How myths are created. Myth about the origin of people. Myths of the peoples of the world Theban version of the appearance of the world

20.08.2021

MYTHS ABOUT THE CREATION OF THE WORLD AND THE FIRST PEOPLE

Egypt Ethic mythology
The Egyptians believed that people and their Ka (soul) were molded from clay by the ram-headed god Khnum. He is the main creator of the world. He sculpted the whole world on a potter's wheel and created people and animals in the same way.

Myth of the ancient Indians
The progenitor of the world was Brahma. People emerged from the body of Purusha - the primordial man whom the gods sacrificed at the beginning of the world. They threw him like a sacrificial animal onto the straw, doused him with oil, and surrounded him with wood. From this sacrifice, dismembered into pieces, hymns and chants, horses, bulls, goats and sheep were born. From his mouth arose priests, his hands became warriors, from his thighs farmers were created, and from his feet the lower class was born. From the mind of Purusha arose the month, from the eye - the sun, fire was born from his mouth, and from his breath - the wind. The air came from his navel, the sky came from his head, and the cardinal directions were created from his ears, and his feet became the earth. Thus, from a great sacrifice, the eternal gods created the world.

Greek mythology
According to Greek mythology, people were fashioned from earth and water by Prometheus, son of the Titan Iapetus, cousin of Zeus. Prometheus created people looking at the sky, in the likeness of the gods.
According to some myths, people and animals were created by the Greek gods in the depths of the earth from a mixture of fire and earth, and the gods instructed Prometheus and Epimetheus to distribute abilities between them. Epimetheus is to blame for the defenselessness of people, since he spent all the abilities to live on earth on animals, so Prometheus had to take care of people (gave them fire, etc.).

Myth of the peoples of Central America
The gods molded the first people from wet clay. But they did not live up to the hopes of the great gods. Everything would be fine: they are alive and can speak, but can clay fools even turn their heads? They stare at one point and roll their eyes. Otherwise they will start to crawl, and a little rain will sprinkle them. But the worst thing is that they came out soulless, brainless...
The gods got down to business for the second time. “Let's try to make people out of wood!” - they agreed. No sooner said than done. And the earth was populated by wooden idols. But they had no heart, and they were foolish.
And the gods decided to once again take on the creation of people. “To create people from flesh and blood, we need a noble material that will give them life, strength, and intelligence,” the gods decided. They found this noble material - white and yellow maize (corn). They threshed the cobs, kneaded the dough, from which they molded the first intelligent people.

North American Indian Myth
One day there was such a hot summer that the pond in which the turtles lived dried up. Then the turtles decided to look for another place to live and hit the road.
The fattest turtle, to make his way easier, took off his shell. So she walked without a shell until she turned into a man - the ancestor of the Turtle family.

Myth of the North American Acoma tribetells that the first two women learned in a dream that people live underground. They dug a hole and freed the people.

Myth of the Inca people
In Tiwanaku, the creator of all things created the tribes there. He made one person from each tribe out of clay and drew a dress for them to wear; those who should have long hair were sculpted with long hair, and those who should be cut were sculpted with short hair; and each people was given its own language, and its own songs, and grains, and food.
When the creator finished this work, he breathed life and soul into every man and woman and ordered them to go underground. And each tribe went out where it was ordered.

Myth of the Indians of Mexico
When everything was ready on Earth, Nohotsakyum created people. The first were the Calcia, that is, the monkey people, then the Koha-ko - the boar people, then the Kapuk - the jaguar people and, finally, the Chan-ka - the pheasant people. This is how he created different nations. He made them from clay - men, women, children, fitted their eyes, noses, arms, legs and everything else, then put the figures in the fire, on which he usually baked tortillas (corn cakes). The clay hardened from the fire, and people came to life.

Australian myths
At first, the Earth was covered with sea, and at the bottom of the dried-up primeval ocean and on the slopes of rocks protruding from the waves, there were already... lumps of helpless creatures with glued fingers and teeth, closed ears and eyes. Other similar human “larvae” lived in water and looked like shapeless balls of raw meat, in which the rudiments of human body parts could only be discerned. The flycatcher bird used a stone knife to separate human fetuses from each other, cut out their eyes, ears, mouth, nose, fingers... She taught them how to make fire by friction, how to cook food, gave them a spear, a spear thrower, a boomerang, and provided each of them with a personal churing-goa (guardian of the soul).
Various Australian tribes consider the kangaroo, emu, opossum, wild dog, lizard, crow, and bat as their ancestors.

Once upon a time there lived two brothers, two twins - Bunjil and Palian. Bunjil could transform into a falcon, and Palian into a raven. One brother made mountains and rivers on the earth with a wooden sword, and the other made salt water and fish that live in the sea. One day Bunjil took two pieces of bark, put clay on them and began to crush it with a knife, sculpting legs, torso, arms and head - so he created a man. He also made a second one. He was pleased with his work and performed a dance with joy. Since then people have existed, since then they have been dancing for joy. He attached wood fibers to one man as hair, and to another too - the first had curly hair, the second had straight hair. Since then, men of some births have curly hair, while others have straight hair.

