Paintings by contemporary impressionist artists. Painting in impressionism: features, history. Famous impressionist artists

28.04.2019

Impressionism is a movement in painting that originated in France in XIX-XX centuries, which is an artistic attempt to capture some moment of life in all its variability and mobility. Impressionist paintings are like a well-washed photograph, reviving in fantasy the continuation of the story seen. In this article we will look at the 10 most famous impressionists peace. Fortunately, talented artists much more than ten, twenty or even a hundred, so let's focus on those names that you absolutely need to know.

In order not to offend either the artists or their admirers, the list is given in Russian alphabetical order.

1. Alfred Sisley

This French painter English origin considered the most famous landscape painter second half of the 19th century century. His collection contains more than 900 paintings, of which the most famous are “Rural Alley”, “Frost in Louveciennes”, “Bridge in Argenteuil”, “Early Snow in Louveciennes”, “Lawns in Spring”, and many others.


2. Van Gogh

Known around the world sad story about his ear (by the way, he did not cut off his entire ear, but only the lobe), Wang Gon became popular only after his death. And during his life he was able to sell one single painting, 4 months before his death. They say he was both an entrepreneur and a priest, but often ended up in psychiatric hospitals due to depression, so all the rebellion of his existence resulted in legendary works.

3. Camille Pissarro

Pissarro was born on the island of St. Thomas, into a family of bourgeois Jews, and was one of the few impressionists whose parents encouraged his passion and soon sent him to Paris to study. Most of all, the artist liked nature, he depicted it in all colors, and to be more precise, Pissarro had a special talent for selecting the softness of colors, compatibility, after which air seemed to appear in the paintings.

4. Claude Monet

Since childhood, the boy decided that he would become an artist, despite family prohibitions. Having moved to Paris on his own, Claude Monet plunged into the gray everyday life of a hard life: two years of service in the armed forces in Algeria, litigation with creditors due to poverty and illness. However, one gets the feeling that the difficulties did not oppress, but, on the contrary, inspired the artist to create such bright pictures, like “Impression, Sunrise”, “Houses of Parliament in London”, “Bridge to Europe”, “Autumn in Argenteuil”, “On the Shores of Trouville”, and many others.

5. Konstantin Korovin

It's nice to know that among the French, the parents of impressionism, we can proudly place our compatriot, Konstantin Korovin. A passionate love for nature helped him intuitively give unimaginable liveliness to a static picture, thanks to the connection suitable colors, width of strokes, choice of theme. It is impossible to pass by his paintings “Pier in Gurzuf”, “Fish, Wine and Fruit”, “ Autumn landscape», « moonlit night. Winter" and a series of his works dedicated to Paris.

6. Paul Gauguin

Until the age of 26, Paul Gauguin did not even think about painting. He was an entrepreneur and had big family. However, when I first saw the paintings of Camille Pissarro, I decided that I would definitely start painting. Over time, the artist’s style changed, but the most famous impressionistic paintings are “Garden in the Snow”, “At the Cliff”, “On the Beach in Dieppe”, “Nude”, “Palm Trees in Martinique” and others.

7. Paul Cezanne

Cezanne, unlike most of his colleagues, became famous during his lifetime. He managed to organize his own exhibition and earn considerable income from it. People knew a lot about his paintings - he, like no one else, learned to combine the play of light and shadow, placed a strong emphasis on regular and irregular geometric shapes, the severity of the theme of his paintings was in harmony with romance.

8. Pierre Auguste Renoir

Until the age of 20, Renoir worked as a fan decorator for his older brother, and only then moved to Paris, where he met Monet, Basil and Sisley. This acquaintance helped him in the future to take the path of impressionism and become famous on it. Renoir is known as the author of sentimental portraits, among his most outstanding works are “On the Terrace”, “A Walk”, “Portrait of the Actress Jeanne Samary”, “The Lodge”, “Alfred Sisley and His Wife”, “On the Swing”, “The Paddling Pool” and many others.

