Today we will look at a lot of excellent works with titles, and along the way we will show that this is a real design and at the end, according to tradition, we will give several links to treasure sites. Don't forget to bookmark it later.

Motion design began with the credits.

Camera shake, disturbing keyboard music and the rustle of a record player needle in the background. Do you recognize? This is how the detectives of the seventies began, with whom we all met in the free nineties.

Why is it useful?

Design is divided into web, technical, and motion only conditionally. Any good design inspires, gives rise to fresh thoughts and provides an opportunity to learn new things. Therefore, even if you are not involved in motion, it will be useful.

Composition in everything

Titles do not appear randomly on the screen. The same laws of composition apply here as in any design.

For example, check out this intro to House of Cards.

In technical terms, nothing complicated: time-lapses and simple text that appears. But mentally divide the screen into quadrants and notice that the text always appears in the darkest quadrant (this makes the text look more contrasty):

Second compositional technique: Objects in the foreground frame a specific area of ​​the frame, drawing attention to it. This is where the text goes:

You can even play a game of “guess which quadrant the text will appear in.” It works almost flawlessly.

Interact with your environment

This technique significantly diversifies the appearance of the text. The designer uses other objects (in our case, moving objects in the frame), which creates a surprise effect.

Like this intro to Boardwalk Empire.

Everything is not by chance

As with any design, nothing happens for nothing with titles. Of course, if they are done professionally.

In the two previous videos, the video sequence refers to the plot. But the text itself can serve as a reference.

For example, remember the opening credits to Zodiac. The names of the actors and crew turn into those same symbols for a split second.

As we remember, the film is about an elusive killer who leaves codes from such signs. Thus, the credits are harmoniously woven into the overall concept of the film.

In the story, you are an octopus who successfully pretends to be a human. It is so fortunate that he already has an adult daughter whom he is marrying off. However, dad has one drawback - everything falls out of his hands (damn, because he is an octopus!). And if in the game the player’s task is to mow the lawn and not get burned that you are related to Cthulhu, then in the opening credits you can have a real blast, throwing letters around like tentacles.

An excellent example when “everything is not accidental”, as it seems to us.

Slowly and tastefully

What makes an ordinary serial credits a masterpiece? Properly selected music, rhythm, visuals, typography, motion - the list is endless. The visual style that every designer now tries to make collages in was perfected in True Detective.

Let's look at both parts, if that's the case.

From the same series, one of today's best videos. They say the series is also good.

Please note that the movement in the frame is always in the direction of the appearing credits. This helps control the viewer's attention. Let's look at Daredevil:

Handmade

Manual animation techniques are something that is always in fashion. It is especially in demand in the comedy genre: stop motion is cute and funny.

The credits appear in Community in an original way: the names of the actors are written on a piece of paper that students roll up because they have nothing to do, the name of the author of the series is carved with a knife on the desk. Nostalgic Klondike, 100% fitting into the “student” theme.

Black and white

Those who design websites rarely have to create a picture that would repel and cause teeth to shiver. Filmmakers are luckier in this regard.

See a great example of captions. What do you see: ink and white fabric of a tutu or blood and bandages? Everything is mixed up in the video, as well as in my head main character(oh, spoiler, spoiler).

"Black swan":

Let's have another black and white riddle. What is in front of you: a highway map, a circulatory system, tree branches? The spread of the infection was shown more than well.

"Last of us"

Minimalism gives room for imagination. Not only in movie screensavers.

Typography details

In addition to the fact that the remake of “The Girl with the Dragon Tattoo” has an excellent video sequence (see the previous paragraph “black and white” and analyze), the credits have a barely noticeable, but very atmospheric detail - the callout elements of the letters. The text gradually becomes “prickly”, and the viewer creates an alarming feeling corresponding to the picture.

Hooligans on screen

Another technique that is considered a classic is still images with titles. Yes, you remembered Guy Ritchie correctly.

In “Big Jackpot,” the viewer is introduced to the characters in this way:

And in the third " Iron Man“They simply stop a super-dynamic picture so that the viewer has a chance to read the text.