Norse mythology
Having created the world, Odin (the supreme deity) and his brothers planned to populate it. One day on the seashore they found two trees: ash and alder. The gods cut them down and made a man out of ash and a woman out of alder. Then one of the gods breathed life into them, another gave them reason, and the third gave them blood and rosy cheeks. This is how the first people appeared, and their names were: the man was Ask, and the woman was Embla.

The creation of a historical myth

Cleopatra lived in an era when the virtuosity of manipulating the consciousness of society was achieved through the lightning-fast spread of rumors, the continuous work of authoritative agents of influence, astrologers and predictors, authors of books and religion. Moreover, the latter was the most effective means. Living, active people and mythical images of gods largely shaped and corrected public opinion, imposed images and made legends part of biographies.

Cleopatra learned this well from early childhood, using all possible elements of influence on the psyche of those around her - from colorful clothing and a majestic demeanor to the masterly use of anyone who could skillfully contribute to a lifelong theatrical performance. The Egyptian queen shamelessly appropriated the title of the goddess Isis, appearing at public events in the clothes of a sacred person and performing mystical cults of this goddess. Which, of course, had a psychological effect on the people, spreading waves of enthusiastic and reverent legend. During the first meeting with Antony, there was so much farce and so much scenery that the myths about her talent to create a pompous performance out of any event lasted for an entire era - right up to the power-mad Nero. According to Hughes-Hallett, the decorative nature of the visits and movements of state leaders had another important side: to demonstrate the economic power of the state through ostentatious abundance. This may be so, but nevertheless, theatricalization accompanied the entire life of the queen and, apparently, was one of the forms of self-expression, a manifestation of the inner demonstrativeness of nature and feminine strength. For example, having appeared in Athens during the preparation for the war with Octavian (where the negative propaganda of Octavian and Libya was already in effect), Cleopatra managed to gain popularity by skillfully using her acting abilities, bright costumes, and also considerable funds. The queen played the role of the goddess Isis so well, so deftly demonstrated generosity to the famous city, that against the backdrop of Octavian introducing new taxes, she achieved not only compliments, but also unprecedented worship in the form of the installation of a statue in the robes of the goddess Isis in the Acropolis.

Among the methods of influence of the mistress of Egypt, it is worth noting the allegedly secret dissemination of prophecies. They were based on the general mood of the Egyptian population, which consisted of dislike and even hatred of Rome, from which an eternal threat emanated. In fact, Cleopatra cleverly exploited the confrontation between East and West for her personal purposes. Historians do not have reliable data that the queen somehow influenced the composition of the prophecies, but she clearly contributed to the secret spread of rumors that the soothsayers “see” the end of the rule of Rome and that a female ruler would fulfill this secret desire of the East. It is not difficult to guess that only Cleopatra could be seen as such a woman. However, these rumors also had a downside: Octavian later used these same rumors to create a hungry enemy of the empire in the image of Cleopatra.

Like all kings and rulers, to influence her contemporaries, Cleopatra used the construction of temples, statues of herself and the gods, as well as the minting of coins with her image. The ideology of such actions is to follow the ruler’s holistic life strategy, aimed at leaving behind as much materialized evidence of his significant deeds as possible. There is nothing innovative about this, and such actions are contained in the history of any ruling person. But still, Cleopatra’s activity in expanding the space of her influence is striking. Using her ability to influence Mark Antony, she ensured that her image appeared not only on coins circulating in Egypt and the eastern lands of the empire, but also on Roman coins, which, given the signs of a republic and restrictions on the power of consuls and triumvirs, was a challenge to Western society and , naturally, contributed to the creation of a historical image. Being a woman, a friend of the Roman commander, Cleopatra always played her own game, played her own role, which was often stronger and more serious than the role of Antony himself. Cleopatra overshadowed her life partner too often, and this as a result gave her more opportunities to be noticed by chroniclers and poets in order to be “remembered.” Moreover, for this, Cleopatra consciously used almost the entire arsenal of possibilities.

Thanks to her close connection with such a prominent historical figure as Julius Caesar, she ended up on the pages of his “Notes on Civil Wars.” True, without colorful details about the dictator’s relationship with the queen (which, among other things, gives reason to think that the actual author of the Notes was not Caesar himself), nevertheless, this work turned out to be raw material for many famous historians of the empire. Apparently, the queen well understood the importance of the chronicles and therefore encouraged her children’s teacher Nicholas of Damascus to do such work. Although almost no chronicles have survived, the descriptions were used by the famous Jewish historian Josephus. The writing of books by the rulers themselves was seen as the most effective and wise way of perpetuating their own name, even more significant than, say, numerous monuments, the construction of temples and majestic buildings. Book projects successfully competed with gigantic construction projects, such as connecting water areas with canals or founding cities. Cleopatra herself was probably familiar with the books of Julius Caesar about the Gallic and Civil Wars, which were created under her. Already from these works, the queen knew that books, among other things, could correct the image of a hero. For which falsification is not necessary - it is enough to cleverly place accents that make a brave warrior a hero, and a talented person a genius. Undoubtedly, communication with Caesar did not pass without a trace for Cleopatra. Part of the indestructible image of a female ruler created with her own hands were the books she wrote (or presented as written). Michael Grant mentions several treatises written by scientists close to Cleopatra: on weights and measures, on alchemy. The latter work convinces contemporaries that Cleopatra is familiar with the secret of obtaining gold from other substances - a deliberate falsification introduced in order to create a public outcry about the queen's supernatural abilities. After all, she must be perfect in everything, and can perform any action masterfully and with feminine elegance. Cleopatra is also credited with the authorship of a voluminous treatise on medicinal cosmetics - an art in which she had no equal among her contemporaries. Whether this was actually the case with the writing of books is unknown, but it was part of the strategy of the reign, the role of which is associated with creating the impression among the inhabitants of the empire that Egypt is ruled by the great chosen one of Fortune, who is authorized by the gods to act in this way.

