Cinderella

CINDERELLA (fr. Cinderella) - the heroine of the fairy tale “Cinderella” by C. Perrault (1697). “Kind, friendly, sweet” - this is how the author characterizes her heroine. This is truly one of the most subtle and charming images among fairy-tale heroines. Cinderella is modest, hardworking, flexible, and friendly. The daughter of a respectable and noble man, Cinderella, oppressed by her evil stepmother, lives in her own house as a servant, doing all the menial housework, completely resignedly. She cleans cauldrons and pots, washes stairs; she takes care of her stepsisters, who repay her with black ingratitude, sleeps in the attic right under the roof, on a prickly straw bed, and silently endures all insults, not even daring to complain to her father. She was nicknamed Cinderella for her dress that was always stained with ash. A fairy tale is a fairy tale, and Cinderella goes to the ball. Her fairy godmother helps her. Cinderella is so beautiful that the prince singles her out from all the ladies present, and the guests are also fascinated by the stranger. And here Cinderella would have taken revenge on her sisters and stepmother, done something unpleasant to them, but she, on the contrary, “found them, said a few pleasant words to each, and treated them to oranges and lemons, which the prince himself brought her.” Having married the prince, Cinderella immediately forgave her sisters for all their insults, because, as Perrault writes, “she was not only pretty, but also kind.” The image of Cinderella has captivated many artists. The German storytellers Brothers Grimm created their version of the Cinderella story (1814). The Italian composer D. Rossini wrote a lyric-comic opera on this plot (1817), and S.S. Prokofiev wrote a ballet of the same name (1944). The domestic film “Cinderella” (1947) with Y. Zheimo in the title role (based on the play and script by E.L. Shvarts) is recognized as a classic of children's cinema.

All characteristics in alphabetical order:

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Composition

CINDERELLA (fr. Cinderella) - the heroine of the fairy tale “Cinderella” by C. Perrault (1697). “Kind, friendly, sweet” - this is how the author characterizes her heroine. This is truly one of the most subtle and charming images among fairy-tale heroines. Cinderella is modest, hardworking, flexible, and friendly. The daughter of a respectable and noble man, Cinderella, oppressed by her evil stepmother, lives in her own house as a servant, doing all the menial housework, completely resignedly. She cleans cauldrons and pots, washes stairs; she takes care of her stepsisters, who repay her with black ingratitude, sleeps in the attic right under the roof, on a prickly straw bed, and silently endures all insults, not even daring to complain to her father. She was nicknamed Cinderella for her dress that was always stained with ash. A fairy tale is a fairy tale, and Cinderella goes to the ball. Her fairy godmother helps her. Cinderella is so beautiful that the prince singles her out from all the ladies present, and the guests are also fascinated by the stranger. And here Cinderella would have taken revenge on her sisters and stepmother, done something unpleasant to them, but she, on the contrary, “found them, said a few pleasant words to each, and treated them to oranges and lemons, which the prince himself brought her.” Having married the prince, Cinderella immediately forgave her sisters for all their insults, because, as Perrault writes, “she was not only pretty, but also kind.” The image of Cinderella has captivated many artists. The German storytellers Brothers Grimm created their version of the Cinderella story (1814). The Italian composer D. Rossini wrote a lyric-comic opera on this plot (1817), and S.S. Prokofiev wrote a ballet of the same name (1944). The domestic film “Cinderella” (1947) with Y. Zheimo in the title role (based on the play and script by E.L. Shvarts) is recognized as a classic of children's cinema.

Many girls' favorite fairy tale is Cinderella. But even more they love the heroine herself. Here you will learn how to please your little princesses with magical moments from a fairy tale.

Although the fairy tale “Cinderella” was written in the 17th century by the French writer Charles Perrault, it is still very popular. The story is about how a sweet and kind girl became a runt and a servant for her stepmother in her father’s house. Then she magically went to the royal ball, met a handsome prince and they got married. It is not surprising that this story is liked not only by little girls, but also by their mothers. There are more than 15 film adaptations of the fairy tale “Cinderella”. But for us, closer is the film shot in the USSR in 1947 by Nadezhda Kosheverova and Mikhail Shapiro. Although girls still have a favorite heroine, the modern Cinderella from the Disney cartoon.