9. Edgar Degas

If you haven't heard of Blue Dancers, Ballet Rehearsal, Ballet school" and "Absinthe" - hurry up to learn about the work of Edgar Degas. The selection of original colors, unique themes for paintings, a sense of movement of the picture - all this and much more made Degas one of the most famous artists peace.

10. Edouard Manet

Don't confuse Manet with Monet - they are two different people who worked at the same time and in the same artistic direction. Manet was always attracted to scenes of everyday life, unusual appearances and types, as if accidentally “caught” moments, subsequently captured for centuries. Among Manet’s famous paintings: “Olympia”, “Luncheon on the Grass”, “Bar at the Folies Bergere”, “The Flutist”, “Nana” and others.

If you have even the slightest opportunity to see the paintings of these masters live, you will forever fall in love with impressionism!

Alexandra Skripkina,

Impressionism

is the newspaper of the soul.

Henri Matisse.

Impressionism is a movement in painting that arose and developed in France in the second half of the 19th century - the first quarter of the 20th century. It was an art school that prioritized “conveying impressions, but in such a way that it is perceived as something material.” The task of the impressionist artist was to depict own feelings from objects.

It is well known that the very word “impressionism” in relation to artists was first used by the journalist Louis Leroy, who was inspired by the title of a painting by Claude Monet “ Impression. Sunrise", where the port of Le Havre is depicted in the bluish pre-dawn haze.

The painting is in the Marmottan-Monet Museum in Paris. There are more than three hundred paintings by the Impressionists and Neo-Impressionists, which means that once you visit the museum, you will come away with some understanding of the ideas of Impressionism. And you can continue at the Musée d’Orsay, whose collection is the envy of many.

Impressionist artists transferred onto their canvases only their perception of reality and its various manifestations, and not what they knew: for example, the earth in their paintings could be purple, lilac, blue, pink or orange, but never black or dark brown.

Impressionism, so criticized by its contemporaries, was appreciated fifty years later, and today the Impressionists are considered and appreciated as masterpieces of world painting. We present to your attention the most memorable representatives of impressionism.

Renoir, Pierre Auguste (1841 - 1919).

Art critics say that important achievement Renoir is the use of the theory of the impressionists and their technique not only when painting landscapes and still lifes or people in the open air, but also when painting nude models and portraits.

Renoir often turned to the image of a naked female body. He conveyed the play of light and sun on the skin, which seemed alive in his paintings. He wrote nudes female body, with frozen drops of water, pearlescent sparkling skin, pink, tanned, and at the end of life - orange, shimmering in the fire of the sun's rays.

Renoir rejected all theories, saying: “ Theories do not help paint a good picture; most often they are used to cover up the lack of expressive means».

It is interesting that Renoir's first works were made in a realistic manner. For example, “Diana the Huntress” and “Mother Anthony’s Tavern”.

Renoir was friends with Monet, an impressionist artist, who will be discussed below. This friendship, in fact, led to the fact that Renoir would use the Impressionist technique.

However, art critics and painting historians draw attention to the fact that, following the example of the Impressionists, Renoir refuses dark tones, but from time to time he still makes small inclusions in his paintings. Among the works of this period, first of all, one can name “Pont Neuf”, “Grand Boulevards”, “Pathway among the Tall Grass”.

The artist, suffering from attacks of rheumatism, spent the last years of his life in the south of France in Cagnes-sur-Mer at the Colette estate. Works of this period, from 1903 to 1919. permeated with sensuality, Renoir’s canvases are dominated by warm colors - pink, red, orange.

The influence of the masters of the past is very noticeable - Rubens Boucher and others. For example, “ Judgment of Paris», « Bather wiping her foot" The best and last job The painting “Bathers”, painted in 1918, is considered. Today his estate, in the shade of an olive and orange grove, is open to visitors. You can look into the living room and dining room, go upstairs to the artist’s bedroom, which preserves the atmosphere of his last days: wheelchair, easel and brushes. On one of the walls in his wife’s room hangs a photograph of Renoir’s son Pierre, and from the window there is an amazing view of Antibes and Hautes Cannes.