Cleopatra needed powerful myths because they counteracted other legends against her. These legends were no less skillfully spread in Rome, a city where they were looking for the slightest reason for the overthrow of Cleopatra and the annexation of rich Egypt. But Augustus also needed legends, and since the image of Cleopatra by the time of the collision with him had acquired the features of a historical figure (and not only because of the affair with Julius Caesar), he was forced to take this indisputable fact into account. Although he presented Cleopatra as an enemy in Rome in order to take power away from Anthony, he nevertheless did not allow her image to be denigrated. For example, he gave her the opportunity to die on her own, conveying through his commander that he intended to lead the queen through Rome during a triumph. But it is unlikely that he intended to do this, and not only because such a step could darken the memory of Caesar. In order for Octavian to turn into the great Augustus three years later, it was necessary to demonstrate victory not over a weak woman, but over a powerful ruler, preserving her majestic image. He not only preserved the myths about himself created by Cleopatra, but also developed them (of course, already driven by concern for himself). Thus, with the help of chroniclers, he created an amazing tale about the majestic picture of the queen’s death, although Cleopatra’s death from a snake bite is not only doubtful, but also unlikely, as many later researchers pointed out. However, during his triumph, Octavian ordered a statue of Cleopatra entwined with a snake to be carried, which cemented this myth forever. Those who followed Cleopatra in history were forced to maintain and develop the threads of the romantic legend woven by her about one of the most outstanding women in history. Surprisingly, even the myth of Cleopatra’s sexual depravity, exaggerated by Octavian, benefited the recognition of her image in history. There is no doubt that Cleopatra was skilled in love games. However, the arguments of later researchers of the life of the Egyptian queen are more than weighty: Cleopatra was forced to remain picky in bed affairs for many reasons. First, the long-standing Ptolemaic tradition required that the blue blood of the dynasty should not be mixed with any other. There is every reason to believe that Cleopatra religiously followed the traditions of the royal family, both in religion and in methods of government. The sexual life of the early monarchs was an integral part of that unshakable and inviolable thing that fits into our concepts of taboo. Secondly, historical information about Cleopatra says that she, considering sex as a lever of influence over men, was in search of a suitable man for herself. Her behavior as a majestic ruler would not have matched the people's ideas about a royal person if she allowed herself frivolous bed pleasures. Those who have power are always at the mercy of what they have, and therefore we should not forget this prophetic remark of Nietzsche. Cleopatra’s power was not only precarious, but also directly related to physical survival, so it is unlikely that in such a situation a woman would allow herself risky excesses. For Cleopatra, the mask she wore was immeasurably more important than real life.

One cannot but agree with those researchers of Cleopatra’s life who, as noted earlier, argue that the main difference between her propaganda and the methods of her contemporaries is the skillful theatricalization of her own life. Over time, Cleopatra learned to turn any act of life into a performance and followed her habit until her death, considering every episode of life as an act of acting on stage, the more willingly the more inevitable the situation turned out to be. This is how she acted from the very beginning, when she first appeared to Caesar wrapped in a carpet (perhaps this story was invented later, or perhaps it was a theatrical gesture), and until the very last hour, when she managed to accept death with chilling composure, preferring it humiliation. Perhaps the fatal perception of the great and insane solemnity of such a departure (as her uncle, the ruler of Cyprus, did, and this, obviously, Cleopatra remembered well), was so deeply embedded in the queen’s subcortex that she could not restrain herself from such a step. Long years of visualization and mental attitude have taken their toll - the great goddess cannot afford to act like an ordinary person. The intuition of a defeated person told her that it would be more profitable to put an end to it than to delay the minute of leaving, losing the magical power of an unattainable eastern deity. Cleopatra performed a performance that shocked even the cold and merciless Octavian to the core.

It is unlikely that, creating a fascinating and mysterious legend about herself, full of mystery and magical meaning, Cleopatra cared about becoming part of history. Her problems, of course, were more mundane: she needed to reign while surviving and preserving the sovereignty and integrity of Egypt. As in childhood, survival, reign and preservation of the attributes of statehood were inextricably linked, and a change in one of the factors threatened overthrow and death. The terrible danger forced the mind to remain cold, to keep oneself in constant good shape and ready to fight.