The texts turn upside down and appear intricately - this kind of editing was typical of films of the past, when special effects artists played with technology with all their might.

Get into the retro car:

Bonus

Ever seen a design conference have its own trailer with such awesome title work? For the motion of just the word Evolution you should already give an award.

If anyone is going to Canada, then FITC 2015.

Links as promised

Use, like us and remember with slight sadness this gorgeous article:

Opening titles (credits, title sequence) - the first minutes before the start of the film with the names of the authors of the film, actors, producers and other participants in the project. Not just a tribute to fashion, but a preamble that sets the mood and makes the viewer watch the movie. Visuals and music are the most important elements of the opening credits. It is in them that the whole idea of ​​the picture lies. Main goal credits - to intrigue the viewer without revealing the plot.

In this article we will talk about the most significant titles in cinema. Let's start with brief history appearance and formation of titles.

Titles were born with cinema and until the 1950s were cards with handwritten text.

1950s

Appeared in the USA decoration credits. The designers set the bar and quality standard:

• Saul Bass: The Man with the Golden Arm, North by Northwest, Psycho;
• Maurice Binder: Bond, Dr. No;
• Pablo Ferro: "Doctor Strangelove."

It was a new conceptual direction: from flat design to kinetic typography.

1960s

Titles in the form of cartoons are in fashion. The credits of the 1963 comedy “The Pink Panther” (animated by Fritz Frieling) feature the funny adventures of the pink panther. Later, more than a hundred short cartoons were dedicated to the cartoon heroine.

1970-80s

The first "computerized" credits were Superman 1978 (designed by Richard and Robert Greenberg).

90s

With the advent of After Effects began new era title design. Innovators of the time included David Fincher and Kyle Cooper (Seven, Mimic); Digital Domain(" fight club") and others.

2000s

The rise of 3D graphics and special effects: Mission: Impossible, Dexter, Breaking Bad. Experiments lead to impressive visuals, but sometimes to the detriment of text readability (“Chimera” 2009, “Enter the Void” 2009).

In general, now there is a certain revival of old methods and styles in a new “digital way”.

Let's look at 10 spectacular opening credits that have become cult classics.

Film within the film "Seven"/Se7en, 1997

Designer: Kyle Cooper

Music: remix of the song “Closer” by Nine Inch Nails

The traditional idea of ​​credits throughout the history of cinema has been turned upside down. The New York Times noted this opening title sequence as "one of the most important innovations of the 1990s."

Kyle Cooper, title designer, says, "The way the visuals look and musical accompaniment credits, dictated by the content of the film. Titles are good when they seem to “come out of the film itself.” The titles, indeed, turned out to be very impressive: as if letters were scratched on glass with a sharp blade, skewed font, flickering old film in the background, a gloomy picture of a maniac creating his diaries - all this immerses you in the atmosphere of a thriller.

Animated silhouettes “Catch me if you can” / Catch me if you can, 2002

Designer: Saul Bass

Animation: studio Kuntzel + Deygas

Music: John Williams

Classic of the genre. Everything here is unique: the drawings in the style of the 60s and 70s refer to the times mentioned in the film; changing bright colors - like changing locations, silhouette characters; music in the style of spy films. In a word, a very stylish and beautiful mini-version of the film itself.

The Unsurpassed James Bond, Skyfall, 2012

No franchise pays as much attention to spectacular title sequences as Bond. All James Bond screensavers from 1962 to 2015 can be included in the list of the most spectacular and inventive ones. Definitely, these are excellent works that you enjoy in addition to the main feed. Let's note the opening screensaver of “Skyfall Coordinates”. It looks very elegant, stylish and modern. Adele's song "Skyfall" perfectly complements the video.

