We decided to devote today's lesson to a real medieval knight.

Everyone knows that a knight is not just a warrior who fought dragons in the medieval epic and often came into contact with others fairy-tale characters. Just like the Japanese samurai, the knights are the carrier title of nobility. The knightly class had a very great influence on the entire history of Europe; many men from various social strata dreamed of becoming a knight in the Middle Ages.

The greatest chances of becoming a real knight were among representatives of rich noble families, whose members became famous for their devoted service to the king, or for special military merits. History buffs will definitely notice the Templar cross on our knight - we chose it for a reason, because this particular order is one of the most recognizable in the entire existence of knighthood. So, we are starting a lesson on how to draw a knight step by step for beginners, with a pencil!

To begin with, we want to demonstrate many different examples of drawing knights, and then we will tell you in detail how to draw one of them.

For convenience, you can use the content

The easiest way to draw a knight

Knights from old book for drawing :)

Rider on a horse

Quentin Dorward

Knight with shield

Goblin

Sixth drawing option

Russian warrior on horseback

And one more option

Now let’s draw it step by step

If you have already read the examples above, then it’s time to move on to a more detailed discussion of “How to draw a knight?”

Stage 1
You start with a stickman - a special man made of sticks and circles, which is drawn to indicate the pose and basic proportions. A little about the proportions of the human body - the length of the body should be equal to seven heads. The size of the foot is approximately equal to the height of one head, the distance from the top of the head to the hips is usually equated to three heads. By the way, the height of the human head in all artistic manuals is the main unit of measurement of all body proportions.

True, we digress from the stickman. Be sure to pay attention to the proportions, especially the head. It should appear much larger than a human head, since the knight’s head is wearing a voluminous and massive helmet. The warrior’s pose itself is quite simple, it does not involve any sharp actions or lunges - one arm is bent (the angle is slightly sharper than a straight line), the hand is located on the hilt of the sword, and the second holds a spear with a flag and bends very slightly.

With legs everything is very simple. They bend at the knees slightly and are in the completely natural position of a person who stands straight and does not strain his legs to give them a straight position. It is important not to forget about two important lines - facial symmetry and eye symmetry, outline them and move on.

Stage 2
At this stage, you will add volume to the arms and upper torso, following the lines of the stickman. Outline body parts in the form of modified cylinders. This will help you in the future to accurately draw all parts of the knight’s body. In general, in further steps you will draw only the shape of the armor, since, in fact, they hide the entire Templar from head to toe.

Stage 3
Repeat the steps of the previous stage, but regarding the legs and belt of the knight - make them voluminous. The waist area is essentially a triangle, and the thighs of the legs look like cylinders. Don't forget to also mark the knees with flat ovals, then draw the calves, feet and move on to the next stage.

Stage 4
Now work on the fabric. It's about about the knight's mantle, as well as about the elements of clothing that are on the belt and cover his legs to the knees. First, give the mantle some general silhouette, and then draw the folds. Do this using natural and smooth lines.

Remember that you are depicting in the picture a kind of light wind that blows the knight’s robes. Don’t forget to also mark the folded part of the mantle that covers the folded part. left hand. A little more work with fabric - draw a surcoat (a piece of clothing covering the legs and torso). Also at this stage, you throw on a sword, the handle of which is actually completely covered by the warrior’s hand in a mitten.

Stage 5
You have a ready-made silhouette of a warrior, and from this stage you can begin to draw it in detail from head to feet. First draw a horizontal seam at the very top. Next, give the shape of the helmet a finished look. Then, based on two perpendicular lines from the first stages, draw the vertical seam, as well as the holes for the eyes that need to be painted over.

You complete the stage by drawing small holes at the bottom of the helmet. Be sure to pay attention to their uniform size and orderly arrangement.

Stage 6
Great, now detail the upper torso and arms. First erase the guide lines from previous steps in the area right hand and breasts. Draw a cord with two buckles slightly below the throat - this will be the clasp of the robe. From her draw the curving smooth lines. They indicate folds of fabric that are secured with a clasp.