For a successful reign, universal levers of influence on public consciousness are needed, and here Cleopatra was not original. She only took advantage of what the Ptolemaic dynasty handed over to her: a pile of terrifying religious symbols, the power of the military machine and the original wealth of Egypt, which served as the granary and treasury of the great ancient empire. An additional acquisition of the Egyptian queen was truly powerful and extensive knowledge.

And yet Cleopatra realized: she must stand out, be extravagant and extraordinary, be able to amaze and shock the entire multinational community of the mighty empire. The personality of the queen should be tightly shrouded in the veil of legend, which creates a veil of inaccessibility and divinity of the ruler. And of course, the myth is intended to enhance the expression of the individual’s perception, to inspire awe in one’s own people and respect in neighboring ones. Myths for rulers serve to replace their missing qualities. For example, the story of Cleopatra’s appearance before Caesar, wrapped in a carpet, is intended to demonstrate the ruler’s determination. And the legend about her indescribable beauty, which captivated the dictator Julius Caesar, served as direct evidence of the absence of signs of physical perfection...

Cleopatra undoubtedly made mistakes, and she was no stranger to many human weaknesses; like all women, she sought love and acceptance while remaining vulnerable. But her efforts were not in vain: having gone through her own mistakes, she went down in history like a sparkling comet. Cleopatra is interesting primarily because she was able to demonstrate that a woman is capable of playing several roles at the same time, remaining a mother, friend, lover and statesman.

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Since ancient times, people have thought about many things. How does the world around him work? When and from what was the Earth created? Why do mountains and rivers, swamps and forests exist on it? Why does the sun shine, the stars shine, does it rain, and thunder roars? What is man and where did he come from? Why do people die, and what happens to them after death?

Who could answer these questions? Probably the man himself, or rather the myths created by him. So, let's turn to the myths. Let's get acquainted with the Chinese myth "Birth of Pangu".

** « In China, it was believed that when the earth had not yet separated from the sky, the entire Universe was an egg filled with chaos. In this egg Pangu was born and grew by itself. He curled up in a ball and fell asleep for eighteen thousand years because he didn’t know what to do next. While Pangu was sleeping, a chisel and a large ax spontaneously appeared next to him and began to press him in the side. Pangu woke up, but felt nothing but sticky darkness. His heart was filled with longing. He took the ax and hit the chisel with all his might. There was a deafening roar, which happens when mountains crack, and... the egg split! Everything light and pure - yang - immediately rose up and formed the sky, and everything heavy and dirty - yin - sank and became earth. Thus, thanks to the blow of the ax, heaven and earth were separated from each other. And Pangu’s melancholy went away because he did a good job.

But fear immediately took the place of melancholy: what if heaven and earth unite again! Pangu rested his feet on the ground and supported the sky with his head. Every day he grew by one zhang. And zhang is three meters. The sky moved away from the earth by the same distance. Next to Pangu, a tree grew just as quickly, the roots of which were firmly in the ground, and the branches did not want to leave the sky.

Another eighteen thousand years passed. The sky rose very high. The earth has become thick. Pangu's body also grew extraordinary. And the tree became as tall as the giant. This worried Panga very much. After all, he did not want earth and sky to be connected. He began to hit the trunk with a chisel and an ax until he cut the tree down.

“So I’ve finished my work, now I’ll rest,” Pangu thought.

But his strength was completely exhausted. He fell to the ground and died, devoting his whole life to work.

His last breath became wind and clouds, his cry became thunder, his left eye became the sun, and his right eye became the moon. Pangu's torso turned into five sacred mountains, arms and legs - into four cardinal points, blood - into rivers, veins - into roads, skin and hair became forests and grasses, teeth and bones were transformed into precious stones and metals, and the spinal cord became sacred jade stone. And even the sweat that appeared on his body, seemingly completely useless, turned into raindrops and dew.”



This is how the Chinese explained the appearance of mountains, rivers, underground wealth, and heavenly bodies.

Thus, with the help of myths, people unscientifically and naively explained the picture of the world order. Every nation has its own system of myths. The ancient Greek myths about the Olympian gods, the Scandinavian myths about the Ases, the ancient Indian mythology set out in the Vedas, and the myths of other peoples have reached us.

What is mythology? This word, if literally translated from Greek, means “statement of traditions.” From the point of view of scientists, mythology is, first of all, “an expression of a special form of social consciousness, a way of understanding the world around us, inherent in people at different stages of development.” Myths are ancient stories in which people tried to explain various phenomena of life. The first and main reason for the emergence of myth is the belief that all objects in nature are endowed with a soul. Scientists call the animation of nature animism. The sun and stars, trees and rivers, clouds and winds become animated beings that live like people, communicate with each other, perform certain functions, and have their own character. The personification of nature occurs, that is, endowing objects of nature with their own face.

These ideas are based on humanizing the world around us. The first beings that a child can understand are human beings (mom, dad, himself) who have personal will. Therefore, the child endows the objects around him with this will. Thus, the child takes the first step along the path of myth-making, trying to imagine that “something is someone,” all objects come to life and act independently. Remnants of primitive communal consciousness have survived to this day, for example, we can hit an object that caused us pain; or in Ancient Greece, objects (a stone or a tree branch) that caused death to a person were subject to trial if it was proven that a person did not participate in this. Condemned items were thrown outside the city.

