>Essays based on the work The Master and Margarita

Love story of the Master and Margarita

Many critics believe that the Master repeats the life of the author, since M. A. Bulgakov was also a historian by training and once worked in a museum. His manuscripts were also rejected and not allowed to be published. In the novel, the Master wrote a brilliant work about the last days of Yeshua Ha-Nozri, but his work was not only refused to be published, but was also severely criticized. After this, the Master burned his novel, lost faith in himself and became seriously ill. He spent some time in a psychiatric hospital, where he met the failed poet Ivan Bezdomny.

This hero was indifferent to family joys. He couldn't even remember his ex-wife's name. But everything changed when he met Margarita. Despite the fact that she was married, this young, beautiful and wealthy Muscovite fell in love with the talented writer and his book with all her heart. She became not just the Master’s beloved, but his reliable and faithful assistant. However, the relationship of this couple was not simple. They were destined to go through many trials. Even the “yellow flowers” ​​that Margarita had in her hands at their first meeting warned them about this.

If the Master is the personification of creativity in the novel, then Margarita is the personification of love. For the sake of her beloved and the success of his work, she first left her legal husband and then sold her soul to the devil. Azazello introduced her to Woland. He prepared a cream for her, using which she turned into an invisible witch and flew at night. But true love has no barriers. In the guise of a witch, she took revenge on the critic Latunsky, who slandered a passage from the Master’s novel, and then accepted Woland’s offer to be the queen at the Sabbath of Satan.

She endured all the trials with dignity in order to meet the master. For this, Woland reunited them again and returned a copy of his work to the master, adding that “manuscripts do not burn.” Noticing that the lovers were surrounded by pathetic, hypocritical and worthless people, Woland decided to take them into his retinue. For the sake of their love, the master and Margarita agreed to renounce earthly life and move to another dimension, where the master could continue to create. Thus, they perpetuated their love, which later became an ideal for many people living on earth.

“The Master and Margarita” is a work by Bulgakov, in which the author reveals several themes at the same time.
One of them is the theme of love. The author reveals it in a storyline that describes the relationship between the Master and Margarita.
These are different heroes in terms of social status. The master is poor. He describes himself as a “beggar.” He once belonged to the middle class, but over the years his life changed. The former historian worked at the museum several years ago. He was lonely. The Master had neither relatives nor friends in Moscow. But one day he won a large sum of money. This led to changes in his life. The master rented himself a small apartment and bought books.
Margarita, on the contrary, was rich. Together with her husband, they lived in a luxurious mansion. Margarita could afford absolutely everything. There was only one thing missing from her life - family happiness. Margarita respected her husband, but did not love her.
But such different fates did not prevent them from falling in love with each other. For the first time, the Master and Margarita met on the street. The master was walking along Tverskaya and suddenly noticed Margarita. She struck him at first sight. Margarita carried a bouquet of yellow flowers in her hands. And although the Master decided that this was a bad sign, he still followed the woman.
Each of the heroes showed their love in different ways. The Master's love for Margarita was practically not manifested, but he loved her very much. The master was looking forward to meeting his beloved. Already in the morning he warily listened to every sound. From the very first minutes, the Master realized that Margarita was exactly the one he had been looking for all his life.

As for Margarita, her love for the Master manifested itself very clearly. He was the most important person in her life. After an unhappy marriage, Margarita needed only a master.
Margarita had no children, and she directed all her maternal love towards the Master. She took care of him. When the Master was writing his novel, Margarita was nearby and inspired her beloved. Margarita supported the master when writers rejected his novel. But Margarita’s love manifested itself most strongly when the master disappeared. Margarita blamed herself for leaving, and then for not returning in time. Margarita tried to find out at least something about her lover. She had to return to her husband. She lived like this for about six months. Margarita missed him and was waiting for at least some news. For the sake of the master, Margarita was ready to do anything. She agrees to a deal with Woland as soon as the conversation turns to the master. It is for the sake of her beloved that Margarita changes her lifestyle. She became a witch.
For her determination and love, Margarita received a reward. She was reunited with the Master. They found their happiness. But this happiness was found in an unreal world. The Master and Margarita found eternal shelter. But in reality, neither the master nor Margarita achieve happiness. The master died in the “house of sorrow”, and Margarita died in her mansion, taking a step from one room to another. In reality, their love never received a happy ending.
This was a very strong love. Love forced these people to do many different things: the master to create, Margarita to leave her husband, to agree to a deal with Woland. Love completely changed the life of the Master and Margarita.
Thus, we can consider that Bulgakov managed to prove: true love really exists, and if such love comes to a person, it forces him to do anything.