However, dear parents, do not forget to explain to your daughters that you should not show off in front of the mirror all the time and wait for the prince. After all, the most important thing is not Cinderella’s dress. Cinderella was a hard-working, honest and kind-hearted girl, which is why life rewarded her. So you should try to accustom little Cinderella lovers to small household chores - offer to wipe the dust, clean the room, bake a cake together. We also want to offer you some ideas on how to bring the fairy tale closer to your child’s life.

Decorating a children's room “Princess Cinderella”

A girl's room can be decorated in the style of this fairy tale. Hang a “Cinderella” sign on the doors to the room. Paint the walls a soft pink color, draw a castle, flowers, red hearts and clouds on them. If you set out to create a room for a real princess, you can order a bed made in the shape of a carriage or a wardrobe that looks like a royal castle from an online furniture store.

If you can't afford expensive furniture or don't have the time to repaint the entire room, don't despair. Various little things can very well give the room a fabulous look. Lay a rug with flowers on the floor, buy bedding with images of Cinderella characters, decorate the bed with pink decorative pillows with ruffles, and hang a Cinderella poster on the wall. You can decorate the windows with pink curtains or tulle, and above the bed make a canopy made of light white fabric.

You can transform old furniture with the help of paints - draw a crown on a chair, hearts and flowers on the table, a king’s castle on the cabinet doors. If you don’t have the ability to draw, you can always buy decorative stickers; they will also help create a festive atmosphere. If you can’t find the stickers you need, just print out pictures from the fairy tale “Cinderella” and use tracing paper to transfer the outlines to the surface you need. You can color such drawings without any difficulty.

Children's party at home "Princess Cinderella"

The holiday can also be themed. For example, throw a real royal reception. Make invitation cards with your child using pink or blue paper. On the first page, draw or make an applique of a crown and glue satin bows. In the invitation, indicate exactly what the reception will be, for example, “I have the honor to invite you to a royal tea party.”

The room will need to be decorated as a royal dining room. Lay out a beautiful tablecloth, place disposable dishes with the image of Cinderella, and tie large bows made of light translucent fabric such as tulle or organza on the backs of the chairs.

Gifts for little Cinderella

Types of characters in the fairy tale "Cinderella"

Main character

Before we move on to considering the main character, it should be noted that in its content the tale of Cinderella has a deep social character. The main conflict of this tale can be described as a conflict between a stepmother and stepdaughter, which has deep historical social roots.

So, the main character of the fairy tale is Cinderella, after whom the fairy tale itself is named. It is easy to notice that in all the fairy tales of Charles Perrault the main characters do not have real names. The author gives them certain nicknames, most often based on the peculiarities of their appearance on the principle of a stylistic device - metonymy. So is the case with Cinderella. In the beginning of the tale we see an explanation for the nickname given to her: “Lorsqu"elle avait fait son ouvrage, elle s"allait mettre au coin de la cheminee, et s"asseoir dans les cendres, ce qui faisait qu"on l"appelait communement dans le logis Culcendron. La cadette, qui n"etait pas si malhonnete que son ainee, l"appelait Cendrillon." Thus, Cinderella got her nickname because she constantly walked around smeared with ash. Naturally, we are not talking about her. sloppiness. Together with this nickname and the reason for its occurrence, we see the low position that the girl occupies in the family, which forces her to huddle, like a frightened animal, in the farthest, dusty corner of the house.

Of course, the word formation of these two words is also of interest, expressing directly the attitude of the two sisters towards Cinderella. So, in the original French version of the tale, these two nicknames sound like Cucendron and Cendrillon. Firstly, the diminutive suffixes -ron/-illon help us intuitively determine the age and build of a girl. Secondly, as we have already indicated above, they can also indicate to us the attitude of two sisters towards their half-sister and partly determine their level of moral qualities. Thus, in the word Cucendron, used by one of the sisters, who, as the author indicates, is more evil, we hear shades of a derogatory nature. At the same time, this nickname emphasizes the heroine’s humility and patience, expressed in humility with this unpleasant name. In the word Cendrillon, used by the younger, kinder sister, we hear persistent notes of benevolent attitude thanks to the affectionate suffix -illon.