The importance of mythology is great. Myths became the cradle from which literature, art, religion, and science grew. Your peers, fifth grade students, have also followed the path of myth-making. Check out some of the myths created by fifth graders. Perhaps you too would like to create a myth. Go for it!

Any myth begins with a half-truth and ends with an absolute untruth - a mistake, a delusion, or an outright lie, sometimes planned. The classic mechanism for the emergence of a pseudo-scientific (read “false” or “pseudo-scientific”) myth is as follows:


1. a completely scientific hypothesis is put forward that provides a possible explanation for any phenomenon;
2. the hypothesis is tested by the scientific community and rejected as unconfirmed by any of the studies, of which there are many, if the issue is of a high degree of significance for humanity in general and science in particular;
3. time passes, and materials for testing this hypothesis are discovered on the dusty shelves of scientific archives by some not entirely conscientious scientist (pseudo scientist) or other person interested in creating a sensation;
4. a pseudoscientist passes off a hypothesis as a theory, often making adjustments: in particular, describing in great detail and colorfully the potential areas of application of his “discovery”;
5. Then rumors begin to spread and mutate, like viruses (they are often called “media viruses” or “memes” in the terminology of R. Dawkins).

The considered scheme, of course, is not the only and only correct one, but it quite clearly explains the further presentation.

How, by whom and why are myths spread?

There is enough information on the Internet about the process of spreading rumors (memes, media viruses), so here let’s take a closer look at who is spreading the rumors.

Rumors are spread primarily by people with uncritical thinking and simply lovers of sensations. Sometimes rumors are spread intentionally by those people who are interested in this - we are talking about making a profit from the sale of goods and services that exploit the rumor or idea being spread.

Such disinformation becomes possible not at all thanks to the virtuosity of the “conspirators,” but because of the banal gullibility of most people, the tendency to accept any beautiful or interesting (science-intensive, promising, optimistic, and sometimes vice versa) sounding words as the truth, without attempts to critically comprehend or verify them facts.

Rumors are so attractive for the following reasons:

* carry a strong emotional charge - the fact is that emotionally unbalanced people (in particular those who suffer from addictions) often seek emotional shocks - such searches lead them to the Internet and TV, where there is an abundance of shocking materials (shock content);
* the rumor contains a promise of “happiness” without a lot of time, effort and money (and more often - for a moderate fee), or a warning about misfortune (for example, the end of the world), which can be avoided thanks to the idea presented by the rumor;
* hearing plays on human feelings, usually on ambition and the thirst for power, control - this is why scammers often promise that thanks to their teaching, tool or device, you will become the master of your life and will be able to control others;

The purpose of spreading any rumor in one way or another is some kind of tactical benefit, be it an emotional shake-up or income from the sale of a “miracle drug.”

Why is this benefit “tactical”? Because in the end, for humanity as a whole or individual communities, it leads to significant damage. An emotionally unstable person, receiving his shake-up, becomes even less stable, and the same fraudster, thanks to his active harmful actions, destroys society - the environment in which he himself lives. One fine day, the seller of the “miracle drug” may fall ill and, having gone to the doctor for help, receive a prescription for his own counterfeit (and ineffective) drug.

How to make money on myths?

Demand gives rise to supply and, conversely, supply gives rise to demand - these are two complementary trends in a market economy. As soon as a need appears, ways to satisfy it begin to arise, and the emergence of each new (simpler or more effective) method generates additional interest in satisfying the need, no matter how low or unhealthy it may be.

There are also many laws (social, psychological, etc.) that make selling the promise of a simple solution more profitable and easier than selling a real solution that involves overcoming difficulties.

In eras of social upheaval, extremely favorable conditions are created for the flourishing of fraud of all types, from witchcraft and the fight against it to pseudo-scientific deceptions, which have significantly undermined the budgets of different countries more than once (Russia is a clear example, but this is not about that).

People who have at least some developed skills of deception and manipulation find in difficult times their “calling” in deceiving other, slightly more naive people. By the way, we kindly ask you not to be afraid of the word “manipulation” - this is one of the very common forms of social interaction, which is very often found in everyday life, for example, in dysfunctional families

Andrey Zorin

Historian and philologist, specialist in the field of history of Russian culture and intellectual history, professor at the Moscow School of Economics and Social Sciences (Shaninka), Oxford University (UK), professor at the Department of Humanities and scientific director of the Liberal Arts program at the Institute of Social Sciences, RANEPA

- When a person reads a history book, he still gets acquainted with someone else’s interpretation of history? All the same, the author has his own position.

- In the 19th century, the science of “source criticism” arose, which set itself the task of formulating general principles of approach to a source, allowing one to determine the degree of its reliability. Around the same time, the famous historian of the century, Leopold von Ranke, formulated his thesis, according to which the task of the historian is to find out how everything really happened. In recent decades, another trend in historical science is the idea that every source is, to one degree or another, a construction written in someone’s interests. The well-known formula: lies as an eyewitness. Yuri Nikolaevich Tynyanov, the great Russian philologist, said: documents lie like people.