On the left, the mantle will fall down, and therefore the lines should gradually move to a vertical position. But again, extremely smoothly. Notice how the cloak fits the warrior's left forearm and mark this with folds. Also at this stage, draw the spear - it consists of a thin shaft and a tip that looks like a somewhat elongated diamond.

Stage 7
Erase all the auxiliary lines from the previous steps on the torso and draw a cross with flared ends in the center of the chest. On the fabric of the robe, mark several folds that should run diagonally, from the armpit to the stomach. The belt tightens the warrior's robe, and his right hand is raised, so the folds will go from the belt up, and also towards the right hand. Draw another cross on the left side of the cloak, but do not forget to take into account the folds in the fabric. Draw the belt, the sword sheath in the belt strips and the left gauntlet.

Stage 8
We devote this step to the folds on the fabric of the mantle and the lower part of the robe, which covers the legs of our knight. So, first of all, we align the stripes and erase all the unnecessary auxiliary lines. The folds should indicate the position of the mantle, which hangs freely from the right shoulder, which means they should be vertical and relatively long.

Please note that only one fold bends strongly, which is located near the edge of the mantle; the rest look like smooth lines. In addition, at this stage you will need to erase the guide lines from the top of the legs and draw folds in the fabric in this area. Draw them with slightly curving lines in the direction from the waist to the knees.

Stage 9
Now you need to draw the legs from the knees to the feet. Actually, here you just need to give the legs a finished look, draw a couple of lines on the knees and mark the spurs. The chain mail fits quite tightly on the legs, and therefore try to convey the entire shape of the legs as correctly as possible. Draw the lower part of the clothing, sagging from the back. All that remains is to draw a flag with a cross flying on the shaft of a spear. Don't forget about the folds that go from bottom to top.

Stage 10
Actually, the knight is already ready, all that remains is to work with the shadows. You start, as always, with the head. In this case - from the helmet. First, shade the darkest areas with vertical strokes, while trying to outline the cylindrical shape of the helmet. Pay attention to the light stripe at the bottom of the helmet; it should be marked and left practically unpainted. Now use lighter strokes to indicate the transition from shaded areas to light ones. These transitions should be natural and smooth.

Stage 11
Continue painting the warrior and at this stage you will work on the limbs. It should be noted that the armor on the legs and arms must be drawn in exactly the same way. Look at your feet. This is what the first stage of shading should look like.

Cover the entire limb with very fine shading, in a criss-cross direction. After this, apply the darkest shadows and mark the transition from them to the light areas as you did with the helmet. Don't forget also about the shadows from the mantle on your arms. They should be especially thick.

Stage 12
Now you need to draw the shadows on the legs. They are applied in the same way as on the hands at the previous stage. To add realism, leave narrow strips of reflex light (that is, light that is thrown onto an object from a very bright surface of something) on inside shin area calf muscles. Especially thick shadows will be cast by the surcoat fabric.

Stage 13
Well, there's quite a bit left. At this stage you need to work on the shadows on the mantle. It may seem to you that the step is voluminous and complicated, but this is not so if you correctly determine the direction and nature of the lighting. As you can see, the light falls on the knight from the side of his left hand. Therefore, almost all left-hand side his cloak should be illuminated. The areas of shadows that are created from the folds should be marked with light, barely noticeable strokes with a minimum degree of pressure on the pencil. It is necessary to outline the forearm of the left hand protruding under the warrior’s cloak, shading the edges of the convexity so that it looks illuminated and bright.

Avoid flashy and harsh shadows, as in drawing various comic book characters. Even the most shaded areas must be painted carefully and accurately. To make the shadow more dense, shade the required area twice - first lightly shading diagonally, and then another layer on top to make a cross. From the right, the cloak is visible only from the inside, and it should be heavily shaded. Also note the shadows cast by the mantle on the knight's body. They form a sharp triangle. Its top is located under the clasp of the mantle.

Stage 14
The last step is where you will cast the knight's shadow onto the surface and lightly shade the sword, spear and the section of the robe that covers the neck near the left shoulder.

It was very difficult lesson. If you couldn’t cope with it the first time, then don’t be discouraged - track the stage where you made a mistake and be sure to try again. Leonardo da Vinci often said that any obstacle can be overcome by perseverance. So just try more and everything will work out.