The first thing we pay attention to when meeting Cinderella is her moral qualities, which is the author’s original goal when describing the main character. So at the beginning of the work the author writes: “Le Mari avait de son cote une jeune fille, mais d"une douceur et d"une bonte sans exemple; “elle tenait cela de sa mere, qui etait la meilleure personne du monde.” The mention of the girl’s mother and her kindness is also not accidental. Thus, from the very beginning, the author gives us the opportunity to contrast the feminine principles, so to speak, represented by representatives of two different families, in two generations. And here, it seems acceptable to us to note the principle of binary, expressed in the opposition of negative and positive principles. And it is on this opposition that the main conflict of the fairy tale is built. The author emphasizes that Cinderella’s very good disposition gave birth to hatred on the part of the evil stepmother, who “ne put souffrir les bonnes qualites de cette jeune enfant, qui rendaient ses filles encore plus haissables.” This reveals the divergence of the characters in this fairy tale, generated by the mother’s envy towards her kind-hearted stepdaughter, who was superior to her daughters both morally and physically. Cinderella is not only spiritually superior to them, but also much more beautiful in appearance: “...cependant Cendrillon, avec ses mechants habits, ne laissait pas d"etre cent fois plus belle que ses soeurs, quoique vetues tres magnifiquement." Thus, in the heroine We see Cinderella as an idealized image of a beautiful and kind girl who cannot be spoiled by anything.

So, the initial situation of the fairy tale is connected with a family conflict between a persecuted stepdaughter, her stepmother and stepsisters. The author introduces us to a girl who is humiliated, oppressed in all respects, whose name tells us about her low social status in the family, which she acquired after the death of her mother. Her position in the family is indicated not only by her speaking name, but also by the items of her toilet mentioned by the author, the things surrounding her, the responsibilities imposed by her stepmother: “...avec ses mechants habit...”, “Elle la chargea des plus viles occupations de la Maison: c "etait elle qui nettoyait la vaisselle et les montees, qui frottait la chambre de Madame, et celles de Mesdemoiselles ses filles...", "...elle couchait tout au haut de la maison, dans un grenier, sur une mechante paillasse..." Thus, in the person of Cinderella we see a typical heroine-victim. But we should not forget about her true origin. So in the exposition of the fairy tale, the author writes about Cinderella's father: "Il etait une fois un Gentilhomme. ... "Consequently, Cinderella, being his own daughter, was in fact a girl of high society, as evidenced by her skills, skills and social manners, without which she would not have been able to make the proper impression at the ball. In confirmation of the above, we will cite. An example is the following excerpts of phrases: “elles appelerent Cendrillon pour lui demander son avis, car elle avait le gout bon. Cendrillon les conseilla le mieux du monde...", "Elle dansa avec tant de grace...".

An interesting fact is that throughout the entire development of the plot, Cinderella is not subjected to tests as such, which we are accustomed to seeing in other fairy tales. She does not fight, does not struggle, does not seek anything and does not solve difficult problems. However, from the context of the fairy tale, we understand that the very existence of Cinderella as a servant to her stepmother and stepsisters, whom she addresses as “you” and calls young ladies, is a kind of test of her moral qualities, namely her kindness , tolerance. In a situation where the sisters are going to a ball, asking Cinderella for advice, despite all their ridicule, the good girl does not seek revenge: “elles appelerent Cendrillon pour lui demander son avis, car elle avait le gout bon.” Cendrillon les conseilla le mieux du monde, et s"offrit meme a les coiffer; ce qu"elles voulurent bien", "Une autre que Cendrillon les aurait coiffees de travers; mais elle etait bonne, et elle les coiffa parfaitement bien.” This shows the girl’s selflessness, which undoubtedly should be rewarded, according to the laws of a fairy tale.

An important stage in the fairy tale can be called the holding of a royal ball. It is a turning point in Cinderella's fate on the path to eventual happiness. The narration of this important event begins with the phrase “Il arriva que...”, which indicates to us a certain intrigue that will have certain consequences. The next episode, which tells us about the preparations of two sisters, is also of interest from a historical point of view, as it reveals to us a certain culture of the French nobility in the specified period. But, at this stage, we are interested in the direct role of Cinderella in this episode. And here we again find evidence of her low position in the family: “nouvelle peine pour Cendrillon, car c"etait elle qui repassait le linge de ses soeurs et qui godronnait leurs manchettes.” It can be assumed that the above activities presented significant difficulty during the reign of Louis The fourteenth, but Cinderella had to carry them out without complaint and this was just a new concern for her, which certainly oppressed her morally.

Preparing for such an important event as the royal ball, the sisters ask Cinderella for advice, which demonstrates the hidden importance of the poor girl in the family and her open exploitation.