- Is history an attempt to control the past?

- Yes, this is our struggle with our ancestors. We were born at the time that was given to us, in the circumstances that were given to us, we cannot change anything about it. But we take revenge by telling stories about our ancestors, supplementing them, inventing them - and through our stories, fables and fantasies about what happened, we exercise our control over them.

- Ideology very often uses history as a weapon and tries to justify its actions in the present and in the past. Has it always been this way - or are these signs of recent centuries?

If we are talking about state attempts to monopolize history, they begin from the moment when the state has a need to explain where it came from and why it is like this. A classic example is the story of the Time of Troubles, told from the reign of the Romanov dynasty. The Romanov dynasty appeared in 1613, after 700 years of the previous dynasty. Her rights to the throne were very doubtful; it was necessary to invent a vivid and convincing story that would allow them to legitimize their rights to rule Russia. They succeeded to a large extent. For the next 300 years, until the events of 1917, this dynasty reigned on the Russian throne.

- Why is it necessary to justify the present with the help of the past? And why does this technique work? What difference does it make to me that, say, Ivan the Terrible is descended from some nephew of Emperor Augustus?

- Every person is his story about himself. We come to apply for a job and say: I worked there at such and such a time - our biography explains who we are and what we represent. Any community of people, including the state, is structured in the same way, it has its own history. Before modern times, as everyone well knows, power was justified by divine origin. This means that if your power is from God, then you must tell how the Lord gave you this power. I just talked about the Romanov dynasty. This is a typical story. The Cossacks came to the Zemsky Sobor and said: “Choose Mikhail Romanov.” It's not hard to argue with armed Cossacks. But when Michael reigned, this story had to be forgotten. And a very beautiful legend was invented that all the boyars were ordered to write the name of the future king on a piece of paper, they all wrote it down, and they all had the same name - Mikhail. Of course, such an incredible coincidence could only come from the Lord God; he stood over everyone and suggested it; There can be no other explanation. The fact that this version was clearly borrowed from the story about the seventy interpreters did not bother anyone. Sacred history was an absolute example of not even historical, but transhistorical, ahistorical truth, therefore the recognition of the plot gave it authenticity.

- It turns out that the creation of myths or falsifications begins in the history of Russia from the Time of Troubles, from the beginning of the Romanovs. What is the name of the first myth? Founding myth?

- Yes. This is a very common scientific term. And this is a standard thing. Everyone is celebrating their birthday. This means that you are reliving the act of your birth. A family celebrates a wedding day, the day it originated, we can give many similar examples. The state fits into the same row. The central myth of any state is the question of where it came from, its founding myth. It invents for itself a starting point from which it grew.

- In this case, the 17th century serves the myth of how the Romanovs became rulers. What happens in the 18th century, during the time of Peter?

- The gigantic destruction that Peter I brings about in the Russian consciousness leads to a colossal change in historical mythology, starting with his official title. He was called the First, Peter I. Before him, Russian emperors were not considered. They retroactively assigned the number “fourth” to Grozny, but Grozny never called himself fourth, he was simply “Tsar Ivan Vasilyevich.” Peter I calls himself the First, and this is not just a fixation of the fact that there was never a Petrov on the throne of Russia before him, but it is generally an indication that everything comes from him. They brought it from non-existence into existence, Chancellor Golovkin said about Russia, and there are a great many similar quotes.

- If Peter is the New Testament, then was the old one remembered, was the Time of Troubles remembered, was Mikhail Romanov remembered?

- Peter so fixes the historical Russian consciousness on himself that pointing to other significant pages in the recent past has become uninteresting. All Russian tsars build their personal succession in relation to Peter. Elizabeth, who was known to be an illegitimate daughter, says that she is Petrovna and the daughter of Peter; Peter III says that before him there were no one knows who, and he is Peter’s grandson; Catherine puts up the Bronze Horseman and writes on it: “Peter I Catherine II.” Although there was no relationship between them, she was generally a usurper of the throne, but in this way she again writes herself into Peter’s mythology. And after her death, Paul pulls out the old monument to Rastrelli and writes on it: “Great-grandfather, great-grandson” - contrasting his own relationship with the great emperor and the numerology of his own mother (first and second) and again elevating his legitimacy to Peter.

- It turns out that throughout the 18th century there was a plot of a return to Peter, that is, a return to that order.

- Yes. The fact is that the 18th century is an endless era of crises, coups, disputes about succession to the throne, and regicides. Peter introduced permission for the emperor to appoint an heir for himself, and for 75 years the Russian monarchy was shaken until Paul I, who, however, was also killed later, introduced a decree on unified inheritance. Emperors were made by the guard; after the coup of 1762, Catherine proclaimed that she ascended the throne by the will of all classes, and especially the guards: all are equal, but some are more equal. And until, strictly speaking, the guard was shot by cannon on December 14, 1825 on Senate Square, the source of the monarch’s legitimacy was the position of the guard and continuity in relation to the creator of the guard and modern Russia - Emperor Peter.