Cult credits in the cult film “Fight club”, 1999

Designer: Digital Domain

Music: Dust Brothers “Stealing fat”

The credits to David Fincher's film based on Chuck Palahniuk's novel “Fight Club” set the tone for the entire film. The viewer frantically rushes through the labyrinth of nerve impulses in the Narrator's brain to the aggressive rhythm of the Dust Brothers, and ends up with a Smith & Wessen 4506 pistol in the mouth of the hero Edward Norton. Classical music at the very beginning is interrupted by a frantic rhythm - a contrast device that emphasizes the protagonist's protest to the norms of society. Dark shades, bold font and psychedelic music - all the techniques perfectly hint at the essence of the picture.

Double exposure and symbols in the series “True detective” season 1/True detective, 2014

Designer: Elastic and Antibody studio

Music: The Hat ft. Father John Misty & S.I. Istwa - The angry river

The opening credits for the first season of True Detective were awarded an Emmy Award and recognized as one of the best in television history. And no wonder: it worked true work art full of symbols and hidden meaning.

Patrick Clare (Title Designer) brings out the drama and conflict in the credits through composition, symbolism, and color. Stunning photos of places and people, double exposure collages, muted colors, dirty textures - everything immerses viewers in the dark and intriguing world of True Detective. According to Patrick, the “correct” opening credits should be a distillation of the ideas and emotions of the show: hyper-intense, pronounced, as visual as possible. " Life Paths The characters in True Detective are extremely confused, their destinies in the grip of chaos and falling apart - this is what we wanted to convey in the introduction,” concludes Claire.

“Liquid monochrome” and visual images of “The girl with the dragon tattoo” / The girl with the dragon tattoo, 2011

Designers: Neil Kellerhouse, Blur Studio.

Music: modern cover version of Immigrant Song, Led Zeppelin.

The opening credits run against a background of semi-abstract video, in the style of intros for James Bond films. A very stylish and exciting sight. Reminds me of the music videos Fincher did for Madonna and Aerosmith. The director confirms the similarities: “the same visual imagery, cut to match the music.” Such an energetic beginning - “a nightmarish amorphous vision in liquid monochrome” slightly sets off the film itself. According to Peter Travers ( Rolling Stone) “this is the best part of the film, which promises the viewer, perhaps, too much.”

Titles in the style of “Live-action” “Watchmen”/Watchmen, 2009

Designer: studio yU + Co

Music: Bob Dylan - The times they are a’ changing

Brilliant three-minute credits set to a Bob Dylan song tell about the influence of superheroes on the alternative history of the United States. The titles resemble animated photographs, in each of which you can find great signs of the last century. Rarely does a movie boast such an effective and concise introduction to such a grandiose material. And although the attitude towards Zack Snyder's film is ambiguous, the opening credits of "Watchmen" are flawless and ingenious.

“Game of thrones”/Game of thrones, 2011-...

Designer: Angus Wall (Elastic)

Music: Ramin Djawadi

The opening credits for the series “Game of Thrones” are a real work of art, in which a three-dimensional map, models of castles and cities are not just a visual component of the credits, but a whole metaphor describing the imaginary world of George R.R. Martin. According to Wall, “Creating titles is generally a tricky science, but there must be thoughtfulness and logic in them.” Ramin Djawadi's music was also highly appreciated.

Stylized rotoscoping "Juno"/Juno, 2007

Designer: Gareth Smith (Smith & Lee Design)

Music: Bob Dylan - All I want is you

Stylized to resemble “hand-drawn” pictures, to the Bob Dylan song “All I want is you”. The credits convey the melancholy mood of the entire film and the problems of the main character's teenage years.

The story of the bullet “Arms Baron”/Lord of war, 2005

Designer: I'E.S.T.

Music: Buffalo Springfield - For what it’s worth

The plot about the arms dealer opens with a whole “short film” about the life of a bullet: from its creation at the factory to its use direct purpose. And although there is nothing outstanding in the film itself, the credits for the film are worthy of all the praise.

So, the opening credits are an important part of the film, a strong cinematic device, and if done properly it works 100%.

These are just some of the iconic titles. You can get acquainted with other masterpieces on the art of the title website.

And on our website you can find many interesting lessons for creating titles.

Good luck and success to you!

Probably only the most devoted fans of movie stars pay attention to the credits. This usual list of people who worked on the film no longer surprises anyone. And not all viewers pay attention to them.