Thanks to French cinema, you can immerse yourself in last period the life of Auguste Renoir, meet his son and see the struggle of art with harsh reality. In March, the film by French director Gilles Bourdot “Renoir: Last love" The artist is just finishing “Bathers”.

The Cote d'Azur, a great artist, his muse... the French are masters of their craft, and the opportunity to actually see with your own eyes a great master at work, and then see the result of his work, is worth a lot. It was this picture that closed the last Cannes Film Festival.

Monet Claude (1840 - 1926).

Claude Monet called the father of impressionism. Future artist was born in Paris, but his childhood and youth were spent in the north of France, in the city of Le Havre. Monet was greatly influenced by Eugene Boudin, a French artist considered the forerunner of Impressionism. It was he who taught him to work in the open air (in the lane, in the open air).

Cezanne said: " Monet is just an eye, but what an eye!» It’s hard to argue and not fall in love with the Parisian streets, coastlines and landscapes of Normandy, on Monet’s canvases.

His famous painting"Breakfast on the Grass" was written in 1863. in the village of Chailly-en-Bières, located on the outskirts of the Fontainebleau forest; its central part, damaged by dampness and cut out by the author, is kept in the Musée d'Orsay in Paris, and a repetition of the painting in the museum fine arts them. A. S. Pushkin in Moscow.

Autumn 1908 and 1909 the artist spent time in Venice, captivated by the charm of the city, its constantly changing reflection on the water surface of the canal. Here Monet painted Venice: The Doge's Palace and Venice: The Grand Canal. The genius Monet incredibly managed to depict the city as if covered in a light pre-dawn haze.

At sunset creative path Monet created sophisticated paintings inspired by the water lilies in the pond at his home in Giverny.

When the artist moved in 1883 in search of a quiet place in Giverny, it is unlikely that he suspected how much life would change the sleepy village in Normandy. Soon after his arrival, the city, eighty kilometers from Paris, was flooded with young artists from different parts Europe.

Nowadays, artists and art lovers in search of inspiration come to take a walk in the gardens of Giverny and visit the restored house. Therefore, if you fell in love with the beautiful paintings of Monet in the d'Orsay, Marmottan and Orangerie museums, then Giverny will be in first place on your must-see list.

Sisley Alfred (1839 - 1899).

Being an impressionist Sisley He paid particular attention to conveying nuances and sensations. He loved to paint the water surface, sky, fog, snow. “The painting needs to evoke in the viewer the same feelings that overwhelmed the artist when he looked at this landscape,” said Sisley.

Notice how light, almost weightless the houses seem, water surface with light ripples, pastel sky and tree foliage. His paintings, written with thin, airy strokes, set the mood for a poetic, romantic mood.

A significant collection of the artist’s paintings is in the Musée d’Orsay in Paris. Don't ignore it when you're in the capital of France. You'll enjoy not only Sisley's work, but also paintings by other Impressionist artists on display at this museum on the banks of the Seine.

Pissarro Camille (1830 - 1903).

Art critics write that if Claude Monet and Sisley most loved to imagine water and changing reflections on its surface in their paintings, then Pissaro gave preference to land. His art is free from fleeting impressions - everything about it is more thorough. Notice how often scenes from rural life. The artist used it this way color scheme that when studying his paintings, it seems as if they are filled with light from within. Pissarro loved to paint orchards and fields, amazingly conveying the changes in nature.

Pissarro knew Monet, with whom they loved to paint together in the vicinity of Paris. “Gare Saint-Lazare”, “Pavilion of Flore and Pont Royal”, “Place Comedie-Française”, “View of the Louvre, Seine and Pont Neuf” were written here.

Cezanne called him “modest and great”, quite deservedly, what do you think?

Seurat Georges (1859 - 1891).

One of Seurat's characteristic features was the desire to bring a fresh spirit to impressionism.