- What specific stories around Peter I were more based on? What things did you invent, what, on the contrary, did you prefer to forget?

- First of all, this is the victory in the Northern War, new territories, access to the sea, the construction of St. Petersburg and the famous dressing up of the nobility. Peter created a completely Europeanized elite in a completely non-European country. People who, over the course of 100 years, have learned to look, think and talk like European aristocracy. When the Russian army took Paris in 1814, the Parisian public had the feeling that some indescribable barbarians would come; Parisian newspapers depicted Russians with smoke coming out of their nostrils, and everyone was, of course, amazed at the pure French language of Russian officers.

It turns out that Peter I and the rulers who followed him felt like Europeans. Catherine II appears, there are endless wars with the Turks, the annexation of Crimea. And under Catherine, it turns out that we are no longer quite Europeans, but descendants of the Greeks.

The logic is clear. European culture inherits from the Roman Empire, Rome took its culture from Greece, which means that the Greek heritage came to them indirectly. And we took both faith and classical culture directly from the Greeks. That is, we are the center of European culture, because we are connected with its cradle and main hearth. We can outdo Europe in Europeanness.

For Catherine, the mythology of Vladimir the Saint is highlighted anew: hence her famous trip to Crimea in 1787, the annexation of Crimea, and all the Potemkin projects for the future of the empire. And Potemkin writes to Catherine that if Peter achieved such success in the St. Petersburg swamps, then what will you, Empress, achieve in such beautiful, God-given, fertile places that we have now annexed.

- At first the ideology is based on the fact that Europe is great, and then it turns out that in fact we are even better than Europe, but during the Napoleonic Wars the most important plot again becomes the Time of Troubles. Why is that?

- Back in the 1760s, Catherine wrote that Peter achieved such success because he applied European morals to the European state. That is, we were already Europeans who were temporarily led astray by the Tatars, but Peter brought us back to our historical path. But who did Catherine mean? It was exclusively about a few percent of the elite. By the beginning of the 19th century, from Europe, again, the idea of ​​nationality came and took root, that there is a single people, they have a single spirit, a single common history, and that the top of Russian society, the nobility, should also to some extent nationalize themselves, imbue folk spirit. And here the history of the Time of Troubles, the militia of Minin and Pozharsky, turns out to be unusually convenient.

There were three mythological heroes of the anti-Polish movement - Patriarch Hermogenes, Minin and Pozharsky. That is, the patriarch, representing the church, the common man Minin, from the merchants, and Prince Pozharsky, representing the noble elite - they all united, and as a result of this popular unity, a new dynasty emerged. That is, the return from Peter’s mythology to the mythology of the Time of Troubles is an attempt to, to some extent, expand the social base of state ideology. During the Napoleonic Wars, the authorities had to appeal to the masses of the people; it was necessary to mobilize much wider layers than those to whom the monarchy had addressed before.

- That is, in the myth of the Time of Troubles, the interventionists who capture us play a rather important role?

- Yes. Let's remember the last part of the Time of Troubles: Vladislav, the liberation of Moscow, the captivity of Minin and Pozharsky. Russia then found itself on the verge of destruction because it was captured by the Poles - and during the Napoleonic Wars there was the same infection, an enemy from the West, that is, the French.


- We can say that this is the first time in history when the ideology is that there are enemies around, we are surrounded, and besides, there are traitors inside the country.

- War is the most important way of historical self-affirmation. In Peter's mythology, the victory over the Swedes played a huge role. The myth of war, enemies and victory is ancient - Vladimir also fought, went on a campaign to Crimea. But what's new now is the mythology of betrayal. The importance of the concept of betrayal, internal treason, is very closely connected with the completely new, completely Western idea of ​​​​the people as a single body. The people are a single body, an organism with all the metaphors: it has a head - this is usually the sovereign, it has a heart - this is usually the church. And the body, accordingly, dies from what? He dies from an infection that someone brings from outside. And the topic of betrayal arises precisely at this time.

- The Rurikovichs ruled Russia for 700 years. Is this the only time a dynasty lasted so long?

- No. The Capetians held out for a very long time, and there is nothing to say about the Chinese emperors. But 700 years is still an awfully long time, and the sudden end of a dynasty is, of course, a shock. There have been several attempts to overcome this. It turned out badly with Boris Godunov. Then there was False Dmitry - again some kind of nonsense. Then Vasily Shuisky, one of the oldest Russian princes, was installed - again, not very well. Why didn’t it work out with Godunov and Shuisky? According to the general opinion, because they were not of the royal family. We didn’t have our own other royal family, but the Poles did. The Polish king Sigismund was presented with several conditions that his son Vladislav should convert to Orthodoxy and come to Moscow. And Sigismund began to experience what Stalin later called dizziness from success. And he, instead of fulfilling the agreement concluded with him, decided that he would not send Vladislav to Moscow, that he would not allow him to convert to Orthodoxy, but that he himself, as a king, would rule the Muscovite kingdom as his province. But he did not have the political resources to implement this, and this caused an explosion.

- Did you negotiate with the boyars?