Pikalova Alexandra

Who told you that there is no real one in the world?
true, eternal love? May the liar be cut off
vile language!

The legendary brainchild of Bulgakov, the novel “The Master and Margarita,” occupies a worthy place in Russian literature. This work has not left bookstore shelves for many years due to the relevance of the topics raised by the author in the novel. One of the leading lines of the novel is the love of the Master and Margarita, which will be discussed. Do these people deserve to be together? That's the main question. The author introduces readers to the Master in the thirteenth chapter. Already here the image of a loving man appears before us.

He keeps a cap with the letter “M” embroidered. It was “she” who sewed this hat for the Master. Who is this mysterious “she”? This is the one who believed in her Master. The one who lived his novel. The one who made a deal with the devil just to be with her loved one. This is Margarita. They are both ready for selfless love. On Margarita’s part, these are actions aimed at happiness with the Master. On the Master's part - the desire for his beloved to forget about him. It would have been better for this poor woman.

Their meeting was marked by a bouquet of yellow flowers in the hands of Margarita, which symbolized the difficult path of lovers. But true love turned out to be higher and stronger than all obstacles and hardships. The love of the Master and Margarita is a dilemma: can pure and bright love be achieved only by a deal with the devil? I can confidently answer this question in the affirmative: yes, it can. Love is an all-encompassing feeling, belonging only to two lovers and no one else. You can often hear the phrase that to achieve a goal, all means are good. In the novel, this statement is supported by the actions of the heroine. Her goal was love and happiness with her beloved Master. And will a person, in whom the fire of love does not burn, dare to undertake such feats? No. Margarita was driven by the power of love, enormous and boundless. It was this strong, pure feeling that led the heroes through all the thorny paths, through times and worlds.

Despite the prosperous life in the mansion, Margarita is not happy with her fate. She will prefer the Master’s basement to luxury, in which they sinfully love each other, breathe each other. But together, together. “Forgive me and forget me as soon as possible. I'm leaving you forever. Don't look for me, it's useless. I became a witch because of the grief and disasters that struck me. I have to go. Farewell,” writes Margarita to her husband, flying away towards her true happiness. She is driven not only by love, but also by a feeling of anger and resentment for the Master’s rejected romance. She destroys everything that comes to her hand, avenging her loved one.

In my opinion, Satan's ball is the main episode of the novel. It is he who makes it clear whether Margarita will be able to go through the entire ritual, whether she is worthy of the happiness of being with the Master. She puts clothes on her naked body that bring pain. She drinks blood from the goblet. She obediently offers her knee for the kisses of the dead. She shows mercy by forgiving Frida for her infanticide. Despite her sore feet, Margarita proudly steps and walks around the guests. How else? She is the queen and hostess of the ball! The heroine endures Satan's ball with dignity.

Margarita does not dare to remind Woland of the promise because she is proud. Even when the devil asks the question directly, she still answers that she doesn't need anything.

“Never ask for anything! Never and nothing, and especially among those who are stronger than you. They will offer and give everything themselves! Sit down, proud woman! - Woland said to Margarita’s proud silence.

Margarita’s only wish was voiced with a convulsive face:

“I want my lover, the master, to be returned to me right now, this very second!”

This was the desire to which the heroine went throughout the novel. This once again proves the purity of her thoughts and love. The author managed to convey Margarita’s emotional change through her remarks, which are full of repetitions, ellipses and exclamations. There was no limit to her happiness. But to the Master, all this seemed like a hallucination, so much did he not believe in the possibility of reuniting with his beloved again. Where did the proud woman go? Tears flowed from her eyes, some of happiness, some of grief and pity. But now they are together. They both know it.