His work - both drawings and paintings - is based on the theory of contrasts. The most famous painting, of course, is familiar to you, this is the masterpiece “Sunday Stroll on the Island of La La Grande Jatte,” kept at the Art Institute of Chicago. This painting became an expression of new trends in art, an expression of the ideas of neo-impressionism. A feeling of complete peace was achieved by combining cold and warm tones, light and shadow.

“Cancan,” a no less famous painting by the artist, on the contrary, conveys a feeling of joy and movement, using warm shades and bright colors.

I would like to end with the words of Claude Monet “ People discuss my art and pretend to understand as if it were necessary to understand, when it"s simply necessary to love ». ( People discuss my paintings, trying to understand. Why do you need to understand if you can just love??)

Just a year ago, the phrase “Russian Impressionism” grated on the ears of the average citizen of our vast country. Every educated person knows about light, bright and fast-moving French impressionism, can distinguish Monet from Manet and recognize Van Gogh's sunflowers from all the still lifes. Someone heard something about the American branch of the development of this direction of painting - more urban landscapes of Hassam and portrait images of Chase compared to the French ones. But researchers still argue about the existence of Russian impressionism.

Konstantin Korovin

The history of Russian impressionism began with the painting “Portrait of a Chorus Girl” by Konstantin Korovin, as well as with misunderstanding and condemnation of the public. Seeing this work for the first time, I. E. Repin did not immediately believe that the work was executed by a Russian painter: “Spaniard! It's obvious. He writes boldly and juicily. Wonderful. But this is just painting for painting's sake. A Spaniard, however, with a temperament...” Konstantin Alekseevich himself began to paint his canvases in an impressionistic manner during his student years, being unfamiliar with the paintings of Cezanne, Monet and Renoir, long before his trip to France. Only thanks to the experienced eye of Polenov, Korovin learned that he was using the French technique of that time, which he came to intuitively. At the same time, the Russian artist is given away by the subjects that he uses for his paintings - recognized masterpiece"Northern Idyll", written in 1892 and kept in Tretyakov Gallery, demonstrates to us Korovin’s love for Russian traditions and folklore. This love was instilled in the artist by the “Mamontov circle” - a community of creative intelligentsia, which included Repin, Polenov, Vasnetsov, Vrubel and many other friends famous philanthropist Savva Mamontov. In Abramtsevo, where Mamontov’s estate was located and where members of the artistic circle gathered, Korovin was lucky enough to meet and work with Valentin Serov. Thanks to this acquaintance, the work of the already accomplished artist Serov acquired the features of light, bright and swift impressionism, which we see in one of his early works – « Open window. Lilac".

Portrait of a chorus girl, 1883
Northern idyll, 1886
Bird cherry, 1912
Gurzuf 2, 1915
Pier in Gurzuf, 1914
Paris, 1933

Valentin Serov

Serov’s painting is permeated with a feature inherent only in Russian impressionism - his paintings reflect not only the impression of what the artist saw, but also the state of his soul in at the moment. For example, in the painting “St. Mark’s Square in Venice,” painted in Italy, where Serov went to in 1887 due to a serious illness, cold gray tones predominate, which gives us an idea of ​​the artist’s condition. But, despite the rather gloomy palette, the painting is a standard impressionistic work, since Serov managed to capture real world in its mobility and variability, to convey your fleeting impressions. In a letter to his bride from Venice, Serov wrote: “In this century They write everything that is hard, nothing joyful. I want, I want, gratifying things, and I will write only gratifying things.”

Open window. Lilac, 1886
St. Mark's Square in Venice, 1887
Girl with peaches (Portrait of V. S. Mamontova)
Coronation. Confirmation of Nicholas II in the Assumption Cathedral, 1896
Girl illuminated by the sun, 1888
Bathing a horse, 1905

Alexander Gerasimov

One of the students of Korovin and Serov, who adopted their expressive brushwork, bright palette and sketch style of painting, was Alexander Mikhailovich Gerasimov. The artist’s creativity flourished during the revolution, which could not help but be reflected in the subjects of his paintings. Despite the fact that Gerasimov gave his brush to the service of the party and became famous thanks to his outstanding portraits of Lenin and Stalin, he continued to work on impressionistic landscapes that were close to his soul. Alexander Mikhailovich’s work “After the Rain” reveals to us the artist as a master of conveying air and light in a painting, which Gerasimov owes to the influence of his eminent mentors.