It is interesting that credits are not a cinematic, but a theatrical invention that has been around for many years. What are captions, where did they come from, and how are they different from subtitles?

First of all, it is worth mentioning two less common meanings of this word. In chemistry, titer means the amount of dissolved substance in one cubic centimeter of solution (indicated in grams). In the textile industry, this is the name given to the degree of thickness of a fiber or thread - weight per unit length. The article is about a cinematic term.

Origin and development of titles

Italian theatrical traditions have become a standard for many countries who want to repeat and surpass them. It was in this country that text messages were first used to help convey the essence of what was happening on stage. These techniques have become especially relevant for ballet, where traditionally only dance, music and costumes are used as visual techniques.

What is the definition of titer? This text information, which promotes a full understanding of the performing arts. Later, with the advent and development of cinema, titles, introductions, and stage directions were also included here. One of the most memorable examples is the opening credits at the beginning of each episode of the epic “ Star wars”, setting the time parameters of events and referring the viewer to children's fairy tales: “A long time ago, in a galaxy far, far away.”

Cinematography and video production

Modern standard film credits begin with the names of the companies that worked on the creation of the film. Here, in most cases, the producer and director are mentioned, and if in leading role removed famous actor, his name and surname are also included there. After this comes the title of the film.

Typically, credits are divided into opening and closing credits. The most key people are mentioned in the beginning, and the rest are listed at the end. In the traditions of Soviet cinema, the opposite principle is often found - at the beginning of the film, cameramen, sound engineers, composers and other employees are mentioned.

Now video editing programs make it possible to add titles to any footage. Amateur documentaries and feature films with any text information.

What are subtitles?

To improve the quality of perception, films require translation into other languages. There is professional dubbing, when voice actors with suitable voice abilities are selected to record a parallel audio track.

Single-voice voice-over translation is considered more budget-friendly. Sometimes it is done by two voice actors - male and female voice. At one time, subtitles were undeservedly considered a primitive way of translating a film, but now their popularity is returning again. One film can have both captions and subtitles. The difference is semantic content and purposes of the text.

Subtitles are text accompaniment in which all the lines of the actors and the narrator, if there is one, are synchronously reproduced at the bottom or top of the screen. This type of translation allows you to hear the voices of the actors in the original.

By the way, the so-called “native voice acting” pleases fans high quality. Many viewers use it as an aid when studying foreign language. In addition, subtitles provide an opportunity for people with hearing impairments to share in the pleasure of watching feature films and documentaries.

Important information

Thanks to captions, film creators have the opportunity to convey to the viewer any information that they consider important and significant. If someone's last name is outlined in a frame, it means that at the time of editing, a member of the film crew died. This is a unique way to honor his memory and celebrate his professional achievements.

If the plot has a heterogeneous structure, from time to time there are references to the past or future, then with the help of captions this can be clarified. Information can be displayed in subtitle mode at the bottom of the screen or as a separate screen saver. By and large, text can perform the functions of formatting information for more convenient perception.

Titles are part of the artistic intent

Standard monochrome text on a plain background is not at all prerequisite. Creative filmmakers of some films find that the time allotted for credits is a wonderful space for additional artistic experimentation.

Special soundtrack, separately filmed scenes, computer graphics, animated inserts - all this allows you to keep the viewer in front of the screen. To many film crews this is successful, and grateful spectators do not leave the auditorium during the closing credits, enjoying the proposed creativity.

Another technique is short plot sketches after the closing credits, the so-called “specials”. Of the latest full-length films, these short excerpts are most often enjoyed by films based on Marvel comics. With this addition, the credits are perceived not as an annoying list of film company employees from the producer to the cleaning lady, but as a pleasant bonus.

The closing credits are undoubtedly the most boring part of the film. Unless the audience is looking for them proper names, just the sight of the end credits makes them rush out of the theater or switch the TV to another program. How to keep the public at the screens and convince them to find out who worked on the picture? After studying the history of answers to this question, we selected the twenty most creative approaches to the end credits and ending of a film.