Symbolically, the reunion of lovers was accompanied by the resurrected romance of the Master, because “manuscripts do not burn.” And if love is a manuscript that was written days and nights, the success of which they believed in, which they lived by, will it burn? The Master and Margarita, leaving together for the hard-won world of happiness, proved that true love will overcome anything: it will burn in flames, but will rise from the ashes.

One of the greatest novels of the 20th century is The Master and Margarita. There are several storylines in this work. The main one is the love story of the Master and Margarita. Does Bulgakov's heroine have a prototype? Why did the author give this name to the Master’s beloved?

Margarita prototypes

Regarding the history of the creation of the image of the main character, researchers do not have a common opinion. However, Bulgakov’s novel is one of the most controversial works in the entire history of literature. The writer created his heroine based on literary sources. But in this image one can also see the features of real women.

In an early edition, Bulgakov called the hero Faust. The main female character in Goethe's work was called Gretchen (Margarita). In the process of working on the work, the writer also collected materials about two historical figures. Namely about Margarita de Valois and Margaret of Navarre.

In the spring of 1930, Bulgakov met a wealthy married lady. The first meeting with her took place on 1st Meshchanskaya Street. This woman's name was Margarita Smirnova. Perhaps meeting her partly inspired the writer to create a tragic female image.

Elena Sergeevna

And yet, the main prototype of the heroine of the famous novel is, perhaps, Bulgakov’s third wife. It was thanks to the prose writer’s faithful companion that the work was published. The novel was not finished. At the end of his life, Bulgakov lost his sight, and his wife wrote down the last chapters from his dictation.

One day an interesting incident happened. Elena Sergeevna called the editorial office of Novy Mir and arranged a meeting with Tvardovsky. She appeared in the editor’s office a few minutes after the call. When asked what kind of transport she used, the woman calmly answered: “A broom.”

Elena Sergeevna also had an external resemblance to Margarita. She, like the heroine of the novel, was slightly squinted in one eye. Anna Akhmatova knew Bulgakov’s wife and once dedicated a poem to her, which included the words “witch” and “on the eve of the new moon.”

“I will poison Latunsky!”

The version that the main prototype of Margarita is Elena Sergeevna Bulgakova is supported, of course, not only by external similarity, but also by amazing devotion. The love story of the Master and Margarita is poignant and unforgettable. There really is something witchy in the feelings that the heroine experiences for her lover. Suffice it to recall the story that happened in Latunsky’s apartment.

Of course, the author of the novel himself was attacked by critics. His wife once, having read an article about “Bulgakovism,” shouted out in her hearts: “I will poison Litovsky!” The prototype of Latunsky is precisely this critic and playwright, known today primarily for his attacks on the work of the great writer. In 1926, he published a derogatory article about the work “Days of the Turbins,” in which he first used the term “Bulgakovism.” In the chapters of the novel telling about the love story of the Master and Margarita, the reader encounters a word created by Latunsky: “pilatchina”.

Unlike Goethe, Bulgakov forces not the main character, but his beloved to contact the devil. It was Margarita who made the dangerous deal. To meet her beloved, she was ready to risk anything. And this became the climax in the love story of the Master and Margarita in Bulgakov’s novel.

Creation of a work

Work on the book began in the late twenties. Initially it was called “A Novel about the Devil.” At that moment in the novel there were not even the names of the Master and Margarita. In 1930, the novel was burned by the author himself. There were only a few drafts left, in which there were many torn sheets.

Two years later, the writer decided to return to his main work. Initially, Margarita enters the novel, and then the Master. Five years later, the well-known title “The Master and Margarita” appears. In 1937, Mikhail Bulgakov rewrote the novel from scratch. This took about half a year. Later, the writer had new ideas, but there were no more corrections.

Dating

How did the love story of the Master and Margarita begin? The meeting of two lovers was quite unusual. Walking down the street, Margarita carried alarming yellow flowers in her hands. The master was struck not by Margarita’s beauty, but by the endless loneliness in her eyes. She was as unhappy as he was. This extraordinary meeting marked the beginning of the extraordinary love story of the Master and Margarita. When analyzing Bulgakov's work, attention should be paid to some facts from the writer's biography. He suffered from constant bullying and attacks, and transferred his feelings to the pages of the novel.

