin takes his rightful place as the logical conclusion of the process of dehumanization of man. Entangled in the networks of the “economic web,” Plyushkin completely forgets about his own soul and that of others.

“Gogol Dead Souls” - Nikolai Vasilyevich Gogol. 1809 - 1852. Plyushkin. A reckless man and a reveler, Nozdryov shamelessly boasts and deceives everyone who meets him. Poverty, drunkenness, general laziness, stupidity - this is what a fortress village looks like. What “keys” did Chichikov pick up for Manilov and his wife, trying to win? Nozdrev.

“Poem Dead Souls” - Adventurism. Plyushkin. Unprincipled. The scam had strong legal and economic grounds. Letter from Gogol to V.A. Zhukovsky. Projectionism (passion for unrealistic projects). N.V. Gogol. Impudence. Mismanagement. A spendthrift and a carouser. Ignorance. The immortal soul of man is dead. Only the 1st volume was completed.

“N.V.Gogol Dead Souls” - Box. History of creation. “..Mr., not handsome, but not bad-looking either, not too fat, not too thin...” Poem by N.V. Gogol "Dead Souls". Manilov. Chichikov. Nozdrev. Sobakevich. Plyushkin. The work was prepared by Grigory Litvinyuk. At first glance, Manilov and Sobakevich, Nozdryov and the box do not look alike.

“Gogol’s poem Dead Souls” - Gogol in Rome. 8. Gogol conceived a great work similar to Dante’s “Divine Comedy”. 6. Paris – Germany – Rome – Jerusalem – Russia. 2. A.S. Pushkin. Lesson objectives: Drawing of Gogol for the poem. 1) Z.A. Volkonskaya 2) Fig. F. Moller.

“Lesson Dead Souls” - Information on literary theory. The procedure for analyzing the images of landowners: The plot stretches out into a very long novel and, it seems, will be funny... Completed by: teacher of the Chernorechensk secondary school Bekmukhametova G.M. There are very few Russian students. Epigraph for the lesson: The plot of the poem was suggested to Gogol by Pushkin. “I started writing Dead Souls.

“Nikolai Gogol Dead Souls” - Biography. The first period of creativity. 1842 - 1855 - the last period. Revision soul, a unit for registering the population of the Russian Empire in the 18th-19th centuries. The implementation of Chichikov's adventure. The idea of ​​the work. Plot. Content. Nikolai Vasilyevich Gogol. Mother, Maria Ivanovna Kosyarovskaya (1791-1868), from a landowner family.

There are a total of 22 presentations in the topic

Slide 2

N.V. Gogol (1809 – 1852)

  • Slide 3

    Birth

    Gogol was born in the town of Velikie Sorochintsy, Mirgorod district, Poltava province, into the family of a landowner. They named him Nicholas in honor of the miraculous icon of St. Nicholas, kept in the church of the village of Dikanka. House of Doctor M.Ya. Trokhimovsky in Sorochintsy, where Gogol was born

    Slide 4

    Description of the village of Sobakevich

    The village was quite large; two forests, birch and pine, like two wings, one darker, the other lighter, were on her right and left.

    The village huts of the peasants were also built marvelously: there were no brick walls, carved patterns or other tricks, but everything was fitted tightly and properly. Even the well was lined with such strong oak that Kokai is used only for mills and ships.

    Everything was stubborn, without swaying, in some kind of strong and clumsy order.

    Slide 5

    Description of the manor house

    In the middle of the village one could see a wooden house with a mezzanine, a red roof and dark gray or, better yet, wild walls - a house like those built for military settlements and German colonists. The pediment did not fall in the middle of the house... Not four columns, as intended, but only three. The yard was surrounded by a strong and excessively thick wooden lattice. In the stables, barn and kitchen, full-weight and thick logs were used, determined to stand for centuries. On the walls hung pictures of Greek commanders, engraved to their full height. Then came the Greek heroine Bobelina, whose one leg seemed larger than her whole body. Right next to the window, a cheerful cage from which looked out a blackbird of a dark color with white specks, very similar to Sobakevich. Everything in the rooms was solid, awkward to the highest degree, and bore some strange resemblance to the owner of the house himself; in the corner of the living room stood a pot-bellied walnut bureau on absurd four legs, a perfect bear. Table, armchairs, chairs - everything was the same

    Slide 6

    Description of the landowner's appearance

    Sobakevich bears little resemblance to other landowners. This is a calculating, tight-fisted owner, a cunning tradesman. He is alien to the dreamy complacency of Manilov, as well as the violent extravagance of Nozdryov or the petty hoarding of Korobochka. He is laconic, has an iron grip, has his own mind, and there are few people who could deceive him. The author calls Sobakevich a patriot of the Russian stomach!