Source of this example: drawingforall.ru

The Middle Ages remains one of the favorite topics among creative personalities. Some symbolic elements of the time - e.g. shield, are still actively used to create logos.

Instructions

Before you start drawing shield Yes, it will be useful to familiarize yourself with the history of its origin and some design features. The shield can be of various shapes: round, oval, rectangular, teardrop-shaped, etc. The Varangian or French form is considered the most recognizable and characteristic shield A. These are the most convenient places to place various graphics and text information.

The shield is a symmetrical figure, so in order to depict it well, you will have to practice. Practice drawing one side first shield A. Try to do this without lifting the pencil from the paper, in one line. After that, start drawing the other side. When it starts to work out on the first try, you can move on to drawing the entire figure. For greater convenience, start drawing from the top horizontal line. From it down, draw lines with already practiced movements, depicting sides shield A.

Special attention and drawing will require patience lowest point shield a, where the sides meet. This part can be rounded or pointed. Your task is to accurately connect both side lines, avoiding their skewing. To achieve this result, there is one secret: when drawing a line, direct your gaze to where it should go - in this case, your hand will automatically create the ideal trajectory.

Once you have mastered drawing shield Once you have simple forms, you can move on to depicting more complex ones. The image of symmetrical figures of strict forms perfectly develops the eye and improves coordination of the right hemisphere and hands. Finished drawings shield ov can be used as a logo or bookplate.

Helpful advice

Learn to draw shields different forms- this will not only develop artistic skills, but also expand your historical horizons.

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In this tutorial we will draw a shining shield in Photoshop from scratch. Billboards are widely used in online advertisements. They represent a symbol of confidence, reliability, protection. The idea of ​​using a billboard is to evoke positive associations about a product or service among buyers or users.

Final result:

Step 1

Create a new document in Photoshop with the parameters shown in the screenshot. Save it as "Shield.psd". It is recommended to save your project while working. (Ctrl +S) so as not to lose changes.

Step 2

Select a tool Polygon (PolygonTool) (U). On the top panel, set 3 hundred

ron and draw a black triangle as shown in the screenshot.

Open the panel Info (Window > Info) (Window >Info). Click on the plus icon (+) and select Pixels (Pixels) as a unit of measurement. In the toolbar, select the triangle layer and the tool Move (MoveTool) (V). After that go to the menu Editing > Path Transformation > Scale (Edit > Transform Path > Scale).

In the top bar, enter the following width and height values:

Now you need to place the triangle right in the center of the canvas. To do this, select the triangle and background layer. On the top panel, click on the vertical and horizontal alignment buttons.

To Work with vector shapes very convenient because of the ability to change their shapes using anchor points. Next you will see how we will turn a triangle into a shield using just 3 anchor points.

Step 3

Select a tool Corner (ConvertPointTool) and hover over the upper left corner of the triangle. The pointer will change to a white arrow, which means that the tool has changed to another - Node selection (DirectSelectionTool) (A). The point is that the tool Corner (ConvertPointTool) visible only when at least one anchor point is selected. So first select the top left point.

Once the point is selected, move the cursor over it again and you will see that it changes to an upside-down V. This is the tool pointer Corner (ConvertPointTool). Click on the anchor point and drag the mouse up to the right. Two levers will appear at the anchor point. As you understand, curved lines are created with this tool in Photoshop. Levers are needed to guide the lines that form the angle. They can be controlled through points at the ends. After you have created curved line, switch to instrument Node selection (DirectSelectionTool) (A). It will be more convenient to use and safer.

You should still have the tool selected at this point Corner (ConvertPointTool). Hold down the key Alt and pull the bottom lever up to the right.

Step 4

Tool Corner (ConvertPointTool) create a bend in the upper right corner of the triangle.

Holding Alt, pull the lower lever to the left and up.

Step 5

Now work on the bottom corner.

Now you can switch to the tool Node selection (DirectSelectionTool) (A), since all corners have been smoothed. With this tool we will continue to change the shape of the shield.

You need to get the following form:

Step 6

Name the shape layer “shield outer”. Right-click on it and select Rasterize layer (RasterizeLayer). After rasterization, you will no longer be able to change the shape of the figure.