Still from the movie "Spice World"

In 1997, the British pop group Spice Girls were so popular that no one had to bother to guarantee full-length film starring two Melanies, Victoria, Emma and Geri, was a box office success. And no one bothered. Even the lead actresses “lit up” only at the very end of the film, when they performed Spice Up Your Life on stage at the Albert Hall. Well aware of the kind of movie he had made, the famous British television director Bob Spears completed the film with a funny scene in which, against the backdrop of the credits, the celebrities participating in the film complained that after such an on-screen fiasco they would never be invited anywhere again. Fortunately, it was just a joke. It would be a shame to lose, for example, such a talented comedian as Alan Cumming, who currently shines in the television drama The Good Wife.

Still from the movie "Airplane!"

The Zucker-Abrahams-Zucker trio's best-selling parody comedy doesn't require viewers to carefully read the credits, but rewards loyal fans. Having read the credits, you will notice, for example, a mention of Charles Dickens (“Author of “A Tale of Two Cities”) or the fact that the “religious fanatics” besieging the main characters in the list of cameo roles are not listed in a row or in order. Subsequently, such jokes in the credits became the hallmark of the TsAC humor, and they can be found both in the films of the trinity and in films inspired by “Airplane!”, “The Naked Gun” and so on. The film is also notable for the fact that its final joke is heard after the end of the credits (the picture returns to the taxi passenger still waiting for the driver, abandoned by the main character at the beginning of the plot).

Still from the film "Seven"

Unlike most detective films, David Fincher's famous neo-noir thriller "Seven" ends with the almost complete victory of the serial killer. The police were never able to establish the true name of John Doe, and he died at the hands of a detective, guaranteeing him, if not prison sentence, then a long investigation and inevitable dismissal from service. Emphasizing this triumph, unusual for the genre, “Seven” ends with credits, which are designed in the style of a maniac’s notebooks and which crawl not from bottom to top, as usual, but from top to bottom, “against the flow.” Not only that, they also start with the name of Kevin Spacey, who played John Doe. The latter, however, is due to the fact that Spacey asked not to include his name in the opening credits, so that viewers would not guess ahead of time what the criminal looks like.

Still from the film "Slumdog Millionaire"

Although the British film Slumdog Millionaire was based on an Indian book and inspired by Bollywood productions, there was not a single scene in which the characters danced and began to sing. Danny Boyle's attachment to the Western, realistic film tradition proved stronger than love to India and to Bollywood. Therefore, fans of the masala style had to wait until the end credits to see the large-scale musical number in the best Mumbai (Bombay) traditions. True, the actors of the film did not dare to sing, but they danced fieryly to the song Jai Ho, which became an international hit.

Still from the animated series "New Generation Evangelion"

The cult Japanese animated series Evangelion was a feast of creativity on traditional anime themes, and the creativity of the show's writers extended to the end credits. To encourage viewers to read them, each episode of Evangelion ended with a new cover of the classic American jazz song Fly Me To The Moon, best known by Frank Sinatra. With a choir and an orchestra, with a guitar and in techno style, alone and in threes... As soon as this song was not performed! Including additional versions recorded for the series' video release, a total of 31 versions of Fly Me To The Moon were recorded. On the contrary, the Zankoku na Tenshi no Teze sung during the opening credits was the same every time. That didn't stop it from becoming one of the most popular theme songs in anime history.

Still from the movie "Super 8"

Unlike the Steven Spielberg children's films that inspired J. J. Abrams' film, Super 8 is not just a story about the first amazing adventure guys from a provincial town, and also a story about a small director who is trying to film his first " great movie" Therefore, Abrams' film ends with a 5-minute short film, shot on an amateur camera during the film. True, this spectacle is so formulaic and banal that it’s somehow hard to believe that director Charlie will make a big Hollywood career in the future. Unless he becomes the second Michael Bay... Or Spielberg will wake up in him later, closer to 20-30 years old.