Artists at Stalin's dacha, 1951
Stalin and Voroshilov in the Kremlin, 1950s
After the rain. Wet terrace, 1935
Still life. Field bouquet, 1952

Igor Grabar

When talking about late Russian impressionism, one cannot help but turn to the work of the great artist Igor Emmanuilovich Grabar, who adopted many of the techniques of French painters of the second half of the 19th century thanks to his numerous trips to Europe. Using the techniques of classical impressionists, in his paintings Grabar depicts absolutely Russian landscape motifs and everyday stories. While Monet paints the blooming gardens of Giverny, and Degas paints beautiful ballerinas, Grabar depicts the harsh Russian winter with the same pastel colors and village life. Most of all, Grabar loved to depict frost on his canvases and dedicated an entire collection of works to him, consisting of more than a hundred small multi-colored sketches created in different times days and in different weather conditions. The difficulty of working on such drawings was that the paint froze in the cold, so we had to work quickly. But this is precisely what allowed the artist to recreate “that very moment” and convey his impression of it, which is the main idea of ​​classical impressionism. Igor Emmanuilovich’s painting style is often called scientific impressionism, because it gave great value light and air on canvases and created a lot of research on color transmission. Moreover, it is to him that we owe the chronological arrangement of paintings in the Tretyakov Gallery, of which he was director in 1920-1925.

Birch Alley, 1940
Winter landscape, 1954
Frost, 1905
Pears on a blue tablecloth, 1915
Corner of the estate (Ray of the Sun), 1901

Yuri Pimenov

Completely non-classical, but still impressionism developed in Soviet era, a prominent representative of which is Yuri Ivanovich Pimenov, who came to depict “a fleeting impression in bed colors” after working in the style of expressionism. One of the most famous works Pimenov becomes the painting “New Moscow” of the 1930s - light, warm, as if painted with the airy strokes of Renoir. But at the same time, the plot of this work is completely incompatible with one of the main ideas of impressionism - refusal to use social and political themes. Pimenov’s “New Moscow” perfectly reflects the social changes in the life of the city, which have always inspired the artist. “Pimenov loves Moscow, its new city, its people. The painter generously gives this feeling to the viewer,” writes artist and researcher Igor Dolgopolov in 1973. And indeed, looking at the paintings of Yuri Ivanovich, we are imbued with love for Soviet life, new neighborhoods, lyrical housewarmings and urbanism, captured in the technique of impressionism.

Pimenov’s creativity once again proves that everything “Russian” brought from other countries has its own special and unique path of development. So is French impressionism in Russian Empire and the Soviet Union absorbed the features of the Russian worldview, national character and everyday life. Impressionism as a way of conveying only the perception of reality in its pure form remained alien to Russian art, because every painting by Russian artists is filled with meaning, awareness, the state of the changeable Russian soul, and not just a fleeting impression. Therefore, next weekend, when the Museum of Russian Impressionism re-presents the main exhibition to Muscovites and guests of the capital, everyone will find something for themselves among Serov’s sensual portraits, Pimenov’s urbanism and landscapes atypical for Kustodiev.

New Moscow
Lyrical housewarming, 1965
Dressing room of the Bolshoi Theater, 1972
Early morning in Moscow, 1961
Paris. Rue Saint-Dominique. 1958
Stewardess, 1964

Perhaps for most people the names Korovin, Serov, Gerasimov and Pimenov are still not associated with a specific art style, but the Museum of Russian Impressionism, which opened in May 2016 in Moscow, nevertheless collected the works of these artists under one roof.

One of the largest movements in art last decades The nineteenth century and the beginning of the twentieth is impressionism, which spread throughout the world from France. Its representatives were engaged in the development of such methods and techniques of painting that would make it possible to most vividly and naturally reflect the real world in dynamics, to convey fleeting impressions of it.