Step 7

Now we will add some styles that will make the shield shiny and metallic. Double click on the “shield outer” layer and set the styles like this:

Embossing (Bevel & Emboss): Style - Internal Bevel, Method - Smooth, Lighting Mode - Lighten, Shadow Mode - Multiply.

Translator's note: translated only text values parameters, since parameters that have digital values ​​remain in place regardless of the program language.

Select outline Ring:

Contour (Contour): Half Round outline.

Step 8

Now set up the style Inner glow (InnerGlow): Mode - Replace with dark, Method - Soft, Contour - Ring.

Step 9

Next style - Gradient overlay (GradientOverlay)

Open Gradient Editor (GradientEditor). On the gradient color bar, click in the middle to add a new color stop. As soon as it appears new point and will be highlighted, options will become available to you Color (Color) And Position (Location). Click on the parameter color Color (Color), to open Color editor (Colorpicker). There you can enter the RGB color code. To remove a color control point, click on it and drag the mouse up or down.

Add two control points to the gradient strip.

Result after applying styles:

Step 10

Set default colors (D). Select the layer with the shield shape (hold Ctrl, click on the layer thumbnail). Shrink the selection by 15 pixels via the menu Select > Modify > Shrink (Select >Modify >Contact).

Step 11

Create a new layer (Ctrl +Shift +Alt+N) and fill the selection with black (Alt+backspace).

Deselect it and name the layer “shield base mid”.

Step 12

Apply the following styles to the “shield base mid” layer:

Inner glow (InnerGlow): Mode - Lightening, Method - Soft, Contour - Gaussian.

Step 13

Gradient overlay (GradientOverlay): Mode - Normal, Style - Linear.

Step 14

External glow (OuterLower): Mode - Lightening, Method - Precise.

Result:

Step 15

Select the "shield base mid" layer, create a new layer "shield inner" and shrink the selection by 15 px. Fill it with black.

Step 16

Apply the following styles to the “shield inner” layer:

Embossing (Bevel & Emboss): Style - Internal Bevel, Method - Smooth, Contour - Gaussian, Lighting Mode - Lighten, Shadow Mode - Multiply.

Circuit(Contour): Half Round.

Step 17

Gradient overlay (GradientOverlay): Mode - Normal, Style - Linear.

Step 18

External glow (OuterGlow): Mode - Multiplication, Method - Soft, Contour - Ring.

Result:

Step 19

Select the "shield inner" layer. Create a new layer "shield core" and shrink the selection by 6 px. Fill it with RGB color (0, 114, 188).

Step 20

Apply the following styles to the "shield core" layer:

Inner glow (InnerGlow): Mode - Multiplication.

Gloss (Satin): Mode - Lighten the base.

Gradient overlay (GradientOverlay):

Step 21

The blue part of the shield should reflect light. Now we will create a highlight on the shield. All reflection layers will have the word "refl" in their name. Select the “shield core” layer, shrink the selection by 15 px, create a new layer refl left mid and fill the selection with white.

Step 22

Remove selection (Ctrl +D). Tool Oval area (Elliptical Marquee Tool) (M) create the selection shown in the screenshot.

Step 23

Now we need to select the remaining part of the left half of the white shape. Select a tool Lasso (LassoTool) (L), hold down the key Shift and add to the selection what is on the left.

Step 24

Invert selection (Ctrl +Shift +I).

Click Delete to remove the right half of the white shape.

Step 25

Remove selection (Ctrl +D) and apply a filter Gaussian Blur (Filter > Blur > Gaussian Blur) (Filter >Blur >GaussianBlur).

Step 26

You should still be on the "refl left mid" layer. Add a mask to it.

A white mask means that the contents of the layer are fully visible. The black color on the mask hides areas of the layer. Now we will create a smooth transition between the blue shield and the white highlight.

Select a soft brush with 50% opacity, make sure the mask is active and start painting the white area from the left edge. To return the white fill, change the brush color to white. The mask does not affect the pixels of the layer, so it is classified as a harmless Photoshop tool.

Step 27

Select a tool Move (MoveTool) (V). Then reduce the layer opacity to 24%.

Step 28

Create a new layer "refl top". On it we will create another highlight in the same way as the first one.