    Do you need dead souls? – Sobakevich asked very simply, as if we were talking about bread. If you please, I'm ready to sell. “Damn it,” Chichikov thought to himself, “this one’s already selling before I even stuttered!” - So as not to charge you an extra hundred rubles apiece! - said Sobakevich. After all the disputes about the price, Chichikov said - “it seems that some kind of theatrical performance or comedy is happening between us, otherwise I cannot explain it.” Sobakevich replied - you needed souls, I’m selling it to you, and you will repent that you didn’t bought.

    Slide 8

    Chichikov's attitude towards the landowner

    Sobakevich himself seemed to Chichikov to look like a medium-sized bear - his name was even Mikhail Semenovich. He was wearing a bear-colored tailcoat and long trousers. He walked awkwardly and constantly stepped on someone's feet. He had a fairly strong build, “didn’t move his neck at all,” and rarely looked at the person he was talking to. His complexion was red-hot, the kind you get on a copper coin.

    Slide 9

    Purchase and sale of “dead souls”

    The whole history of the purchase and sale began with Sobakevich saying - “so as not to ask too much from you, one hundred rubles apiece!”

    “A hundred!” Chichikov cried, his mouth open.

    -But what is your price???

    -My price, eight hryvnias apiece!

    - Why are you so big? – Sobakevich answered. - another scammer will deceive you, sell you rubbish, not souls; and I have a tough nut, everything is for selection.

    After all the arguments, Sobakevich said: “My last word, fifty rubles! Really, it’s a loss to yourself, you can’t buy such good people cheaper anywhere!”

    Slide 10

    Sobakevich, like a true merchant, presented his goods not just as dead people, but as valuable artisans: shoemakers, carpenters, brickmakers, etc., as if forgetting that they were no longer there. Finally, the guest and the owner agreed on the price and decided to go to the city tomorrow and draw up a bill of sale. Chichikov had to pay a deposit, but he demanded a receipt. When saying goodbye, the guest asked the owner not to tell anyone about the deal, and he agreed. The whole history of the purchase and sale began with Sobakevich saying - “so as not to ask too much from you, one hundred rubles apiece!”


    Slide 11

    THANK YOU FOR YOUR ATTENTION!!!


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    "Dead Souls"

    Landowner Sobakevich

    Business card.


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    Landowner Sobakevich Mikhailo Semenovich - a hater of enlightenment, a strong owner, unyielding in bargaining, will be happy to “throw mud” at all his acquaintances over a hearty dinner in his house.

    1937 - 1939



    Sobakevich

    Artist


    Chichikov at the Sobakevichs

    "Dead Souls"

    A. A. Agin


    Chichikov at the Sobakevichs

    "Dead Souls"

    A. A. Agin


    Chichikov and Sobakevich

    "Dead Souls"

    A. A. Agin


    Chichikov and Sobakevich

    "Dead Souls"

    A. A. Agin


    Character traits

    • Kulaks,
    • misanthropy,
    • obscurantism (reactionality, hostility to progress, culture, science),
    • coarseness,
    • tight-fistedness.

    Work by Bekhtina Natalia

    1996


    Work by Frolova Nadezhda

    1998


    Work by Sergei Kozlov

    1998


    Work by Knyazkina Lyudmila

    1998


    Work by Knyazkina Lyudmila

    1998


    Work by Ekaterina Prytkova

    2003 – 04 academic year year


    A new stage of human decline - the “damn fist” Sobakevich. Gogol writes that it seemed that there was no soul at all in this man’s body. Sobakevich gravitates towards the old serf forms of farming, hates the city and education. He sees the meaning of life in the passion for profit. In addition to corvee, he also applies quitrent. Gogol called it “a portrait of the Russian stomach”: food is Sobakevich’s second passion.

    Sobakevich is a real landowner, a huckster and a hoarder. He is arrogant and assertive. The author compares him to a bear.

    Sobakevich is also a household name. His main qualities are greed and narrow interests.


    References

    • N. In Gogol “Dead Souls”, Moscow “Olympus. PPP", 1993
    • Slide set of presentations for the poem by N.V. Gogol "Dead Souls". Author of the work - Vshivkova Valentina Mikhailovna, Municipal Educational Institution Lebyazhenskaya Secondary School
    • http://ru.wikipedia.org Wikipedia, the free encyclopedia
    • http://www.gogol.niv.ru/soch/gogol1.htm.Site “Nikolai Vasilyevich Gogol”.
    • Unified collection of Digital Educational Resources
    • Literature website of the Russian General Education Portal.
    • Illustrations by Russian artists for the poem “Dead Souls”.

    • Volkova Elena Arkadyevna
    • Teacher of Russian language and literature (1st qualification category)
    • Municipal educational institution "Uryum secondary school"
    • Tetyushsky district
    • Republic of Tatarstan
    • February 2010