Let us return to the event from which the love story in the novel “The Master and Margarita” began. The first meeting of the heroes took place on Tverskaya, where it is always crowded. But that day, for some reason, the central Moscow street was empty. The woman asked him if he liked her flowers, but he replied that he preferred roses, and Margarita threw the bouquet into the ditch.

Later, the Master will tell Ivan that love broke out between them suddenly, comparing the deep feeling with a “killer in an alley.” Love was indeed unexpected and was not intended for a happy ending, because the woman was married. The master at that time was working on a book, which was not accepted by the editors. And it was important for him to find a person who could understand his creativity, feel his soul. It was Margarita who became that person, sharing all his feelings with the Master.

Margarita left the house that day with yellow flowers to find her love. Otherwise she would have been poisoned. A life without love is joyless and empty. But the story of the Master and Margarita does not end there.

Novel about Pilate

After meeting her lover, Margarita’s eyes sparkle, the fire of passion and love burns in them. The master is next to her. One day she sewed a black hat for her beloved and embroidered the letter “M” on it. From that moment on, she began to call him Master, urging him on, predicting greater glory for him. Re-reading the novel, she repeated the phrases that had sunk into her soul and concluded that her life was in that novel. But there was life in him, of course, not only hers, but also the Master’s.

The end of happiness

Schoolchildren write the essay “The Love Story of the Master and Margarita” more often than any other based on Bulgakov’s work. Disclosure of this topic does not require deep knowledge of mythology and the history of Christianity. It would seem, what could be simpler? And yet, it is not easy to briefly describe and analyze the love story of the Master and Margarita.

Critics rejected the novel about Pilate. With this, the happy period in the life of Bulgakov’s heroes ended. And the point is not that the work was not published, and its author did not receive a fee. Criticism killed everything alive in the Master. He no longer has the strength to live or write. He was deprived of the ability to experience simple human joys. He forgot a lot from his previous life. But the image of Margarita will never leave his memory. By this the writer probably wanted to say: there is nothing stronger than love, nothing can destroy it.

One day the Master throws the manuscript into the fire, but his beloved snatches what is left from the oven. Margarita seems to be trying to preserve their feelings. But the Master disappears. Margarita is alone again.

The appearance of the devil

One day Margarita saw a dream that gave her hope. She felt that her meeting with the Master would soon take place. On this day, in the Alexander Garden, she met Azazell. It was he who hinted to her that a meeting with the Master was possible. But she had to turn into a witch. Life without a Master was a real torment for her, and therefore she made a deal with the devil without hesitation.

Death

However, the long-awaited date did not bring joy to Margarita. The master is sick, he cannot and does not want to be happy. And then she proves to Woland that her beloved deserves to be cured. She asks to save the Master, to make him the same. Woland fulfills Margarita's request. They return to their basement, where they begin to dream about the future. By the way, the Master’s manuscripts actually survived. Margarita sees them in Woland’s hands, but over the past night she has forgotten how to be surprised. “Manuscripts don’t burn,” says the devil, a phrase that has become key in the novel.

Nothing can make the Master and Margarita happy. In a world of hypocrisy and lies, they will always suffer. And therefore Woland sends Azazel to them. The lovers drink the wine brought to them and die. They didn't deserve the light. But they deserve peace. The Master and Margarita fly away with Woland to another world.

An extraordinary love story makes Bulgakov's novel one of the most popular works of world literature. As already mentioned, the book has several storylines. However, the story of the Master and Margarita, in contrast to the description of the events that occurred before and after the execution of Yeshua, is understandable to everyone, regardless of age and literary preferences.

May the path of true love be wide.
W. Shakespeare
G. Bulgakov believed that this is love and hatred, courage and passion, the ability to appreciate beauty and kindness. But love... it comes first. Bulgakov wrote the heroine of his novel with Elena Sergeevna, his beloved woman who was his wife. Soon after they met, she took on her shoulders, perhaps most of his, the Master’s, terrible burden, and became his Margarita.

The story of the Master and Margarita is not one of the lines of the novel, but its most important theme. All events, all the diversity of the novel, converge towards it. They didn’t just meet, fate collided with them on the corner of Tverskaya and Lane. Love struck both like lightning, like a Finnish knife. “Love jumped out in front of us, like a killer jumps out of the ground in an alley...” - this is how Bulgakov describes the birth of love among his heroes. These comparisons already foreshadow the future tragedy of their love. But at first everything was very calm.
When they first met, they talked as if they had known each other a long time ago. Love flared up violently and it seemed like it should burn people to the ground, but she turned out to be homely and calm.