- With the boyars, yes. There was an embassy, ​​and boyar Filaret Romanov, the father of the future Tsar Mikhail Romanov, entered into an agreement with them. But the agreement was not fulfilled by Poland, and this caused a protest that ended with the second militia of Minin and Pozharsky. But they didn’t want to designate the boyars as enemies, so they came up with the idea of ​​blaming the Cossack Ivan Zarutsky and several other people - including Prince Trubetskoy, who had a Cossack army. Basically, traitors were appointed among the Cossacks, and they were carriers of the Polish infection. Plus, of course, the story of Marina Mnishek and her amazing fate also made a strong impression on everyone who wrote this legend. It turned out that the Polish woman had completely seduced our Russian people. “Taras Bulba” was later written on the same topic, and so on. The image of a beautiful and scary Polish woman who seduces a simple, unpretentious Russian man is very significant in Russian culture.

-Who was appointed to the role of traitor in 1812?

- A suitable candidate was already here, it turned out to be Mikhail Mikhailovich Speransky, the closest adviser to Emperor Alexander I. He was appointed as an agent of Napoleon, a man who wants to bribe and destroy Russia and get the Polish crown. Before this, one of Alexander’s advisors was Prince Adam Czartoryski, he was really a Pole, at least the logic is clear. Speransky was the son of an Orthodox priest. He was hated as an upstart. He was a popovich and became the chief minister and right hand of the emperor.

-Who chose this victim?

- Public opinion, a large number of nobles who hated him from the very beginning. I was very irritated by his low origins and his reform plans. And plus, he appeared in the emperor’s inner circle after the Peace of Tilsit, which was perceived as a national humiliation. For simplicity, it must be said that the conservative-noble camp, probably led by Admiral Shishkov, practically appointed him a traitor. And Alexander, who, of course, did not believe a penny in Speransky’s version of betrayal, said: “I had to make this sacrifice.” However, with such accusations, exile to Nizhny Novgorod and Penza was still a rather mild measure.

- The War of 1812 begins soon, and art begins to draw out this story about the Time of Troubles. Is art inventing this myth or reacting to it?

- Such strong historical myths are always a collective creation. Perhaps art does not invent it, but in art it acquires that clarity, expressiveness and power to capture minds. A monument to Minin and Pozharsky is erected in the Kremlin, theatrical productions are created. For the 25th anniversary of the war - Glinka’s opera “A Life for the Tsar”, which in Soviet times was called “Ivan Susanin”, and so on. That is, this entire series of events creates a mythological image.


- When, before the War of 1812, Russianness came into fashion, dislike for the French, interest in the Time of Troubles, can we say that this was in some way even opposition? After all, Russia was officially friends with France at that moment.

- Yes, initially it was an opposition ideology, of course. Moreover, right up to the Battle of Tarutino and the departure of the French from Moscow, starting in 1807, there were always rumors that Alexander was about to be overthrown from the throne. Russia was no stranger to coups d'etat, and public opinion already had a candidate for his place - it was Grand Duchess Ekaterina Pavlovna.

- I’ll ask you for a short educational program. What preceded the War of 1812?

- The War of 1812 was preceded by several wars, the first of which ended in a terrible defeat at the Battle of Austerlitz, described in the novel “War and Peace.” After the truce there was another war, less catastrophic, which ended with the Peace of Tilsit, which was terribly unprofitable for Russia. As a result, Russia had to join the continental blockade of England and accept Napoleon's terms. Alexander knew perfectly well that this was temporary and that a new war could not be avoided. The rise of Speransky with the huge number of unpopular measures that were taken was also associated with preparations for war. But this could not be announced out loud. Both Alexander and Speransky, who was perceived as a foreign agent, were opposed by the Grand Duchess, who had an excellent credit history, that Napoleon wooed her, and in a panic she was married off to the Prince of Oldenburg. They wiped Napoleon's nose, he did not get our wonderful princess, and she was perceived as the main center of the patriotic party. The Grand Duchess did not speak a single word of Russian.

- We are completely buried in this plot of the Time of Troubles. The next founding myth is the October Revolution?

- Yes, sure. Everything changes again in the 20th century after the revolution. And in this sense, it is very similar to Peter’s revolution. A new era, a new state has been created. Until the end of the Soviet Union, the 1917 revolution plays the role of a founding myth to one degree or another.

- In a rather funny way, the holiday of November 7 turned into November 4.

- Yes, again a reference to the Time of Troubles, the Day of National Unity.

- Did they remember the Troubles in the Soviet Union? Because it fits perfectly into the plot of the Patriotic War.

- The Great War begins with a terrible defeat, when the enemy is at the capital or is approaching it. In 1612 it was the Poles, in 1812 it was the French who burned Moscow, in 1941 it was the Germans who came as close to Moscow as possible. And every time the country finds itself on the verge of absolute destruction and total catastrophe, from which, magically, by God and the miraculous will of the leader, the king, the head of the militia, the leader, the generalissimo and who knows who, it re-emerges like a phoenix and rises to the greatest victory in its history. Here the pairing arises in terminology - “Patriotic War” and “Great Patriotic War”. That is, this parallel - it arises.