Still from the movie "The Hangover"

Throughout Todd Phillips' hit slapstick comedy, the three main characters desperately try to remember what happened the night before when they got drunk and lost their fourth comrade. Gradually they manage to reconstruct most of what happened, find their missing friend... And even get him married without postponing the wedding to another day. However, they still have gaps in their memory, and therefore at the very end of the film, when the final credits begin, the heroes look at photographs taken during their spree, and the audience finally fully realizes how crazy the heroes’ night in Las Vegas was. Vegas. An excellent ending for a production that is detective in spirit - such a movie must end with a detailed solution to the crime.

Still from the film "Wildness"

In his review of John McNaughton's provocative erotic thriller, popular American critic Robert Ebert noted that the plot of this film is so complex and confusing that the film continues to explain it even during the final credits. Pure truth. Although completing the picture short skits may seem like fragments cut out of the main narrative during editing, but in last moment Although included in the film, screenwriter Steven Peters intended from the very beginning that these fragments would appear at the conclusion of the film to answer the questions that a thoughtful audience had. And to show how things really happened and who is to blame for what happened. Coup? It's hard to say. But it's definitely a good reason to stay for the end credits!

Still from the film "Around the World in 80 Days"

As Hollywood battled the onslaught of television in the 1950s, epic, multi-hour productions with lots of stars, sets and special effects became fashionable. One of these films was the film adaptation of the popular novel by Jules Verne, directed by Michaeljv Andersonjv. For almost three hours, the film's characters went around globe, using every possible means of transportation and meeting literally crowds of celebrities in cameo roles along the way. Thus, Frank Sinatra played a pianist in an American saloon in the film, and Buster Keaton played an American train driver. The film ended with very long seven-minute credits for its time, which were shown against the backdrop of a stylish hand-drawn cartoon, reminding viewers of the adventures of the heroes in different parts of the world. The creator of this animated short was Saul Bass, a leading Hollywood graphic designer of his time.

Still from the movie "Police Story"

Jackie Chan was not the first stunt filmmaker to show behind-the-scenes footage of his most spectacular performances during the end credits. This artistic technique was invented by Hal Needham, and Jack Chan borrowed it from the American when he worked with Needham on the action comedy Cannonball Race. However, we now associate this move with Chan because it seems that no millionaire star in the history of cinema has risked his life more often for a spectacular stunt than the Hong Kong actor. And at the end credits of many of his films, starting with “Police Story” (one of the master’s favorite films), you can see how much sweat and blood he gave to dizzying scenes, because of the riskiness of which Chan and his subordinates were not served by medical insurers (who will take the risk of insuring someone who is almost guaranteed to hurt himself?).

Still from the movie "Dawn of the Dead"

If you've never seen the end credits of the Dawn of the Dead remake, you have the wrong idea about Zack Snyder's film. The main part of the film ends on a sadly optimistic note: the two main characters sacrifice themselves so that their surviving comrades can sail away on a yacht and, perhaps, find territory free of zombies. Or find military personnel who know what to do in the event of a zombie apocalypse. This is the finale for ordinary viewers - those who, after the credits begin, immediately begin to get out of the hall. For moviegoers, Snyder has prepared a second ending, in which the heroes arrive at the pier and discover that it, too, is occupied by zombies. The death of the characters is not shown, but it is implied - they are unlikely to be able to escape from the zombies and find shelter a second time. Before the eyes of the audience remaining on the screen, the Hollywood happy ending turns into a gloomy, realistic, uncompromising ending, and the film changes genre.

Still from the movie "Final Destination 5"

The creators of the fifth episode of the horror series “Final Destination” were not sure that they were filming the last episode of the epic. They even talked in an interview about their plans to create two more episodes and film them simultaneously in order to release them with a minimum break between premieres. But when you watch the film, you feel that the theme of Death haunting teenagers has run out of steam and that the creators of the film are saying goodbye to the audience and are already preparing for completely new projects. At the very end of the film, this feeling turns into confidence, because the final credits are shown against the backdrop of a montage of all the spectacular deaths that happened in all the episodes of “Point”, starting from the very first (the credits of the fourth part are also good, where all the deaths are played out in the form of “X-rays” pictures). A great way to wave to the audience and at the same time remind them: “Rewatch the previous episodes, they were bloody too!”