Apply filter Gaussian blur (GaussianBlur) with a value of 3 pixels.

Add a mask and soft brush erase part of the fill.

Step 29

Select the “shield core” layer, create a new layer “refl lower” and fill the selection with white. Remove the right half of the fill.

Select the “refl lower” layer, select any selection tool, right-click on the canvas and select Transform selected area (Transformselection).

Right-click on the canvas again and select Distort mode. Drag the corner points as shown in the screenshot to change the shape of the selection.

Press Enter to apply the changes. Delete the selected part (Delete).

Apply filter Gaussian blur (GaussianBlur) with a value of 1 pixel. Reduce the layer opacity to 50%.

Step 30

Create two more layers: “refl left side” and “refl right side”. Draw highlights on the sides.

Apply the same blur filter and reduce the opacity to 50%. At this point we are done creating the highlights.

Step 31

Create a new layer "ribbon front" above the "refl right side" layer. Tool Rectangular area (RectangularMarqueeTool) (M) Create a selection in the shape of a small strip and fill it with 50% gray.

Activate mode Warp (Edit > Transform > Warp) (Edit >Transform >Warp).

On the top panel, select the deformation type Arch (Arch).

Pull the top point of the mesh down to bend the strip in the other direction. Click Enter to apply the changes.

Step 32

Apply the following styles to the “ribbon front” layer:

Stroke (Stroke): Position - Inside, Mode - Normal, Stroke Type - Color.

Step 33

Inner glow (InnerGlow): Mode - Lightening, Method - Soft.

Step 34

Gradient overlay (GradientOverlay): Mode - Normal, Style - Linear.

Step 35

Create a copy of the “ribbon front” layer and place it below the original. Tool Move (MoveTool) (V) move the layer on the canvas a few tens of pixels up.

Step 36

Tool Rectangular area (RectangularMarqueeTool) (M) select the left half of the strip.

Step 37

Cut the selected part into a separate layer (Layer > New > Cut to New Layer (Layer >New >LayerviaCut). Place the two halves as shown in the screenshot.

Step 38

Tool Rectangular area (RectangularMarqueeTool) (M) cut off the right and left strips. Name the layers “ribbon left end” and “riboon right end”.

Step 39

Change the gradient style of the layer with the left part of the stripe "ribbon left end".

Step 40

Change the gradient angle for the "ribbon right end" layer.

Step 41

Now we will connect the parts of the tape. Create two layers: “ribbon left fold” and “ribbon left fold”. Tool Rectangular area (RectangularMarqueeTool) (M) create a strip and change its shape in the mode Distortion (Distort). Connect the front of the ribbon to the back.

Now we will copy the styles. Right-click on the fx icon next to the “ribbon left end” layer. Select an item Copy Layer Style (CopyLayerstyle). Then click on the “ribbon left fold” layer and select Paste layer style (PasteLayerstyle). In the same way, copy the styles of the right end of the ribbon to the connecting part.

Step 42

Change the gradient settings of the “ribbon left fold” layer:

Step 43

Gradient settings for the “ribbon right fold” layer.

Step 44

Tool Polygonal Lasso (PolygonalLassoTool) (L) Create a triangular selection at the end of the ribbon.

Step 45

Click Delete to make a cutout. Do the same on the right side.

Step 46

Tool Horizontal text (horizontalTypeTool) (T) write "PREMIUM QUALITY". Times New Roman font size 48pt. Apply Warp Arch (Arch) and change the bend.

Step 47

Apply the following styles to the text layer:

Embossing (Bevel &emboss): Style - Contour embossing, Method - Smooth, Lighting mode - Lightening, Shadow mode - Multiplication.

Contour (Contour):

Step 48

Color Overlay (ColorOverlay):

Step 49

External glow (OuterGlow)

Step 50

Reduce the opacity of the “refl top” layer to 50%.

Step 51

Create a new layer above the previous text layer and write “PSD” on it. Font "Times New Roman" size 122pt, color - black. Apply the following styles:

Embossing (Bevel &emboss): Style - Internal Bevel, Method - Hard Cut, Highlight Mode - Lighten, Shadow Mode - Multiply, Outline - Cone.