Interestingly, despite her low position, Cinderella hoped to get to the royal ball. For her, this was extremely important and she wanted it with all her heart, although in her case it was an unrealistic event. We feel that Cinderella’s existence in such conditions became unbearable for her. We can imagine the feelings of a young girl who feels injustice towards herself on the part of her family members, who do not give her the opportunity to open up, to find herself, her true “I”, which was taken away from her with the appearance of an evil stepmother. But she could only silently experience this injustice: “Enfin l"heureux jour arriva, on partit, et Cendrillon les suivit des yeux le plus longtemps qu"elle put; lorsqu"elle ne les vit plus, elle se mit a pleurer." You should pay attention to the phrase happy day, which can be viewed in two ways. On the one hand, this is a happy day for Cinderella’s sisters, who go to the ball, but, on the other hand, we understand that this day was not at all happy for Cinderella. In this situation, we see an element of lack, expressed in injustice towards poor Cinderella, who felt very unhappy, comparing the capabilities of her sisters and her own. And then the main action begins. .

Cinderella, with the help of her godmother and miraculous transformations, gets the opportunity to go to the royal ball: “Elle part, ne se sentant pas de joie.” At the entrance to the palace she is met by the prince, who was informed of the arrival of some noble princess. The prince introduces her into the hall, and here the author begins to describe the impression that the “disguised” Cinderella made on everyone with her beauty: “...tant on etait attentif a contempler les grandes beautes de cette inconnue,” “Le Roi meme, tout vieux qu"il etait, ne laissait pas de la regarder et de dire tout bas a la Reine qu"il y avait longtemps qu"il n"avait vu une si belle et si aimable personne", "Toutes les Dames etaient attentives a considerer sa coiffure et ses habits, pour en avoir des le lendemain de semblables...” It was with her beauty and appearance that Cinderella fell in love with the prince. She seemed to everyone like an unknown beautiful princess. And the prince fell in love with her as a beautiful princess, and not as a grimy Cinderella. Thus, we see that in this situation, it is Cinderella’s “masquerade” that gives her the opportunity to win the prince’s heart at first sight, and not her inner qualities. An unusual outfit for Cinderella became a way for her to become something she was not at the moment. This technique of dressing up and reincarnation is often used in fairy tales and is a certain stage on the path to the well-deserved happiness of the main characters.

At the ball, Cinderella, having met her sisters, again shows the readers her kindness and forgivingness: “Elle alla s"asseoir aupres de ses soeurs, et leur fit mille honnetetes: elle leur fit part des oranges et des citrons que le Prince lui avait donnes, ce qui les etonna fort, car elles ne la connaissaient point.”

The last episode of the fairy-tale action finally reveals the true face of Cinderella, which was hidden either behind the rags of a dirty woman or behind the beautiful outfits of the princess. Cinderella tries on a shoe, which, to everyone's surprise, fits her perfectly. And here we also find veiled proof of the extraordinary beauty of Cinderella, her origin, since at any time, a small foot in Europe was considered a sign of beauty, miniature and high origin of a girl. The very motif of the shoe in this tale is also interesting, since it is known that trying on shoes has long been a sign of election or elevation to dignity.

The search for a true hero is successfully completed, Cinderella gains social independence from her stepmother and sisters, and also finds the love of a prince.

Thus, Cinderella is rewarded for all the trials of her kindness and patience that befell the girl. The fabulous justice of the fairy tale has triumphed. Toward the denouement, the author also unexpectedly changes the usual course of things in a traditional fairy tale. So the harmful and evil sisters are not punished by Cinderella, but on the contrary, she generously forgives them: “Cendrillon les releva, et leur dit, en les embrassant, qu"elle leur pardonnait de bon coeur, et qu"elle les priait de l"aimer bien toujours." Having married the prince, having found her happiness, she seems to share this happiness with her stepsisters, marrying them off to nobles: "Cendrillon qui etait aussi bonne que belle, fit loger ses deux soeurs au Palais, et les maria des le jour meme a deux grands Seigneurs de la Cour.” Thus, Cinderella retained all her moral qualities to the end, which is also the charm of the fairy tale and its educational aspect.

Charles Perrault's fairy tale "Cinderella"

The main characters of the fairy tale "Cinderella" and their characteristics

1. Cinderella, a young girl of 18 years old, very kind, very beautiful, hard-working. generous, charming, has every conceivable positive quality.
2. A prince, young and handsome, persistent, faithful. Easily fell in love with Cinderella.
3. Stepmother, evil and not kind. She loved only her daughters, and treated Cinderella very poorly.
4. The sisters, daughters of their stepmother, took after their mother in character.
5. Father, quiet and obedient man, henpecked
6. Fairy, sorceress who does good.