Many artists created their canvases in the style of impressionism, but the founders of the movement were Claude Monet, Edouard Manet, Auguste Renoir, Alfred Sisley, Edgar Degas, Frederic Basil, Camille Pissarro. It is impossible to name their best works, since they are all beautiful, but there are the most famous ones, and they will be discussed further.

Claude Monet: “Impression. Rising Sun"

The canvas with which you should start a conversation about the best paintings of the Impressionists. Claude Monet painted it in 1872 from life in the old port of Le Havre, France. Two years later, the painting was first shown to the public in the former studio of the French artist and caricaturist Nadar. This exhibition became fateful for the art world. Impressed (not at all) in the best sense) by Monet, whose title in the original language sounds like “Impression, soleil levant,” journalist Louis Leroy first coined the term “impressionism,” denoting a new direction in painting.

The painting was stolen in 1985 along with works by O. Renoir and B. Morisot. It was discovered five years later. Currently “Impression. The Rising Sun" belongs to the Marmottan-Monet Museum in Paris.

Edouard Monet: "Olympia"

The painting "Olympia", created by the French impressionist Edouard Manet in 1863, is one of the masterpieces of modern painting. It was first presented at the Paris Salon in 1865. Impressionist artists and their paintings often found themselves in the center high-profile scandals. However, Olympia caused the largest of them in the history of art.

On the canvas we see a naked woman, her face and body facing the audience. The second character is a dark-skinned maid holding a luxurious bouquet wrapped in paper. At the foot of the bed there is a black kitten in a characteristic pose with an arched back. Not much is known about the history of the painting; only two sketches have reached us. The model was most likely Manet's favorite model, Quiz Meunard. There is an opinion that the artist used the image of Marguerite Bellanger, Napoleon's mistress.

During the period of creativity when Olympia was created, Manet was fascinated by Japanese art, and therefore deliberately refused to work out the nuances of dark and light. Because of this, his contemporaries did not see the volume of the depicted figure and considered it flat and rough. The artist was accused of immorality and vulgarity. Never before have Impressionist paintings caused such excitement and mockery from the crowd. The administration was forced to place guards around her. Degas compared Manet's fame through Olympia and the courage with which he accepted criticism with the life story of Garibaldi.

For almost a quarter of a century after the exhibition, the canvas was kept out of reach of prying eyes by the artist’s studio. Then it was exhibited again in Paris in 1889. It was almost bought, but the artist’s friends collected the required amount and bought “Olympia” from Manet’s widow, and then donated it to the state. Now the painting belongs to the Orsay Museum in Paris.

Auguste Renoir: "Great Bathers"

The picture is painted French artist in 1884-1887 Taking everything into account now famous paintings impressionists between 1863 and the beginning of the twentieth century, "Great Bathers" is called the largest canvas with nudes female figures. Renoir worked on it for more than three years, and during this period many sketches and sketches were created. There was no other painting in his work that he devoted so much time to.

On foreground the viewer sees three naked women, two of whom are on the shore, and the third is standing in the water. The figures are painted very realistically and clearly, which is characteristic feature artist's style. Renoir's models were Alina Sharigo (his future wife) and Suzanne Valadon, who in the future became a famous artist herself.

Edgar Degas: "Blue Dancers"

Not all famous Impressionist paintings listed in the article were painted in oil on canvas. The photo above allows you to understand what the painting “Blue Dancers” represents. It was made in pastels on a paper sheet measuring 65x65 cm and belongs to late period creativity of the artist (1897). He painted it with already impaired vision, so paramount importance is attached to decorative organization: the image is perceived as large spots of color, especially when viewed close up. The theme of dancers was close to Degas. It was repeated many times in his work. Many critics believe that due to the harmony of color and composition, The Blue Dancers can be considered best job artist on this topic. Currently, the painting is kept in the Museum of Art. A. S. Pushkin in Moscow.