Color Overlay (ColorOverlay):

External glow (OuterGlow): Mode - Multiplication, Method - Soft.

Already drawn +1 I want to draw +1 Thank you + 7

Step 1.

When outlining production lines, we will violate some proportions, for example, we will make the legs shorter and the shoulders wider. And let's draw a gnome big head. One arm of the gnome is bent, the large hand supports the shield, the other arm is lowered down: the gnome holds a heavy flail with spikes. We outline the feet as semicircular.

Step 2.

We outline the outline with simple, straight lines. On the face we mark the eyes, nose and beard with a shovel. We outline the hands and fingers. One leg is covered with a shield, we will not draw it, but it is important to know where it is so that the dwarf stands firmly on the ground.

Step 3.

Outlining general outline figures, draw a face, clearly draw clothes, armor and weapons. It is advisable to think through the armor in advance and make preliminary sketches. On the dwarf's head is a helmet with a chain mail collar, a cloak on his shoulders, shoulder pads under the cloak, chain mail under the shoulder pads, and a wide belt. There are greaves and bracers on the arms and legs. Leather boots, wooden shield with metal edging.

Step 4.

We draw our gnome in detail with a pencil, carefully working out all the details. We draw the chain mail rings large and clear, the belts that fasten the armor, and the rivets on the helmet, shoulder pads and shield. Draw the chest plates and folds of the cloak. Showing the volume of the shoulder pads.

Step 5.

If you carefully drew all the details of the drawing with a simple pencil, you can start working with ink and pen. But you should take waterproof mascara. After the mascara has dried, you can erase the pencil lines with an eraser.

Step 6.

We strengthen everything contour lines. We make sure that all the lines are smooth and identical. We carefully study all the details of the design, especially the chain mail. Thin lines We designate the wood fibers on the shield.

Step 7

Taking into account the incident light, we apply the shadow with strokes, very clearly. Metal can be shaded with transverse lines - this creates a feeling of shine. We draw the tree, still tracking the direction of the fibers.

We continue to study graphics editor Inkscape lessons which is not at all complicated. Today, I want to invite you to draw a shield with me. I chose the shape of the shield to my taste, but you can draw a shield of a different shape that you like. Are you asking how you can make a shield of a different shape? We'll find out now.

Inkscape lessons: drawing a shield

Of course, first of all we need to draw the shape of the shield. It can be drawn in two ways. The first is to outline the square and extend it using knots. The second way to draw the shape of a shield is to first create half of it using a mesh, then duplicate it, flip it horizontally, and connect both halves. I will choose the second method, and drawing others Inkscape lessons, I will definitely show you the first one. Click " View - Grid"and using Bezier curves we create half of the shield.

When half is ready, remove the grid and duplicate half ( Ctrl+D), reflect horizontally ( N) and connect the upper and lower nodes. If you suddenly forgot how to connect knots, then watch the lesson “How to draw a heart.” I ended up with a completely symmetrical shield shape.

Next you need to fill the shield with color and duplicate it once. I have the lower part of the shield filled with dark green, and the upper part with light green. Now you need to remove half of the top shield. I draw a rectangle and place it exactly in the middle of the shield.

I perform the operation “Difference” ( Ctrl+ -).

Now you can fill the lower part of the shield with a linear gradient. Add three anchor points and position them as shown. Next, give each point its own color from left to right: white, 7.5% grey, 40% grey, white, 2.5% grey.

We paint the right half of the shield in the same way, only we add two anchor points. Colors from left to right: 50% grey, 20% grey, 10% grey, 7.5% grey.

In the Inkscape Lessons: Drawing a Shield tutorial, the base of the shield is ready, and we could use a little background in the background. To do this, duplicate the lower shield and fill it with color #536c67. We lower it to the background with the End key and use the arrows to move it slightly to the right and down, as in the figure.

We are starting to work on the main part of the shield. Duplicate the lower gray shield, fill it with #536c67 color, and make it smaller using the (<).

Now we duplicate the green part of the shield, which was obtained in the previous stage, twice! We move the upper part slightly to the right and up.

We perform the “Difference” operation between them (Ctrl+ -). The piece that remains is filled with a darker color - #374845 .