Plan for retelling the fairy tale "Cinderella"

1. Mother's death
2. Evil stepmother
3. Evil sisters
4. The prince gives a ball
5. Poppy and millet
6. The appearance of a fairy
7. Magic
8. Cinderella at the ball
9. Beans and peas
10. Cinderella loses her shoe
11. The prince is looking for a princess
12. Weddings of Cinderella and sisters.

Brief summary of the fairy tale "Cinderella" for a reader's diary in 6 sentences

1. After the death of his wife, Cinderella's father marries the evil stepmother.
2. The prince gives a ball, and the stepmother and her daughters go to the ball.
3. The fairy gives Cinderella a carriage and horses, a beautiful dress, but warns about midnight
4. Everyone really likes Cinderella, but on the second day she forgets about the time and loses her shoe.
5. The prince is looking for a beautiful stranger and the shoe fits Cinderella.
6. Cinderella marries the prince.

The main idea of ​​the fairy tale "Cinderella"
Beauty, forgiveness and goodwill are the most beautiful human qualities.

What does the fairy tale "Cinderella" teach?
This fairy tale teaches us to appreciate the positive qualities in a person. Do not pay attention to appearance, but judge a person by his actions. Teaches not to hold a grudge against envious people and to be able to forgive what can be forgiven. Teaches that goodness will always be rewarded.

Review of the fairy tale "Cinderella"
I really like the fairy tale “Cinderella”, because it has a completely happy ending. Of course, the behavior of the stepmother and her daughters is reprehensible, but Cinderella forgave them and that’s just wonderful. Cinderella was very beautiful and at the same time very kind, and therefore she deserved her happiness with the prince.

Signs of a fairy tale in the fairy tale "Cinderella"

1. Magic transformations: carriage, horses, coachman, footmen, dress
2. Magic assistant, fairy-tale creature - fairy and magic wand.

Proverb for the fairy tale "Cinderella"
Beauty until the evening, but kindness forever.
Whatever is done is for the better.

Summary, brief retelling of the fairy tale "Cinderella"
Until the age of 16, Cinderella lived happily with her parents, but then the girl’s mother died.
Two years later, Cinderella’s father married someone else and her stepmother began to force Cinderella to do all the housework, so the girl was always dirty and covered in ashes.
Cinderella's sisters were as evil as her stepmother and picked on Cinderella because of her beauty.
One day the prince announced that he was giving a ball for several days and the stepmother and her sisters were going to go to the ball. The stepmother hoped to marry one of her daughters to a prince and the other to a minister.
She gave Cinderella the task of separating poppy seeds from millet and left with her daughters.
Cinderella burst into tears, but then a beautiful fairy appeared and instantly separated the poppy from the millet.
Then she told Cinderella to bring a pumpkin and made a carriage out of it. Six mice from the mousetrap became horses, and a rat became a coachman. The fairy turned six lizards into footmen, and Cinderella’s dress into a beautiful outfit of gold and silver brocade. The fairy also gave Cinderella beautiful shoes and warned that at midnight her magic would lose its power.
Cinderella went to the ball and everyone was amazed by the beauty of the unknown princess. The prince himself constantly danced with Cinderella and treated her to fruit.
And Cinderella shared the oranges with her sisters and spoke politely to them.
Cinderella left the palace at five minutes to twelve.
When the stepmother and sisters returned they talked a lot about the princess and were angry that all the housework had been done.
The next day, the stepmother and sisters left for the ball again, and Cinderella went after her, because the fairy again helped her - she separated the bag of peas from the bag of beans.
This time Cinderella forgot about the time, and when the clock began to strike midnight, she hurriedly ran away, losing her shoe along the way.
The stepmother and sisters believed that the prince was in love with an unknown princess.
And indeed the prince ordered all the girls in the country to try on the shoe.
Cinderella’s sisters also tried it on, but the shoe didn’t fit anyone.
Then the prince was about to leave, but his father remembered Cinderella and the prince gave her a shoe to try on. The shoe came at the right time, and Cinderella took out the second one.
The prince recognized his princess, and the fairy again turned Cinderella’s dress into an elegant one.
Cinderella married the prince and married her sisters to nobles.

Illustrations and drawings for the fairy tale "Cinderella"