Still from the TV series "Police Squad!"

In the early 1980s, American television shows often ended with a freeze frame over which the end credits were shown. Filming a parody of police TV series, directors Zucker, Abrams and Zucker decided to play with this familiar move in their show. In their "Police Squad!" the actors freeze at the end of the episodes, as if it were a freeze frame, but the camera does not stop and the filming continues! So the audience sees how difficult it is for the actors to “play statues” while the credits roll. In addition, sometimes something happens in the frame. For example, an actor enters it, supposedly not knowing that the show has already ended. Or the scenery suddenly begins to fall apart. Or the coffee that a character started pouring into a cup at the very end of the episode overflows and spills onto the floor.

Still from the cartoon "WALL-E"

Pixar loves to end its animated blockbusters on a colorful and creative note, but WALL-E stands out even from Pixar's other endings. For two minutes, after the end credits begin, the film shows the future joint earthly life of people and robots. And each of the fragments of this video is drawn in one of the classic styles from the history of world painting - from rock paintings to the paintings of Vincent Van Gogh. Impeccable work. Which, however, always does not convince us that the heroes of “WALL-E” had to return to Earth, depleted by millennia of barbaric exploitation. Aren't space flights needed to find a new Earth and suck all its juices? As Tsiolkovsky wrote: “You cannot live forever in a cradle.”

Marvel Cinematic Universe endings

Still from the film "Guardians of the Galaxy"

Many films have a short post-credits "gift scene" for patient moviegoers, but Marvel Studios has taken this technique to new screenwriting heights. In their films, post-credit scenes hint at the events of future films in the series, link their narratives with events and characters... And sometimes they force you to take a fresh look at everything that happened in the film that ended. Therefore, a devoted Marvel fan can always be recognized in auditorium. He is the person who remains seated when others are already rushing to the exit. Perhaps the most unexpected of all Marvel final scenes boasts the recent Guardians of the Galaxy. The appearance of Howard Duck on screen was a big surprise for everyone!

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INITIAL

1 page: Ministry of Culture of the Russian Federation

St. Petersburg State University

cinema and television

Page 2: Institute of Screen Arts

Faculty of Creative Screen Professions

Department of Television Directing

Page 3: Diploma (Course, Test) work

(Write after the fact)

students of group 757-a

Ivanova Irina

Course Master

Associate Professor G.M. Nechaeva

4 page Thesis supervisor

Associate Professor G.M. Nechaeva

(only for thesis)

5 page Title of the film (TV program)

(Preferably artistic credits)

FINAL

The titles are made both as separate pages (plans) and “stretched” from bottom to top (“drum”), on a black or artistic field.

Irina Ivanova

Petr Sinitsyn

Operators

Ivan Zaitsev (workshop - teacher’s name and surname)

Svetlana Zykova (workshop – teacher’s name and surname)

Sound engineer

Vladimir Petrov (workshop – teacher’s name and surname)

Music used in the film (TV show)

Film fragments used

Fragments of TV programs used

(name, surname, position, place of work...

For example, Peter Ivanov – head of the repair department

St. Petersburg Metro)

In a static frame (at least 10 seconds)

the final credit is given:

© St. Petersburg State University

cinema and television

Department of Television Directing

All titles must be typed large enough to be easily read by the viewer and be of sufficient length to read.

Attention! Titles should not start or end near the margins (frame) of the screen, because on a television screen they can go beyond the frame.

Attention!

Dear students of the Department of Television Directing!

Please comply with the rules adopted by the department and approved by the head. Department samples of coursework and tests. Please indicate the name of the discipline correctly (For example:"Theory and practice of installation", and not “Installation” or “T and PRM”). Label the discs with markers, pointing to them:

SPbSUKiT, Department of TV Directing

The title of your work

Masters,

Timing

Year of release

SignedDVDput only in decorated paper or special cellophane bags for discs!(NOT PLASTIC!!!)