In the Master's basement apartment, Margarita, wearing an apron, kept house while her beloved worked on a novel. The lovers baked potatoes, ate them with dirty hands, and laughed. It was not sad yellow flowers that were placed in the vase, but the roses they both loved. Margarita was the first to read the finished pages of the novel, hurried the author, predicted his fame, and constantly called him Master. She repeated the phrases from the novel that she especially liked loudly and melodiously. She said that this novel was her life. This was an inspiration for the Master; her words strengthened his faith in himself.

Bulgakov very carefully and chastely talks about the love of his heroes. He was not killed by the dark days when the Master was defeated. Love was with him even during the Master’s serious illness. began when the Master disappeared for many months. Margarita thought about him tirelessly, and her heart never left him for a moment. Even when it seemed to her that her beloved was no longer there. The desire to find out at least something about his fate overcomes his mind, and then the devilish war begins, in which Margarita takes part. In all her devilish adventures, she is accompanied by the loving gaze of the writer. The pages dedicated to Margarita are a poem in the name of his beloved - Elena Sergeevna. I was ready to make “my last flight” with her. This is what he wrote to his wife on a gifted copy of his collection “Diaboliad”.

With the power of her love, Margarita returns the Master from oblivion. Bulgakov did not invent a happy ending for all the heroes of his novel: everything remained as it was before the invasion of the satanic company in Moscow. And only for the Master and Margarita, Bulgakov, as he believed, wrote a happy ending: eternal peace awaits them in the eternal home that the Master was given as a reward.

Lovers will enjoy the silence, those they love will come to them... The Master will fall asleep with a smile, and she will forever protect his sleep. “The Master silently walked with her and listened. His troubled memory began to fade,” - this is how this tragic love ends.
And although the last words contain the sadness of death, there is also a promise of immortality and eternal life. It is coming true today: the Master and Margarita, like their creator, are destined for a long life. Many generations will read this satirical, philosophical, but most importantly - lyrical love novel, which confirmed that the tragedy of love is the tradition of all Russian literature.

The novel “The Master and Margarita” unites what seems impossible to combine: history and fiction, reality and myth, funny and serious. But, reading the novel, you understand that it is impossible to write it any other way, because it presents three worlds - biblical antiquity, Bulgakov’s contemporary reality and the fantastic reality of the devil.

At first it seems that the connection between these worlds is conditional. The novel about Pilate and Yeshua Ha-Nozri is simply a novel within a novel, as a form. But over time, it turns out that the deeper meaning is in how the chapters that talk about biblical antiquity are connected with modernity. The center of the life of any society is a mentality built on moral laws. When you observe the life of Soviet society described by Bulgakov, it seems that people have forgotten about moral rules. So, the events of the first century are intended to remind people of the eternal laws of existence. Nothing has lost its relevance since that time. Cowardice is still considered a flaw that drags along with it. Treason remained betrayal.

And now people strive for goodness and justice. True, sometimes only for yourself. But it seems that this is what unites all three worlds: faith in the law of justice, the inevitability of the punishment of evil. So, good and evil are the measure of human society and personality. For the author, justice for evil and return for good serve as the engine of the entire plot. There is something reckless about trying to solve the eternal problem of good versus evil by bringing Satan himself into the mix. So another world is added to reality, quite fantastic at first glance. But through his real world it is freed from gossip, like Aloysius Magarych, or slanderers and bribe-takers, drunkards and liars. The reader understands Margarita, who, having turned into a witch, takes revenge on the critic Latunsky by committing a real pogrom in his apartment.

The return of the Master to his home with Margarita, and the preservation of his novel, and the preservation of his novel seem to be a magical way of obtaining justice - “manuscripts do not burn!” In reality, all worlds are united. Nevertheless, the existence of the world of biblical antiquity, as well as the fantastic world of Woland, fills modernity with new content. Life is not so easy, but there is an eternal law of justice and goodness that guides human actions and the development of all mankind.