Frédéric Bazille: "Pink Dress"

One of the founders of French impressionism, Frédéric Bazille, was born into a bourgeois family of a wealthy winemaker. While still studying at the Lyceum, he began to become interested in painting. Having moved to Paris, he made acquaintance with C. Monet and O. Renoir. Unfortunately, the artist was destined for a short life path. He died at the age of 28 at the front during the Franco-Prussian War. However, his paintings, albeit few in number, are rightfully included in the list of “ Best paintings Impressionists." One of them is “Pink Dress,” painted in 1864. By all indications, the canvas can be attributed to early impressionism: color contrasts, attention to color, sunlight and a frozen moment, the very thing that was called “impression.” One of the artist’s cousins, Teresa de Hors, acted as a model. The painting currently belongs to the Musée d'Orsay in Paris.

Camille Pissarro: “Boulevard Montmartre. Afternoon, sunny"

Camille Pissarro became famous thanks to his landscapes, characteristic feature which is the drawing of light and illuminated objects. His works had a significant influence on the genre of impressionism. The artist independently developed many of his inherent principles, which formed the basis for his future creativity.

Pissarro liked to paint the same place at different times of the day. He has a whole series of canvases with Parisian boulevards and streets. The most famous of them is “Boulevard Montmartre” (1897). It reflects all the charm that the artist sees in the seething and restless life of this corner of Paris. Viewing the boulevard from the same place, he shows it to the viewer on a sunny and cloudy day, in the morning, afternoon and late evening. The photo below shows the painting “Montmartre Boulevard at Night”.

This style was subsequently adopted by many artists. We will only mention which Impressionist paintings were written under the influence of Pissarro. This trend is clearly visible in Monet’s work (the “Haystacks” series of paintings).

Alfred Sisley: "Lawns in Spring"

“Lawns in Spring” is one of the most late paintings landscape painter Alfred Sisley, painted in 1880-1881. In it, the viewer sees a forest path along the banks of the Seine with a village on the opposite bank. In the foreground is a girl - the artist's daughter Jeanne Sisley.

The artist’s landscapes convey the authentic atmosphere of the historical region of Ile-de-France and retain a special softness and transparency natural phenomena, characteristic of specific times of the year. The artist was never a supporter of unusual effects and adhered to a simple composition and a limited palette of colors. The painting is now kept in the National Gallery in London.

We have listed the most famous Impressionist paintings (with names and descriptions). These are masterpieces of world painting. The unique style of painting, which originated in France, was initially perceived with ridicule and irony; critics emphasized the outright carelessness of the artists in painting their canvases. Now hardly anyone would dare to challenge their genius. Impressionist paintings are exhibited in the most prestigious museums in the world and are a coveted exhibit for any private collection.

The style has not sunk into oblivion and has many followers. Our compatriot Andrei Kokh, the French painter Laurent Parselier, the Americans Diana Leonard and Karen Tarleton are famous modern impressionists. Their paintings were made in best traditions genre, filled with bright colors, bold strokes and life. In the photo above is the work of Laurent Parselier “In the Rays of the Sun”.

Impressionism is a movement mainly in French painting, characterized by the desire to convey fleeting impressions, richness of colors, psychological nuances, mobility and variability of the atmosphere of the surrounding world through the means of art.

Fat strokes, bright colors, everyday scenes life, candid poses and, most importantly, exact description light... Only a small fraction of the characteristics of one of the most popular artistic directions. in France in mid-19th century. Before its emergence, authors usually created still lifes, portraits and even landscapes in their studios.

For the first time in the history of art, artists made it a rule for themselves to paint not in a studio, but in the open air: on the banks of a river, in a field, in a forest. Trying to express their immediate impressions of things as accurately as possible, the impressionists created new method painting.

PARKETERS, GUSTAVE CAIBOTT

One of the first paintings depicting the urban working class. Caillebotte illustrates the abiding interest in everyday life. Notice how accurately the artist captured the light coming through the window and the shadows. The painting is as realistic as a photograph, but was nevertheless rejected by the most prestigious art exhibitions and salons: the depiction of half-naked working-class men was considered a “vulgar subject.”